clarkejb
I have a theory about why Sting and Trudie made this move: I think they became involved with the film for sentimental reasons. As far as I know, Sting and Trudie fell deeply in love during the time in which Sting made the movie, "Brimstone and Treacle." There are significant differences between that film and "Gentlemen Don't Eat Poets," but there are a few striking similarities. In both films, Sting portrays a sexy, mysterious, and sinister character who becomes involved with an unsuspecting family. Both characters take on a role of servitude only to wreak havoc on the respective families for personal gain. The two characters also torment a child of the respective families. I think these character elements attracted Sting and Trudie to this project, and I suspect the film reminds both of them about an extraordinarily passionate part of their personal past together. There are plenty of reasons to enjoy this film beyond any interest viewers may have for Sting as a celebrity. The acting is actually quite good, and the performance of Alan Bates is memorable. The costumes, the set, the score, and the photography are all excellent. Where the film falls short is the lack of an enjoyable story. There are really no likable "good guys." Instead, there are just victims and "bad guys." At the same time, the viewing experience is more weird than dark. I think viewers are most likely going to ask the question, "What did it mean?" I cannot answer that question, but I would like to point out that this film is the last significant film role performed by Sting.
ssinnott
This movie was more boring than church. All they did was yak yak yak and didn't even shoot anybody. The sex scenes were okay, but it was all that "dialogue" and "plot" between the sex that really ruined this film.
kate.o'donnell
If you have been itching to see more Sting on film here's your chance! You'll get to see all of him and often. As some other reviews point out this is not the standard American thriller, it requires a lot more attention to innuendos and symbolism. Anyone who is familiar with English country life will know that the understated aversive actions of the characters are dictated by the unspoken societal rules of such a setting. With his wife on and off the screen Trudy Styler,Sting puts on one of his most erotic, and intriguing performances. (For the boys and the girls!)
DM-19
I like the premise of this film, a butler worming his way into the family to gain their inheritance, but the execution lacks any excitement, tension or even passion that it should.Sting fails to capture any real nastiness about himself, the cinematography is DULL and the really leaden script doesn't do any justice to the fine Patrick McGrath novel.
AD
