jc-osms I like Nicolas Roeg's films although I don't claim to always "get" or enjoy every minute of them. They're always fantastically shot in a crisp, realistic style, he often pushes back the boundaries, particularly with the censors, and they frequently have scenes which stick long in the memory. However, they often seem to have just as many longueurs, with off-beat characters and non-linear narratives. Maybe I'm the problem...Anyway David Bowie here plays a part which seemed to haunt him for years to come, in the aftermath of the film alone, he used images from the movie for two of his album covers, a 12-inch single sleeve while it also seems to inspire tracks on his "Station To Station", "Low" and "Scary Monsters" albums not to mention the famous "Ashes To Ashes" video. Bowie was at an artistic peak musically although off stage he was hopelessly hooked on cocaine, in fact just watch the contemporary BBC Arena documentary on him, "Cracked Actor" and he looks here as if he's just walked on-set from there. So can he act then...?Well if there was one part he was born to play, it was this one, the alien misfit who conquers the world, but to be honest, while he certainly has a presence, you wouldn't say he was extended much. Looks great though.The film stop-starts its way on his space invader odyssey, as he leaves his family life on Mars (or wherever it is) to start inventing items which quickly become society's new fashion must-haves. He picks up, (or rather she does him) an adoring if simplistic hotel chambermaid and garners a back-up team to make him a vast fortune, his target being to amass enough funds to build a spaceship to take him back home. But something happens on his way to heaven as unsurprisingly, he's abducted by government officials, where he's subjected to excruciating tests which wouldn't be out of place in an animal cruelty lab. Resistance however is futile and the mysterious Mr Newton by the end is a washed-up drunk, still resigning himself to his earth bound fate. In one of the film's most telling lines, he forgives his captor-torturer, as he admits his own race would gave treated a visiting earthling in the exact same way.There's solid back-up to Bowie's central role with a variety of convincingly portrayed stock characters. Roeg pushes the permissive button pretty far here with more than a smattering of nudity in the sex scenes, not ignoring the fact that males frequently get naked too when being intimate. I would still say there were too many scenes which for me played like Bowie's own cut-up method for lyrics at around this time, by which I mean I found them puzzling, strange and unconnected. And why no Bowie soundtrack?Still, an interesting if confounding movie, as strangely addictive in its way as television is to Newton.

Andrew Huggett Aside from the vaguely intriguing start with Bowie's arrival (it's not clear where he got the clothes, the rings to sell and the British background, or indeed how long he'd been on earth – where did the car and the chauffeur suddenly come from?). This is a long disappointing mess of a film. I tried very hard to get into this and enjoy it but the narrative structure is confusing and disjointed. I think the film just tries to be clever and art-housy but I found it a complete bore and very frustrating to watch – the Emperor's New Clothes you might say. There is absolutely no chemistry or sex appeal between the two main characters. Visually, it's quite stylish, the best part is the first 30 minutes or so with the frailty of the alien character shown and the interesting and amusing idea (from a digital photography age perspective) of self-developing film.

monkfishlee I remember watching it in the late Nineties, when I was 20 or so. I never really got the film back then, feeling that the film made sense up to a point about two thirds of the way through and then seems to lose focus and narrative structure.Having watched it again recently I still feel the same, only now I realise why the film gets so confusing. I won't go to far into it, only to say that there is a jump forward in time towards the end of the film but the world still looks like the mid Seventies. So this passage of time passed me by the first time I watched.Anyway, I digress. The Man Who Fell to Earth features a great turn by David Bowie, who was beginning his coke fueled Thin White Duke period. This really plays into his performance and it's hard to tell where Bowie ends and Thomas Jerome Newton begins.In fact I rate all of the performances in the film highly. I also like the how the film looks. The opening 20 minutes of the film are very atmospheric and really portray how isolated Bowie's alien is.Overall I would recommend the film, with the caveat that this is really science fiction that is particular to the time, as in just before Star Wars came out. It is slow, weird and confusing, and all the better for it

WakenPayne I quite like David Bowie. I enjoy his music and to me made the best transition between singer and actor, even if people remember him more for his singing. I decided to watch this mainly because... It's the closest thing we'll ever get to a movie of The Rise and Fall of Ziggy Stardust and The Spiders From Mars (I know it's based on a separate novel but it really is still the closest thing). My problem is that the plot has no focus, as a result it REALLY drags. What should be a movie about Bowie trying to get water to his planet isn't revealed for a while and even then the downfalls of him falling to addiction doesn't really happen and it's more enterprising, love interests and weird sequences. I expected Bowie to be weird but I really don't want to see that going in. As I may have pointed out Bowie does do a good performance (everyone else is serviceable), the cinematography at times can get really striking and outright beautiful and the old man make-up on Rip Torn at the end is like looking at him today. I'd say maybe someone would like this but it really is not for me.