echanove Catalonian director Jorge Grau made in Spain in the 60s films as nice as "Una historia de amor", or as interesting as "El Espontáneo". In the 70s he also reached commercial success with the not negligible "La Trastienda". Always with a very personal style, most of the times very elegant too, as it can be seen at the end of his career in movies so underrated as "El Extranjero de la Calle Cruz del Sur" or "Tiempos Mejores".In the seventies he also made in joint production with other countries some horror films, like the funny and disturbing "No profanes el sueño de los muertos" or this cult and historical approach to the vampires myth. Both films are probably which he is probably best known internationally. The trouble with "Ceremonia Sangrienta" is that in my opinion it lacks of the gracefulness in the stage of other of his films, it hasn't those polish camera movements, and it is plenty of zoom movements and closeups.May be someone can say that help the story creating a creepy atmosphere but it is not only a formal matter. In my opinion there are also in the script some aspects not enough developed, like the relation between the marquis and his wife. In that sense, the character of Lucía Bose is far more plenty of information for the spectator than Espartano Santoni's which is not completely clear about his feelings and willings.Anyway, the film has creepy moments and probably is a " must see" for horror (and blood) lovers, specially if you like some kind of 'soft gore' with a certain doses of morbid sex. One odd thing is that you don't know if the marquis is a vampire or not. And the ambiguous final has some impact too.

Coventry I can't deny feeling just a tad bit underwhelmed after finishing my long-anticipated viewing of Jorge Grau's "The Legend of Blood Castle". Here I was all prepared and excited to acquaint with one of the most fabulous European Gothic horror movies of all time, directed by the Spanish genius who made "Let Sleeping Corpses Lie" and orbiting around one of the most horrific and notorious historical figures who ever lived. In the second half of the 16th Century, the Hungarian Countess Erzsébet Bathory discovered – or at least she believed – that bathing in the blood of young female virgins helped to retain a youthful appearance. She slaughtered hundreds of girls, which gained her the questionable honor of being the most prolific female serial killer of all times. Nearly 400 years later, this record still stands. There are a handful of really good horror films about her, notably Hammer's "Countess Dracula" and Harry Kümel's tantalizing "Daughters of Darkness", but still I was fairly confident that THIS would be ultimate cinematic version of the most macabre woman in history. "The Legend of Blood Castle" is reputedly the most accurate and relevant re-telling of the Bathory tale, elaborating more on her persona, her surrounding and her obsession for physical beauty. Now, "The Legend of Blood Castle" might very well be the most faithful version of the tale, but it's also a very confusing film that can't always manage to hold the viewers' attention. Most of the plot descriptions, including the one of the back of the DVD box, solely talk about how the countess bathes in the blood of her maidens and how her husband – marquise Karl Ziemmer – fakes his own death in order to go out at night, pretending to be a vampire and bringing back pretty young victims for his wife. However, this storyline only unfolds after 50 (fifty!) minutes into the movie! Before this, the movie endlessly focuses on the amorous escapades of the marquis and the extended trial against a father/husband accused of being a vampire. This particular trial is actually quite interesting to behold, because the accused is already executed but nevertheless attends his own trial, from inside a glass coffin with a wooden stake through his heart! These fifty not-so- relevant minutes are occasionally very atmospheric and creepy, but overall confounding. Once the Countess has taken her first "bloodbath", however, the film is truly nothing short of amazing! The last half hour is pure Gothic greatness, with eerie murders, thick-red blood effects and a climax that will continue to haunt your thoughts long after the film has finished. Perhaps one of the main reasons why the film, or at least the first full hour, comes across as rather underwhelming is due to the totally neutral and uncommitted English dubbing. The voices don't fit the characters and they all sound dreadfully monotonous. Some of the footage in the extended version is in Spanish with English subtitles, and those parts are noticeably a lot more spirited. Too bad the DVD didn't feature the option to watch the entire film in its original language, with subtitles. Jorge Grau nevertheless does his absolute best to clog up his film with a garden variety of Gothic trademarks, and they're most effective, I must say. The film opens with an atmospheric pagan ritual, the marquise's castle is full of hidden attics, peepholes and torture devices and – last but not least – throughout approximately 75% of the film you can hear two church bells eerily chiming. It's not a regular chime, mind you. First there's the "ding" and only like five whole seconds later follows the "dong". For some inexplicable reason, this is a masterfully unsettling sound effect and it honestly gives an extra dimension of fright to ALL the sequences where it's used. And there are plentiful! Personally I wasn't really impressed with Lucia Bosé's portrayal of Countess Erzsébet Bathory. Maybe this has to do with the fact she has to compete against other – much yummier – actresses like Ingrid Pitt and Delphine Seyrig, but more likely it's because she has very little charisma. Espartaco Santoni, on the other hand, nearly bursts with charisma and his performance as the sleazy marquise is tremendous. "The Legend of Blood Castle" is a good film, but I was really hoping I could call it a masterpiece of Euro-exploitation. Too bad, but still warmly recommended.

trashgang It's weird that this flick is still unavailable on DVD. Through my years in the genre I was able to get me an English spoken version and full uncut. The parts taken out and now available on this version were taken from a Norwegian VHS copy. It wasn't bloody scenes that were taken out but nudity parts. It really is a masterpiece, there isn't that much blood in it and it isn't scary at all but it is the atmosphere that makes this flick. Some people will be offended by the fact that there is real animal cruelty in it and some child abuse in the form of cutting the child with a piece of glass. It's all about vampirism and the real story of Elisabeth Bathory. All actors are really believable and the editing and lighting for an Italian movie is really nice. The sound of the churchbells all around the movie makes it also a bit frightening. This movie proofs that blood isn't always necessary to make a real good horror movie, try to catch the restored full uncut version at ZDD, a real good shop.

HorrorJeur The director of the film, Jorge Grau, is less known than other Spanish "fear maker" of his generation like Jesus Franco or Paul Nashy. But with only three films (this one and the excellent Pena de Muerte and No Profanar el Sueño de los Muertos) he proves an incredible ability to create disturbing and compelling horror films. Ceremonia Sangrienta is for my not only their masterpiece, is also the best try to do horror cinema in Spain as good as in other countries with longer tradition like United States, United Kindom or Italy. The story is fascinating. It propose a new point of view of the classic myth of the vampire, more realist than used to be in the moment that was made the film, and really visionary. Later horror masters like George A. Romero with Martin, Abel Ferrarra with The Addiction or John Carpenter with Vampires made similar treatments of the myth but we can't forget that Jorge Grau was the first. Visually the film is equally splendid. The photography of Fernando Arribas, present in a lot of Spanish horror films like La Cruz del Diablo, Horror Express or the recent Memorias del Ángel Caído, is simply extraordinary giving the film the appropriate colour and light. The cast is perfect, specially the sensual actress Lucia Bosé, but is the work of Jorge Grau behind the camera that makes this film so interesting. The tempo have not ups and downs and progress with the force of a train in the night, the mise in scene is classical and styish at same time, and I have not any doubt that Grau had known how to capture the essence of the vampirism in images.