dbdumonteil I have a warm spot in my heart for three Hathaway movies.Although there are many films made by him I like,I can watch these three again and again and again.One of them is "Niagara" .The two others were made the same year ,and,most amazing thing,they are as different as they can be:"Peter Ibettson" is a romantic fantasy film the influence of which was huge on the French Realisme Poétique of the late thirties/early forties.And there's "lives of a Bengal lancer".I was about 13 when I saw it for the first time with two of my pals who,having already seen the film ,had warned me:" there's horrible "Chinese" torture in it".At the time ,we thought that Mohammed Khan and his men were the villains and the English were the heroes.It was the first time I had seen Gary Cooper.I should hate the colonialism,the military spirit now ,and however I don't: I love this film.I love the story,I love the three characters (particularly Franchot Tone),I love all the supporting characters ,I love everything .The screenplay is so absorbing,the characters are so endearing that the simple idea of blaming the writers for their chocolate box India and their praise of the British Empire does not even come to mind."It looks like the Arabian night's "says young Stone in full regalia in the emir's palace.Would you blame Alexandre Dumas for his "three musketeers" because his rendition of the French seventeenth century and his vision of the Cardinal de Richelieu are approximative and a bit naive.But after all it's true that Richelieu did use female spies;hence the Milady character...In "lives" our milady is Tania.Played by a gorgeous actress whose career was short-lived,Kathleen Burke ,this lady has only four or five lines to say in one of the most underwritten parts of the whole cinema.So underwritten we do not even know what becomes of her when the film ends .She leaves with "a terrible headache" and that's it.How could the thirties audience accept that?"Lives" is definitely a male movie whereas the contemporary "Peter Ibbetson " is a female one.Franchot Tone has replaced Cooper as my favorite.He is ,IMHO,the stand-out of a stellar cast .A really fabulous actor,who achieves the incredible feat to be funny even when he is on the verge of tears.His nod to Mac in the dungeon when they are in a real plight in unforgettable;and it's easy to understand why Mac's last words were "poetry".Forsythe is the most endearing character ,and even his gaffes are sublime.When he meets a babe on the train ,Mac tells him he should know better and that there are spies everywhere."Melodrama Melodrama" he answers;little did he know his pal was right and that would happen later.And the flute which sounds like "Scottish pipe" which turns him into a reluctant snake charmer is the most hilarious scene of the American thirties.Hathaway's genius is to have maintained a " delicate balance" between comedy and drama.There are at least as many funny scenes as dramatic ones (some are both).Dig this line :"I told you this mardi gras would be a washout!"The Stone jr/Stone sr relationship has often been described as "devoid of humanity ,of sentimentality,of heart" .It's completely untrue :the old man desperately tries to communicate with his only son ,but he is too shy and too proud to let his feelings flow.Two admirable scenes show this frustration: the "letter" which Mac gives to Donald to take to the colonel,and the night before they learn his rapt,when the old ramrod cannot open his heart to his son's two mates who act as his "military " fathers and more .If Mac sacrifices his life ,it's not only for defeating Khan.He mainly wants to hide Donald Stone's weakness "who has betrayed his country" as Khan points out in the dungeon.The last scene bears this out.To the accents of "God Save the King" Stone's tears begin to fall...and you feel like crying as they decorate the hero's horse.

nnnn45089191 This movie was really entertaining.Much in the same mold as "Beau Geste",The Charge of the Light Brigade" and "Gunga Din",the movie is one of the great adventure films well worth catching.Gary Cooper is fun to watch,delivering a performance that fits an action-hero.But he is upstaged by a marvelous performance by Franchot Tone.I've never seen him better.His banter with Cooper gives the movie the great humor and fun.Guy Standing as the old commander is superb.And we have a great villain in Douglas Dumbrille. Although the movie roots for the British oppression in India,the whole story is done tongue-in-cheek and is so entertaining and fun to watch that you forget these outdated colonial sentiments.

Kara Dahl Russell LIVES OF A BENGAL LANCER is interesting, but very dated. This is Cooper before he really hit his stride, and one downfall of this film is that he talks so much (and a little too hammily). Cooper later came to epitomize the "strong silent type"... his eyes are so expressive that he was always more eloquent in silence.Because of this, the real standout in this film is Franchot Tone, who sparkles with wit, has a light touch with all the dialogue, and is a real "odd couple" match for Cooper, keeping things brisk, and bringing lots of levels to the table where Cooper keeps it broodingly within.Richard Cromwell is a strong and interesting presence. He looks slight and light and young, but has a surprising basso voice, and is a perfect fit for this role. The actor playing the General/his father is so clearly old enough to be his grandfather that it makes the plot even more confusing than it is all ready when it comes to their convoluted relationship.The outdoor sequences are so clearly filmed in Griffith Park area that it is amusing to watch for that... the action sequences would appeal to fans of early westerns, but are a little static, and there is just way too much talk in this film. Not active enough to be an action film, too weak a script to be a drama, it's a historical footnote on the way to more streamlined genres.

hairytick Was there ever a better actor on film than Gary Cooper? In "Lives of a Bengal Lancer" he shows the natural talent, the effortless pretense, that few others could match..... well Sean Penn or Ingrid Bergman maybe. Franchot Tone plays the best friend part to a tee, both infuriating and endearing himself to Cooper's character.... always makes me laugh when he plays "Mother MacCree" on the pipe, needling Coop at first, but then begging for help when a cobra is attracted to the sound.This is where they got the material for flicks like "Butch Cassidy and the Sundance Kid." This film was made in Hollywood's golden era, when movies were fantastic adventures to be treasured, not necessarily believed. This is a very grim tale of war and sacrifice, but fun nonetheless. That the imperialists are the good guys is just a sign of the time when it was made. I wonder how bigoted the movies being made today will look to audiences 70 years from now? The sets were, of course, very well done and the photography was superb. During the mid to late thirties the art of the film reached it's zenith.Before then such spectacle was rare, but by 1939 it had become common. A very enjoyable combination of comedy and adventure makes this film one of the true classics.