robert-temple-1 This is the last film made by the famous director Ed Dmytryk before his death. However, he must have been failing more than in health, as his creative juices seem largely to have dried up for this one. I hate to say this, because two of my old pals were involved in the production: George Davis ('in charge of production') and Roy Parkinson, Production Manager. George and Roy liked to work together whenever possible, and I can just imagine that George raised a sizeable portion of the budget for this project. He died just after Christmas in 1999, and most of the films he worked on in his long career are not listed on IMDb. Production accountants often get no screen credits, although they are the custodians of all the producers' darkest secrets, and I learned a few from George! As for Roy, it appears that he is still alive aged 95, and I hope his charming wife Lana is too. George and Roy were two of the most honest and decent men I ever knew, and this seems a fitting occasion to pay tribute to both of them. There was one occasion in particular when I had to consult with them about a most important and difficult decision involving the jobs of many people, and their support helped me to make it and eased me through a crisis of conscience caused by an act of financial corruption by the Boulting Brothers. George Davis and Roy Parkinson came from a generation when loyalty and values still existed and were widely held, though such qualities are today a vanishing commodity in a world ruled by greed. George Kennedy was a curious choice for a lead actor in this action movie, as he was already a bit old and getting overweight. Of course, he is good, but he would have been better 10 years earlier. And this is in any case really a sixties movie made in the seventies. Much of the casting is of well known names from an earlier era who are either given very little to do so that their talents are wasted (such as Rita Tushingham and John Mills) or who look shockingly past their sell-by date, such as Raf Vallone looking like a ghost of himself. The script is weak, and Dmytryk does little to save it. This is one of those films where in the story vengeance is seen to be done, and there's none of that 'they should have a fair trial' stuff, so this is a particularly gritty suspense film. I only wish it had been a better one.

philip-evans I generally don't care for revenge films but this was a rare exception! I did not see it when it was first released, but a few years later while I was working as an American ex-patriot in Saudi Arabia. My family and children were with me in Saudi, and we lived on the local economy, as George Kennedy did in the movie. This movie really hit home with me and a lot of other ex-pats that were overseas at the time! It showed how vulnerable we really were living in a foreign country where we were quite often resented for even being there! I've always been a George Kennedy fan, even though he's probably not the greatest actor of all time. He's a very likable and believable actor that consistently does a good job! I give him and this film both of my thumbs up! I highly recommend this film to anyone that is even thinking about taking a job in a foreign country!

Michael ** ENDING SPOILERS (which might save you the bother of watching it!!) **NATO electronics expert Kennedy is out for blood after his family are done in by terrorists, with Mills on hand rather incongruously to give technical advice. The most worrying facet of this appallingly scripted and unprepossessingly staged bit of misanthropic reactionary violence is its marking of the passing of the surely senile Dmytryk; however its apogee of tastelessness is reached in the climactic supermarket shoot-out, replete with women and children cowering on the floor whilst blowsily unlikely 'Lone Wolf' Kennedy riddles his adversaries with very visceral holes amidst a maelstrom of baked beans and soap powder.

fresca102 When I first saw this movie, I was only 9 years old. The movies idea, losing one's entire family to terrorists, haunted me for years. George Kennedy's strong portrayl of a father who is obsessed about tracking down the killers of his family, can easily be outdone by newer more daring plots. For it's time though, The Human Factor was 'on the edge of your seat' suspense that left you with a weary, empty feeling when the movie was over. Although dated, I feel it can still create an emotional response for someone who looks for more than special effects in a picture. Too bad it is out of print.