The Heckling Hare

The Heckling Hare

1941 ""
The Heckling Hare
The Heckling Hare

The Heckling Hare

7.3 | en | Animation

Bugs is being chased by hunting dog Willoughby, and outsmarts him at every turn, until the end, where they outsmart the audience together.

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7.3 | en | Animation , Comedy | More Info
Released: July. 05,1941 | Released Producted By: Warner Bros. Pictures , Leon Schlesinger Productions Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Bugs is being chased by hunting dog Willoughby, and outsmarts him at every turn, until the end, where they outsmart the audience together.

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Cast

Mel Blanc , Tex Avery

Director

Tex Avery

Producted By

Warner Bros. Pictures , Leon Schlesinger Productions

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Reviews

Edgar Allan Pooh . . . that no one will tell us? In his commentary audio track in Looney Tunes Golden Collection Volume Two, Disc One for THE HECKLING HARE (and let's be VERY clear here: Bugs Bunny comes nowhere near heckling enough to get "flipped the bird" at a Trump Rally, let alone get punched in the face by some Rabbit-Hating White Geezer), LT fixture Greg Ford says that Western Civilization was shaken to its Very Foundations when some guy named Leon wouldn't let another gent called "Tex" end this animated short by having Bugs say, "Hang onto your hats, folks; here we go again" because that phrase was the infamous punchline of a dirty joke making the rounds in 1941. Nowadays it's hard to see the humor in this smattering of words. First of all, only geezers, military people, and dudes called "Tex" even wear hats. Therefore, most people view hats as the opposite of an aphrodisiac. Maybe Mr. Ford knows WHY this line is supposed to be funny. If so, his explanation must be one of Looney Tunes' Forbidden Eleven Comments, to be locked away from the General Public along with the scarlet-lettered Eleven Bad Cartoons.
phantom_tollbooth Tex Avery's 'The Heckling Hare' is classic Bugs Bunny all over. Bugs' fifth ever appearance, it was also the cartoon that lead to Avery being fired from Warner Bros. Pitting Bugs against a dim-witted dog (voiced by Avery himself and modeled on Lenny from 'Of Mice and Men'), 'The Heckling Hare' further cemented the character of Bugs which Avery had been instrumental in creating. There's very little plot in this woodland chase but that is irrelevant when you take into account the many brilliant and inventive gags and how beautifully animated they are. Just look at the scene where Bugs puts on his swimming cap, carefully tucking his ears in each side. Check out not one but two fantastic gags involving just Bugs' ears and nothing else! The dopey dog is so little threat to Bugs that he actually takes a moment in the middle of the cartoon to wonder aloud "Now what can I do to this guy now?" This lack of any real threat allows Bugs to turn on his heckling full blast (as the title would suggest) and, in doing so, he invents several classic bits including the "Silly, Isn't He?" routine.'The Heckling Hare' is utter brilliance itself but it builds up to a climax that trumps everything that went before it. Bugs and the dog take the most extended, hysterical nosedive from a cliff you'll ever see in a cartoon. Far from simply waving at the camera and accepting their fate a la Wile E. Coyote, they scream blood-curdling, pleading wails of pure terror all the way down. It's surely one of the funniest scenes in the entire Warner archive and it's only a shame that Avery's boss Leon Schlesinger waded in and messed with his intended ending, which would have seen Bugs and the dog fall off another cliff. Schlesinger ordered that the ending be cut on the flimsy pretext that Bugs' line "Hold onto your hats folks, here we go again" was the punch line to a well-known dirty joke at the time! Schlesinger's cut version is the only one that exists today, meaning that the classic cliff-falling sequence is followed by a ludicrously abrupt ending. It's not enough to spoil such a wonderful short but you can't help but feel Avery and 'The Heckling Hare' deserved considerably more respect. Instead, Avery was fired and went to work for MGM. Although we may wonder what great cartoons he may have made had he stayed at Warners, had he not gone to MGM we wouldn't have the likes of 'Bad Luck Blacky', 'King Size Canary' or 'Red Hot Riding Hood'. For the existence of those cartoons, I guess we can thank the uncompromising brilliance of 'The Heckling Hare' and the audacious ignorance of the interfering Schlesinger!
Lee Eisenberg For years, the only Bugs-Bunny-razzes-hunting-dog cartoon that I knew was "Hare Ribbin'", which I had seen on MGM's video release "Cartoon Moviestars: BUGS!"*. So when I saw "The Heckling Hare", I was just a little surprised that Bugs Bunny had done all this once before. Then again, maybe it shouldn't surprise me that Bugs had done this more than once. After all, Bugs knows exactly what to do in these sorts of situations.Anyway, this one has a hunting dog named Willoughby looking for rabbits and finding Bugs. So, Bugs spends the next couple of minutes playing every possible trick on Willoughby (even wondering what else to do to the poor canine). And no one - not even the audience - is safe from his jeers.All in all, I would say that it was a good end for Tex Avery's Warner Bros. career. One has to wonder what else he would have done had he stayed with WB. I recommend it.*For many years, MGM owned the rights to the pre-1948 Warner Bros. color cartoons. For this reason, the documentary "Bugs Bunny Superstar" was an MGM release. When MGM released it on video in 1988, they also released Cartoon Moviestars collections "BUGS!" (showing Bugs Bunny holding an Oscar), "DAFFY!" (showing Daffy Duck wearing spiffy sunglasses), "PORKY!" (showing Porky Pig driving a fancy car) and "ELMER!" (showing Elmer Fudd sitting in a director's chair). Among the other cartoons on these videos were "The Up-Standing Sitter", "Brother Brat" and "A Pest in the House".
Robert Reynolds This short led directly to the exit of Tex Avery from Warner Brothers. Some sources say he was fired, others that he quit, but Leon Schlesinger's mistake was Avery's, animation's and MGM's gain. Avery did some fantastic work at MGM, animation gained from his influence on another studio and MGM gained by having the competition between Avery and Hanna and Barbera, which improved both teams. Avery's influence can be seen on the Tom and Jerry series in the mid to late 1940s and it's open to question whether Droopy or Screwball Squirrel would have developed at a crowded Warner Brothers. Who knows what would have developed (or not developed) at Warner Brothers had Avery NOT gone to MGM. Excellent short. Most highly recommended.