The Iceman Cometh

1973 "They drank and they dreamed...tomorrow they would conquer the world...then along came Hickey."

The Iceman Cometh

7.2 | 3h59m | PG | en | Drama

Set in 1912, inside a dive bar named The Last Chance Saloon, its destitute patrons eagerly await the arrival of Hickey, who arrives annually and props everyone up with free drinks and spirited stories of his travels. However, when Hickey does show up this year, it is with a message of temperance and an exhortation to give up hopeless dreams and face reality.

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7.2 | 3h59m | PG | en | Drama | More Info

Released: November. 10,1973 | Released Producted By: The American Film Theatre , Cinévision Ltée Country: Budget: 0 Revenue: 0 Official Website:

Synopsis

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Cast

Lee Marvin , Fredric March , Robert Ryan

Director

Jack Martin Smith

Producted By

The American Film Theatre , Cinévision Ltée

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Trailers & Images

Cast

Lee Marvin

as Theodore 'Hickey' Hickman

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Fredric March

as Harry Hope

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Robert Ryan

as Larry Slade

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Reviews

danielj_old999 It seems that there have been a few actors psychologically and kinesthetically "born" to interpret the works of a certain great playwright (or director) as Toshiro Mifune/Akira Kurosawa for the cinema. It would seem that March and Jason Robards had this relationship with Eugene O'Neill. I've been told that March's performance in "Long Day's Journey into Night" in NYC in the 1950's was for the ages; this "ICEMAN" is another example. I had always thought that in his high gloss Hollywood films March appeared a bit flat and dull (excepting of course "Dr. Jekyll and Mr. Hyde"). In this film we can see a great actor regalvanized in one of the greatest supporting performances ever committed to film. Beneath the sheer coating of mordant humor which March provides with such finesse, we witness the total, volcanic deterioration and spiritual anguish of a human being. Probably the two greatest career finishes in cinema history were March and Robert Ryan in this movie.

nachtzoen Lee Marvin does his best here, but is just not in the same class as Jason Robards who is perfect for the role. There are other fine characters in the Marvin version which makes it definitely worth a look, however, nobody in the supporting cast does a bad job. Fredric March and Robert Ryan are truly spectacular in their roles and really steal the show from Lee Marvin. The Iceman Cometh is a great play, probably the best Eugene O'Neill ever wrote. If you haven't seen it, watch this, it's a cut above the average American film. But if you're planning on buying a copy, search for Jason Robard as Hickey. Lee Marvin's acting is too one dimensional to make this an excellent film.

jwest525 This movie is a rich 4 hours long. Lots of talk very little action. Yet I was transfixed by the dialogue and the acting. I have seen two productions with Robards in the title role and this hold up very well. How it is not on videotape escapes me.

Denis Forster I am adding my comment because the TV version did not show up on the IMDB cross-reference list. This play was previously produced in the early 1960s for the TV "Play of the Week" series. It starred Jason Robards Jr. as Hickey. Many consider this his finest performance and this TV version, the finest production. I saw both the movie version listed here and the TV version. As good as Lee Marvin's performance was, I also agree that the TV version is superior. See this if you can. The Iceman Cometh also happens to be my favorite play.An aside; I believe that Jason Robards Jr. was not offered the part for the movie version because at that time, his alcoholism got the better of him. There is irony here since the play demonstrates the impact of alcoholism and the pipe dreams that come from it. Up till then, the role of Hickey belonged to Mr. Robards Jr. as it should have. Mr. Robards Jr. interpretation of Eugene O'Neill's plays have always been masterful. I am convinced he was deeply hurt and has always regretted not being able to perform in the movie production.An experiment that I am sorry ended.This movie was an early part of a new production experiment in which the audience prepaid for the series (I am not sure of the series name but I seem to remember the American Film Theater or Institute). I had subscribed to it and I am sorry that the experiment failed after producing perhaps no more than 10 fine productions of classic plays.