hlorbach The previous commentator who rated this film "1" based on seeing the last 10 minutes is laughable and irresponsible. This is a sensitive and will-developed film about a lonely old failed-runner turned coach who lives for running and finds a promising young woman refugee whom he wants to train for this grueling race. She is an illegal refugee from Namibia who runs to forget her troubles -- not into racing -- and he rescues her from deportation and takes over her life in order to train her. Eventually she rebels and leaves because she is young and wants a life of her own, but returns to running and works with him and his bunch of male runners as her group support. The cinematography is excellent and the music -- using local native bands and songs of prominence -- first rate. If the film were such a travesty on racing, why would the sponsoring organization of this grueling race cooperate with and allow the movie to be shot as an exemplar of the race. How many American runners have run 90k? With a good part of the race toward the end a steep uphill? This is a fine movie, a heart-warming story, unlike the vast majority of sock-em, kill-em, torture-em or gen-x mixed-up kids seeking their identity.

brianweissman88 Well, I only caught the tail end of this film on HBO, just the final 10 minutes or so, but I must say that it contains probably the most laughable depiction of distance running EVER put on film! I'm a serious distance runner and a dedicated fan of the sport, and I've sat through many painful demonstrations in movies before. However, nothing could have ever prepared me for what is shown on screen in the final 10 minutes of this movie, it literally defies belief! The depiction of the runners is even more ironic considering that African runners completely dominate the sport, and they are elegant and graceful. The female protagonist shuffles along like an overweight pregnant woman, and her "highly trained" male supporters are no better. Well into the race this alleged world class runner is surrounded by pudgy, overweight people, many of whom are WALKING! I find it interesting that the director decided to have her lead the female competition, yet near the end she is shown passing people who look like they're staggering along on two broken legs! Are we to believe that this amazing stellar athlete has only overtaken a crippled person at the very end of the race? Maybe the director just thinks that female runners can't run faster than 12 minute miles, and he has obviously never heard of athletes like Paula Radcliffe or Tirunesh Dibaba.Even if you aren't a running fan you'll be astonished by the insanely inaccurate portrayal of running, and this movie is only watchable as unintentional comedy. Here is a note to the director: The next time you decide to make a movie about a sport, it might be worth it to hire at least one person who actually has observed that sport in action.

TimeForLime I rate this a "seven" because the film brings together several treatments which combine nicely.The best treatment is the study of Barry, played by ARMIN MUELLER-STAHL, an Old-Man-and-the Sea type, a monomaniac, misfit sports coach with a questioned past, slipping into oblivion. He clings to just one race as his reason for being: a tough 90 kilo run, hence The Long Run. This character study alone ranks the film as a watcher.The second treatment is the quiet and serene, still-waters-run-deep dignity of the African runner. This treatment is not enough to support the whole film. She is from Pretoria, and is an ideal-type, too-good-to-be-true. Character development is missing except in the one important sense that is key to the film. In the face of hardships both historical and current, and harboring some doubts as to what she is capable of, she grows in strength and breadth from the hardships of race preparation.The third treatment is fairly formulaic: the David-beats-Goliath sports film. From Hong Kong martial arts film to G-rated knock-offs, the combination of stalwart heart plus beloved underdog is successful again. In this film, other issues obscure the routine set-up, thus providing a slight sense of 'maturity'.The fourth and final treatment is Africa itself. Once or twice each decade,we are treated to a major Hollywood film bringing us the sights and sounds and smells of this most enchanting and provocative continent. THE LONG RUN was shot in South Africa. What we see in the background could just was well be viewed in several of the surrounding countries as well. Alas, the film's creators give us only meager examples of this land and life : a brick factory, some runners, and a taste of scenery. Much more could have been included.Propaganda angles surrounding any such film could damage it. It has not the robustness of, for example, HOTEL RWANDA. I was caught up in the beauty and the story. That was enough for me ,,, and I hope, for you.

Patrick-100 Even if you are not a runner, you'll enjoy this film. It has wonderful dramatic and emotional highs and lows - get your tissues ready for the end! It has plenty of real life frustration, without the usual Hollywood gloss. Armin Mueller-Stahl is terrific, on many levels of the characterisation.