The Killer Elite

The Killer Elite

1975 "They protect us from the enemy, but who protects us from them?"
The Killer Elite
The Killer Elite

The Killer Elite

6 | 2h2m | PG | en | Action

Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the CIA, and while on a case for them one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend.

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6 | 2h2m | PG | en | Action , Thriller , Crime | More Info
Released: December. 19,1975 | Released Producted By: United Artists , Persky-Bright Productions Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the CIA, and while on a case for them one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend.

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Cast

James Caan , Robert Duvall , Arthur Hill

Director

Ted Haworth

Producted By

United Artists , Persky-Bright Productions

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Reviews

alexanderdavies-99382 "The Killer Elite" is a rather uneven film that contains some of the typical Peckinpah magic but the plot is the big drawback here. It seems to take a while for James Caan to catch up with Robert Duvall after what happens at the beginning. Then the plot includes unnecessary distractions that have nothing to do with anything. The action scenes compensate a lot and I do like the Kung Fu moments (though not in the league of Bruce Lee). The setting in being that of San Francisco, is a good idea. It makes from it being either New York or Los Angeles.
bayardhiler As someone who is a big fan of Peckinpah's films like "The Wild Bunch" or "Convoy", I was very excited when I read the plot for 1975's "The Killer Elite". However, although it was not the worst film I ever saw, it became clear that it was not the greatest one either. The film stars James Caan and Robert Duvall as CIA contractors Mike Locken and George Hansen respectively, who take on the jobs the government doesn't want you to know about. The two are the best of friends until George betrays Mike by killing a man they were supposed to protect and shooting Mike in the knee. Broken, both physically and mentally, Mike soon sets his sights on revenge by going at it in physical rehab and martial arts. Soon he gets his chance when the people he works for learn that George is back in town to assassinate a client they've been hired to protect. Naturally, there's only one man who can do it and won't pass it up.The film works better in the first half, where George betrays Mike and Mike does everything in his power to get well and in the process shacks up with a pretty nurse. And it's also fun when we meet Mike's two helpers for the job, expert but cowboy killer Jerome Miller (Bo Hopkins) and street smart but world weary operative Mac (Burt Young). However when we get to the second half of the film, all of suddenly high stunt Kung Fu is introduced when it's learned that the man Mike and his team are supposed to protect is Oriental politician Yuen Chung (Mako) and his entourage that includes his daughter, Tiana (Tiana Alexandra). This might sound cool and it would have been if .........SPOILER....... Robert Duvall's character didn't die too early in the film. The sole purpose for Mike to take this job is of course his desire for revenge on George. The movie's plot made it look like the whole movie was going to be a cat and mouse game between Caan and Duvall. Once Duvall dies though, there's very little reason for the movie to continue. Yet it does for another forty-five minutes and as a result, it feels a little too long. END OF SPOILER........Now the martial arts that follows is done very well and impressive to watch; however, it just doesn't feel like Peckinpah's heart is in it. Case in point, at the final fight scene between Yuen and the head ninja occurs, Mike and his comrades seem content to watch, and rather dispassionately I might add. The film also suffers from disjointed editing, particularly the scene with the two heads of the company going over papers while one of them is bidding his time to make an important phone call (if you watch the film, you'll know it when you see it). "The Killer Elite" just doesn't seem to have the feeling of Peckinpah's other work. With that said, the film is not all bad. All the actors give great performances, be it the underrated James Caan as Mike, Robert Duvall as the treacherous George, Burt Young as Mac (who curiously, does a good job fighting ninjas), and Bo Hopkins as Jerome Miller. There's even a little bit of rare comedy from Peckinpah here concerning a cop and a bomb. And of course the idea of the CIA hiring unofficial heavies to do their dirty is by no means far-fetched. Plus, one has to keep in mind that there may very well have been studio tampering involved here, something that Peckinpah had to constantly deal with in his career. Who knows, perhaps he had a very different story in mind and it was shot down. For what it is though, if you are a big Peckinpah fan, "The Killer Elite" would not be a bad way to spend your time. After all, as someone else on this site said, watered down Peckinpah is still Peckinpah.
