Amy Adler Henry Hamilton (Tom Conti, excellent) and his wife, Beatrice (Meredith Baxter) have a lovely, upstate New York property in the late 1800's. Their only child, Amy, loves books and reading and loathes going outdoors. She is on the verge of womanhood. Also in their household, since her infancy, is a young lady of similar age, Edith (Cari Shayne). Edith was the daughter of a servant in Henry's brother's home in Italy and, when the sibling died, the Hamiltons took charge of the baby. She has been reared with love but is also a servant in the Hamilton household, being a companion for their child, Amy. There is a definite distinction between the girls, with Beatrice reminding Edith that when Amy marries, she, Edith, will have to look for a new position or marry herself. The sweet, loving "companion" never raises her voice about anything but, when the world gets too difficult, she goes for a ride on one of the horses on the property, being an excellent rider. Now into the home comes two guests who will be living there indefinitely. One is a distant cousin, Ida (Brigid Brannagh), an unmarried lady who, though quite beautiful and relatively young, is still without a husband. Beatrice hopes to matchmake her with their other guest, James Percy (Thomas Gibson), an old friend who has been unlucky in love, too. However, the best laid plans often stumble! James and Edith are almost instantly taken with each other, despite the differences in their status, while Ida proves to be a catty, deceiving shrew who lives to make trouble. A son of a local richman, Frederick (Paul Anthony Stewart) catches her eye, but, he seems attentive to Edith, too, making the situation even more complicated. Then, too, there is someone stealing Mrs. Hamilton's jewels on the sly and Henry wants to enlist Edith as the horsewoman for his prize stallion in a local race. No woman has ever entered before, though the rules don't forbid it. In all of these twists and turns, how will it all end, especially in the romantic category? And, are there more secrets to uncover? This movie is a treasure so make you own inheritance and buy a copy soon...got mine at the local grocery for $4.99! What an unbelievable bargain for a romantic drama fan! Also, this tale is TRUE and was originally a work of non-fiction by Louisa May Alcott. Fascinating stuff, makes one want to run to the library or Internet. The cast is just wonderful, with Conti leading the way. He is absolutely excellent as the caring patriarch while Baxter looks sensational and is likewise great in her role as the matron with a heart who nonetheless believes in the class structure of the times. Shayne and the very handsome Gibson make a lovely, sweet couple in waiting while Brannagh is quite fun as the prickly pear of a woman. All other cast members, including Stewart and Max Gail, are very fine, too. As for the film's appearance, what a stunning bit of scenery, costuming and cinematography! This is a gorgeous looking movie while its substance, as evidenced by its script and direction, is extremely worthy as well. Then, too, its G-rated content makes it suitable for every potential viewer, young and old. Do you enjoy romantic, substantive, and family-oriented films which are also quite, quite good? Seek this one out in the next couple hours for your loved ones.

anabissell I rented this film because I love Tom Conti, and when he's on screen, I enjoyed it. Otherwise, it's formulaic and stagy: the characters are two-dimensional, the plot development obvious in the extreme. Anyone who's surprised by anything here must never have seen another movie or read a novel. I was particularly offended that we're told in advance of his entrance "not to be put off by the physical appearance" of character James Percy. So who walks in but Thomas Gibson, looking like a dark-haired Adonis. This is Hollywood TV at it's shallowest. Another reviewer said the movie is far better than the book. It must be truly ghastly.

GrayAreaDVM I saw this first in 1997 on the Kraft something-something (CBS). The very first part looked so refreshing that I threw in a tape and have absolutely been gone on it ever since. I had read about the newly discovered manuscript and book publication at an earlier time. I bought several copies of the book and gave them out as gifts to friends and relatives. Everyone who has watched it with me has loved it. My brother, in from Knoxville once, and after watching the usual popular movies at that time, was, up to that point fairly unimpressed. I decided to put it in. He watched and even though he had not even commented on any of the others, he looked at me after the end credits then lights on, and said, "That was a good one." You have to know my understated Economics Professor-of-a brother to know how funny that comment was and how it pleased me. The filmed presentation and its screenplay are more flowing, integrated and related to a self-contained start-to-finish story than is the actual book. The scene where Edith is with her ailing uncle, her innocence, her lack of guile or ability to deceive, contrive or lie, is unbelievably attractive in character and essence. Edith is so transparently good and kind and always helping others without taking credit this story is about the rewards of that goodness and that sweetness. There are hints from the beginning that are noticed after the fact, about where the relationships lie and why certain people do what they do and act the way they do. How could the entire story be so simple and yet enchanting enough to cause me to think of it all the time. When Edith first meets Percy by the horse, spilling her apples and yet touching his scratched face with her handkerchief I loved the way the directors let us know the magic was on. When Percy comes in the house for the first time and meets her Edith cannot hide her bright-eyed, innocent crush and that she has met him already. Her facial expressions are uniquely well done as she hides behind the curtain. You can see that she is jealous already, even though she knows he is not there for her nor could there be a crossing of social barriers, yet he was hers, she thought. How many movies are there where one kiss, just one kiss is so dramatic? With all the thrills, spills and chills in modern movies, needed to even keep an audience awake, is this not a gem for those of us who are just plain in love with love?

Hilke I loved every moment of the movie. They all are great actors. They made me cry and laugh. Also the locations are beautiful and well chosen. One of the best movies I ever saw. I still enjoy it and I've seen it about 10 times