JohnHowardReid Copyright 1955 by Universal Pictures Co., Inc. A Universal-International picture. No New York opening. U.S. release: April 1956. U.K. release through J. Arthur Rank Film Distributors: November 1955. Australian release: 9 March 1956. 7,253 feet. 81 minutes. Cut to 71 minutes in Australia so that it could easily fit on the lower half of a double bill.SYNOPSIS: Ma Kettle and thirteen of her sixteen children visit her lazy brother-in-law's rundown farm in the Ozarks.NOTES: Ninth of Universal's ten-picture Ma and Pa Kettle series. Percy Kilbride by this time was heartily sick of playing Pa. Minor injuries received in an auto accident gave him a good excuse to bow out of the series. He retired permanently from the screen and even refused $1 million to appear in a TV version of the Kettles. Ironically he was killed in December 1964 when struck by a car whilst crossing the street.COMMENT: This attempt to get by without Pa is not overly successful. Not only is Kilbride sadly missed, but the scriptwriter injudiciously calls our attention to his absence on no less than three occasions including two long letters which Ma Main reads. As might be expected, Miss Main carries the whole burden of this entry. Hunnicutt has no personality and is even outclassed by a goose wearing galoshes. Exaggerated slapstick abounds. But the movie signally lacks wit and charm. Heavy-handed direction and meat-axe film editing don't help.Miss Main was determined to continue the series without Kilbride. "I'd stand on my head to make people laugh," she said at the time. "That's all I have to live for. I don't want to retire." Unfortunately, the popularity of the series was now on the wane. Never highly regarded by the critics who found the cornball slapstick tedious and the lack of production values irritating, the Kettle movies were now upstaged by a host of TV imitators such as The Real McCoys, The Beverly Hillbillies, Green Acres and Petticoat Junction.OTHER VIEWS: About the only claim to fame this entry can muster is the presence of that personable stuntman Dave O'Brien (the perennial fall-guy of Pete Smith Specialties) as a Kettle-kids-harassed train conductor. These sequences occur quite early in the film. If you think this railroad slapstick embarrassingly inept, be warned it's all downhill from there. And to think that producer Richard Wilson, a long-time associate of Orson Welles, was assistant director on Citizen Kane and an associate producer of The Lady from Shanghai.

ksf-2 "Ozarks" opens with the Kettle family making a scene in the train station... and the slapstick comedy and antics continue when they finally get on the train. The Kettles, minus Pa, are on their way to visit Pa's brother in the Ozarks. This was the second-to-last episode in the collection. Keep an eye out for big stars Richard Deacon (was Mel Cooley on D.V.Dyke Show) as Big Trout, the Indian, and Una Merkel, (old time movie star) is Bedelia Baines. A twelve year old Bonnie Franklin (the Mom on One Day at a Time) is even in here as Betty ! About halfway through, we are introduced to the "bad guys", who are planning some sort of caper. Things move a little more slowly in this adventure... it was getting a little tired by this time. Ma Kettle yells "Come and Get it !" every few minutes, scaring the daylights out of everyone around. It's a pleasant mix of pratfalls and jokes. Fun running gag of a boot-wearing goose. Also a funny scene where all the farm animals get drunk...they probably wouldn't be allowed to make that scene today. This was the first one without Pa (Percy Kilbride), but Ma reads letters from him a couple times. Directed by Charles Lamont, who had directed about half of the "Kettle " films. He also worked with the Three Stooges, as well as Abbott and Costello, so he certainly worked with the Pros!

mark.waltz This isn't the first time I've seen a group of drunken farm animals on screen getting frisky or acting whacked out. That's because, in this case, they've gotten into the hooch kept hidden in Uncle Kettle's barn by bootleggers (post-prohibition!) who don't realize what they are up against when Ma Kettle and 13 of her 16 kids show up in the hills to help Pa's brother (Parker Fennelly) pay off his mortgage and get together with his lady love (Una Merkel). Pa is missing in this one, Percy Kilbride having retired. But Ma (Marjorie Main) is still as full of vinegar as always, reuniting her brother-in-law with the locals whom he mistakenly feels are snubbing him, then dealing with the city folk who think that mountain folk are fools. There are lots of funny gags (such as Ma's ordeal in a train station because of their cat-chasing pooch, and the aforementioned drunken animals), but I swear I've seen many of them in previous installments. (This was my first viewing of this entry.) But these flaws are minor; The film is fast moving and filled with irony (Fennelly being almost identical to Pa in every mannerism, including the Native American pals), but it is obvious that the writers were beginning to stretch their ideas rather thin.

Greydog Where Percy Kilbride was for this outing I'll never know (does somebody know?). The humour is at best forced. I suppose as they were nearing the end of the series, ideas were running low.Here's a bit of a *spoiler*, but why the heck would there be bootleggers in 1956 making illegal sourmash corn whiskey when real whiskey most likely was selling for almost the same price as kool-aid back then? Maybe I'm just picky, but the choice of bad guys and their money making scheme seems a little thin. I realise it is a comedy, but the Three Stooges or Abbott and Costello, at their worst, were far more entertaining than this poor excuse for a comedy! Certainly, this picture is not up to par with some of their more humorous, earlier pictures. A four out of ten at best!