MartinHafer This is a biography of John Garfield that was made by Turner Entertainment. It talks about the life and career of John Garfield. It also, towards the end, talks about his problems during the Red Scare, as his left-wing politics were an excuse to hound him about communism. The film consisted of many interviews--most notably his youngest daughter--who really didn't know her father that well, as she was awfully young when he died at age 39. What a loss.The film was well-made and entertaining. Interesting and filled with many interesting facts and anecdotes. My only complaint, and it's a small one, is that the film was so short. But, so was his life...so perhaps this is fitting.By the way, if you wonder about Garfield's wife, she was alive in 2003 when the film came out but was suffering from Alzheimers--so she really was not available to participate in the film. She died a year later.

harry-76 A newspaper reviewer of Garfield's performance in his first movie, "Four Daughters," wrote that it was unclear whether it was the script or the performance that was so great, but the that the critic opted for the performance.That's the way it was with Garfield: so natural and convincing was his rendering that the viewer completely forgot that it was a "performance," rather a real character being observed and experienced.So successful were Garfield's "bad-boy" roles, that Warner Bros. kept him stuck there, to John's chagrin. On rare occasions he proved he could play other parts brilliantly, and the total body of his work is remarkable--particularly in so short at time. To have died before the age of 40 was a serious loss to the profession, yet his legacy paved the way for the likes of Brando, DiNero, Pacino and Hoffman.This original Turner Classic Movie production does justice to Garfield's work, and includes such thespian notables as Dreyfus, Woodward, Glover, and Cronyn paying tribute to one of their "heros."

texaswife I just want to say that I was so happy to see TCM do a special on John Garfield. My only complaint is that it only lasted an hour! John Garfield was the very first anti-hero. He paved the way for all who came after him...from James Dean and Marlon Brando to todays actors. Todays fans do not know who he is, and that is a shame. They are missing out on true quality acting. TCM did a great job summarizing his life and films. And I was pleased to see Julie Garfield, his daughter, commenting throughout the special. Bravo TCM!!

gvb0907 Narrated by his daughter Julie, this film offers the standard take on John Garfield: great actor, social activist, victim of HUAC. Clips from many of his performances are shown, including some we don't see every day on TCM. Pretty much an adoring portrait, although there are a few references to Garfield's darker side. Was he a great actor? He was always quite good, but he had his limitations. He was generally better in film noir than the great outdoors and often stronger in supporting roles than in leads. The film makes an argument that Warner's frequently misused him, but he was hardly unique in this regard. In any case, he did some of his best work there (e.g.,"Pride of the Marines") before free lancing in the late 40s. Was he an activist? Yes, though not any more so than a number of people and probably less than some. His roots may have been in the Group Theater, but even there the real emphasis was on acting, not activism. The film doesn't spend too much time on this side of his life, which is just as well, though the leftist actors who are interviewed clearly warm to this theme and to the concept of his martyrdom. For all the talk about HUAC and blacklisting (Joe Bernard states flatly "the Committee killed him"), Garfield's acting career was at most only half dead when he died at 39. He'd just been on Broadway in "Golden Boy" and surely could have made a good living on the stage, which was always his first love. As for his film career, that was probably on the skids anyway by 1952. Noir and social realism were played out. Hollywood was entering a white bread era and Garfield's urban/ethnic grittiness didn't fit into a landscape dominated by Westerns, Biblical epics, Technicolor musicals, and romantic comedies. Had he lived he surely would have made a big comeback in the 60s and 70s. It's not hard to imagine him as Sol Nazerman or Hyman Roth, but it wasn't in the cards. In his last film, titled ironically "He Ran All the Way", he was allowed very little running. Rheumatic fever in the early 30s had damaged his heart and there may have been congenital problems as well (his son died of a heart attack at 41). Very likely he had been dying for years. Recommended primarily for Garfield's fans or for those completely unacquainted with his work. Others will find it little more than routine.