romanorum1 There are two items of note at the film's beginning. The first point is "An interview with Laurence Weyburn of ComTeg . . . September 31, 1975." September has 31 days? Really? Maybe in Caesar's day, but Emperor Augustus altered his calendar. The other item is "There is no company called Community Integrity NOR ComTeg and the thought that the CIA might employ such an organization for any purpose is, of course, preposterous." Thus states Director Sam Peckinpah. Of course he is tugging our chains.In the opening scene of the film several men barely escape a building that they rigged to explode; we are never told why they did so. But we learn early on that ComTeg is a private intelligence agency hired by the CIA to protect certain individuals and to conduct nebulous operations. ComTeg, which earns 11% its gross from the CIA, is run by Laurence Weyburn (Gig Young). Belonging to ComTeg are agents Mike Locken (James Caan) and George Hansen (Robert Duvall). They bring a bearded fellow named Vorodny to a hideout for safekeeping. Within a few minutes Hansen pulls out his pistol and blows out Vorodny's brains; right after he shoots Locken in his left elbow and in his left knee. "You just retired, Mike. Enjoy it," utters Hansen. So ends the first part: the double-cross. The next piece, about a half-hour or so, focuses on Locken's emergency hospital operations and recuperation, and also during that recovery his budding attachment with a nurse. Locken has vowed to get well enough to return to his old job; his bosses have doubts. During his convalescence he discovers the martial arts. While this state of affairs is going there is an intercut. We see a separate, failed ninja attempt to assassinate an Asian dissident at San Francisco International Airport.Along the way we are introduced to Cap Collis (Arthur Hill), a perfidious figure who is the field boss of top honcho Weyburn. Collis approaches the reasonably recovered Locken to get him back to ComTeg business. Locken eagerly agrees. Plus he is itching to track down and get even with his former buddy, Hansen. Weyburn tells Collis that Locken has permission to assemble his own team as a subcontractor to ComTeg. Meanwhile the CIA wants to protect Chinese dissident Yuen Chung (Mako) while he is in the USA. Once Chung leaves America, then he is on his own. Weyburn then gets the contract for ComTeg from the CIA, and gives the assignment to Locken. Locken gathers two former compatriots, Mac (Burt Young) and Miller (Bo Hopkins); the former is described as retired, the latter, as crazy.Now the story takes a serpentine turn, to say the least. In a strip joint, Cap Collis meets with both the leading Asian ninja, Tao Yi (Woo) and with Hansen to take out Chung. Yes, you read that correctly. Not only does Hansen still work for ComTeg, but ComTeg has been contracted to assassinate Chung. And to protect him at the same time! Whew!!! The director seems to recognize this dichotomy, for he has Hansen utter to Collis, "That's your style, Cap, setting people against each other." Maybe Collis has sold out to the same high bidder that lured Hansen. But how can Hansen still work for ComTeg? And why does ComTeg obviously spend big money for both assignments? Convoluted? You bet! Anyway, there is a Chinatown shootout where Locken, Mac, Miller, and Chung in Mac's hopped-up fake taxi escape from assassins, including Hansen and a false cop. After that there is a bomb removal scene from underneath the taxi that is nothing less than pretentious. Does anyone believe that a cop will readily accept a greasy, ticking time bomb in his hand from a stranger? This segment may be atypical Peckinpah, but it is ludicrous. In the last part the adversaries are martial arts fighting on the decks of the large US Navy Mothball Fleet that lies in Suisun Bay. But it is not Locken's bullet that finds its way to Hansen.San Francisco locations are used to good advantage, like the Golden Gate Bridge, Embarcadero Waterfront, Chinatown, and Bethlehem Steel Pier. James Caan and Robert Duvall are reunited from their "Godfather" days. Then, Caan as Sonny Corleone and Duvall as Tom Hagen were on the same side. Overall the acting is generally passable, while the violence is a bit toned down for Peckinpah. But the movie is good only in parts, and is way too long. Frankly the feature is just too complicated for many, and the betrayals are overdone. And yet the movie is watchable.
TedMichaelMor Okay, the story makes no sense, the characters lack any dimensionally, the best dialogue is ad-libs about the low quality of this excuse of a movie, the cinematography is dismal, and only editing saves a bit of the muddle,but Sam" Peckinpah directed the film. Somehow, his direction is not enough. For those who appreciate Peckinpah and his great work, this movie is a disappointment. Even a great cast cannot redeem the time the viewer wastes with this minimal effort.The proper response to the movie is the contempt that the director San Peckinpah, James Caan, Robert Duvall, Burt Young, Bo Hopkins, Arthur Hill, and even Gig Young bring to their work. Watch the great Peckinpah films. Skip this mess.