Paul Magne Haakonsen It is nice to have Taiwan step up and join the Asian horror genre. However, this movie wasn't really particularly a great one, but still the effort was made. The DVD brandishes "among the spookiest ever seen in Asian horror", to that I can only assume that the reviewer isn't particularly experienced in the Asian horror genre."The Heirloom" tries to tell a fairly simple story, but director Leste Chen manages to totally kill off the storyline by making the story told in a confusing way and often gives up on continuity throughout the story. It was a shame, because the storyline itself was good, but it was just subjected to an improper hand unable to handle it well. It was a real shame, because the aspect of the whole storyline with the child ghosts/spirits was really interesting and the story did have potential for something greater than it turned out to be.As far as it being a horror movie goes, then "The Heirloom" is surprisingly devoid of scares and spooks. There wasn't even a single shock moment in the entire movie. And compared to Asian standards, then this wouldn't be considered even remotely scary.The people cast for the various roles were doing great jobs, although it was an uphill battle against a messy script and a confusing storyline. However, Terri Kwan (playing Yo) and Jason Chang (playing James) were doing good jobs carrying the movie against all odds.But regardless of the messy outcome of the final cut of the movie, then it is good to have Taiwan marked on the horror market as well, and I am hoping to get to see more horror from there - and hopefully movies that aren't as confusing and badly scripted as this one.I am rating "The Heirloom" a 4 out of 10 rating, because the movie did have potential and was well produced, just a shame about the butchery that was done to the storyline.

MovieGuy01 I thought that the Asian film called The Heirloom was a good supernatural horror film. An architect called James Yang returns from the UK with his girlfriend called Yo, to inspect an old mansion that he has inherited on the outskirts of Taipei, they move into their new home. but then strange things start to happen. Yo's journalist goes missing and the James's friend Cheng gets strangled in a bathtub. they soon find out that the house may have strange or murderous powers. To find out the truth about the house, James and his girlfriend Yo start to begin to investigate the history of James's family and uncover a tale of mass suicide.

wkduffy I know, I know. Here it is 2006, and who on planet earth is paying attention to Asian horror movies any more? I mean, haven't we all moved onto Spain or France or whoever is the new Korea already? Clearly, if the Asian Wave of Horror has washed itself down the drain, who could be left but a bunch of sixth-generation Sadako wannabees, right?Actually, scrap all that. I have another theory. If J-Horror has truly gone stale, and no one is paying attention (or money) any longer, maybe the filmmakers still hanging around the soundstage are the true heroes--maybe those directors who continue to unapologetically explore the genre are the truly dedicated artists who believe there's still meat on them thar bones.If this theory is true, that means "Zhaibian/The Heirloom" offers something to the genre that is decidedly different, new, convincing, or at least creative. And, ultimately, it does just that. More specifically, it creatively turns back the clock on horror films, and transports the viewer backwards in time to the glorious era of classy 1970s horror flicks that relied on plot turns, creepy settings, and characters. Although narratively the film shares next to nothing with American classics like "Rosemary's Baby," "The Changeling," or "Audrey Rose," I couldn't suppress the urge to make the comparison (repeatedly while watching). The problem is, I just couldn't put my finger on why. There's some ineffable quality about "The Heirloom"--maybe the photography, the color palette, the dilapidated mansion as setting, or the wistful music-- that kept me saying, "Jeez, this reminds me of The Omen more than the 2006 remake of The Omen." I think there's no hiding the fact that this film is awash in that "ephemeral something" borrowed from those 70s classics; the director is clearly influenced by the era and style (even the lead women wear bell-bottoms rivaling those donned by Cristina Raines in "The Sentinel"). And allowing those influences to shine through is what I believe is so striking--and even risky--here. Again, I'll reference the recent remakes of so many genre classics--The Omen, The Amityville Horror, The Hills Have Eyes. What I often see in these remakes is not an understanding or embracing of 70s high-class horror style, but instead mere mimicry (often shot-for-shot). Who cares?Of course, the flick has its faults--most prominently (at the 1 hour, 15 minute mark) the action slows to a melodramatic crawl with nonstop slo-mo panning shots of people and places, accompanied by sweeping violins. Unfortunately, the film never regains its pace before the end--but it's still eye-candy worth savoring.Ultimately, seeing a film like "Zhaibian/The Heirloom" is like tripping upon some long lost 70s American horror classic I've never heard of. (It's just that the story is steeped in Buddhist tradition and is peopled by Asian actors, heh.) In so many intangible ways, it's like watching "The Manitou" or "Burnt Offerings" for the first time. For a director to achieve that kind of "seventies something-ness"--I applaud him roundly. On the other hand, I suppose many movie buffs (and especially younger horror buffs) would shrug off this 70s appropriation, saying "That's old stuff. It's out of date, out of step." But I wonder--will they be pining for "Hellraiser 6--straight to DVD" when they turn 40?

silence-23 As a great fan of Asian cinema, specially horror, I've think I've seen it almost all, and lately all films unless few exceptions were very repetitive, non-imaginative and quite predictable and boring. Before watching 'The heirloom', I didn't know what to expect...Another film about haunted houses...child ghosts (with long black hair...ha ha!)and the new inhabitants chased all along the way...? But as a fan I had to try, and was really grateful I did. Yes, it's about a haunted house and a child ghost, but not the usual meaning...I don't want to spoil the film but it's about a dark tradition of worshiping spirits that lead to death to almost a whole family. A relative who's being abroad inherits the house and it's when strange things starts to happen...all related to the past...the fiancée and a friend starts investigating and they discover the horrible past of the family... What I liked most of the film is the creepy atmosphere and that the horror is merely suggested, there are few 'terror' images, not the usual scares, but there's a tension during all the whole film that keeps you at the edge of your seat. The acting, specially the lead actress, who is very good, is quite o.k. Hope Leste Chen keeps this way of film-making! I give the film an 8/10.