Alexander_Blanchett A fine follow up for James Marsh after his Oscar nominated "The Theory of Everything" This film is about a amateur sailor who hits the sea because he takes part in a competition to become the fast sailor to cross the sea on a boat ... If you expect a survival drama a la "All is Lost" you will be mistaken. Sure the film is also about survival.... physically but also mentally because it challenges its protagonist with a lot of moralic questions and situations. In fact the protagonist does it himself. The film is about overcoming your mistakes and if you are able to face them or not. Colin Firth is really good in the leading role and his casting was quite inspired. He gives one of his very best post Oscar performances. I also love how he developed. A truly interesting character for a great actor. Rachel Weisz was also fine, but often the material she was given to, did not justify her great talent. It was a rather seconary role that at least allowed her to show off at the end. The film had many nice shots, a really great score by late Johan Johannsson who delivered one of his last scores to that film. A great and rather unexpected ending (if you dont know the true story). Highly recommended to those who enjoy good acting cinema.

rabbitmoon When I first saw this film, I really enjoyed it. Here's what I wrote:"I'm sure there are elements here that most people can relate to, the pressure of pride, recognition, approval, acceptance, what it means to be a man, to impress, how far you have to go to prove yourself, and why. The whole story works as a metaphor for many relationships I have known, where the limbo strains communications (literally here with a radio he chooses not to use as much for fear of 'being found out'). The editing and use of flashbacks to weave together an impression of his emotional state is a great use of cinema. Its like an analogy of imposter syndrome, taken to the extreme."I was so fascinated with the story, I read 'The Strange Voyage of Donald Crowhurst" and watched the documentary Deep Water. Then I saw The Mercy again. This time, the flatness of the film, the lack of effort, the pedestrian, workman hack-job sunday-afternoon-for-pensioners side of the writing/direction leaped out and made itself obvious. I couldn't believe I'd liked it so much before. Colin Firth is actually very miscast. He doesn't have the persuasive, determined, forceful arrogance of the real Crowhurst. Firth comes across as gentle and unassuming, not desperate for approval and recognition. The descent into madness is SO tepid in the film. On reading the book, there are so many conflicts, pressures and uncertainties that gradually crush Crowhursts mind, leading to him writing 25,000 words about becoming a cosmic being. Firth's version is asking for forgiveness and saying sorry, as though perfectly sane. Its not the real story by any means, and gives a horrid reflection of how affected Crowhurst actually was by his predicament. Unforgivably, its actually very boring on a rewatch. There is no depth or subtlety. The true story is so multifaceted and tense, its amazing to that the film is quite as flat as it is.

Jake Young Colin Firth takes lead in this incredible story based on true events of amateur sailor Donald Crowhurst's attempt to circumnavigate the globe single-handedly on his self-designed trimaran, as part of the Sunday Times Golden Globe race. Under the pressure of a publicity agent hyping his story to exceeding proportions, expecting sponsors and the self-applied noose of possible debt should he not finish the race, mounts the struggle of Donald Crowhurst to the highest proportions.Giving this movie its backbone is the heavy emotional weight throughout, director James Marsh turns an otherwise quite controversial person and event into a sympathetic and quite touching story. It's a story that today needs to be told more, one of the pressures that men face and their inability to talk out about them. It's this coupled with the terrific pacing and structure of The Mercy that allows the audience to connect to Donald Crowhurst, as a dreamer and as somebody who had misfortunes that he was unable to deal with alone. It's only reinforced by the excellent performances given by Rachel Weisz and Colin Firth, that add a much-needed soulful and human touch to the film and grounding it for the audience, whereas a misplaced casting choice might have resulted in a far less captivating story.However, while the story is one that is sure to hold a sympathetic gaze, what the film fails to achieve and execute properly is demonstrating how truly isolated and consumed with pressure Donald Crowhurst was. The film needed more time, this would have allowed further scenes of Donald on the boat so that much like The Life of Pi or even Castaway the audience could have tapped into that isolation. Instead, the film edits back and forth the boat and Crowhurst's family, this does, of course, keep the emotional tension high but dramatically it is weak, never buying into Crowhurst's isolated madness it puts the film on a weak footing. This might not have been a huge issue if the story's focal point was elsewhere but it's not, the most crucial part of the story is the pressure and isolation that Donald faced on the boat, it sacrifices a highly layered look into Donald Crowhurst for its emotional tension. The film needed less time reinforcing emotional backdrop and more time heightening the dramatic point of the story.The Mercy is a film that depending on what you came to see, you will enjoy it more or less. The emotional backdrop is orchestrated perfectly, never missing a beat and tapping the audience into the supportive and hearty theme but the dramatic focal point of the film is underplayed and does not do much in the way of aiding the audience in its comprehending of Donald Crowhurst.

Kapten Video A heart wants what it wants. It's the end of the 1960's, and this solid family man (Colin Firth) wants to take his Sunday hobby of sailing to the ultimate level, designing his own boat and travelling around the world in six months - alone, as part of the contest.Also starring, Rachel Weisz as the man's wife, David Thewlis, and, well, a whole lot of ocean. Based on a true story, by the way.The central part of "The Mercy" is watching Firth's character Donald Crowhurst defying dangers and both physical and psychological hardships of sailing the ocean, having to rely only on his hands, wits and hope that nothing critical breaks down because the contest won't allow making stops or having breaks during the world travelling tour.A worn-down man sulking on a boat in the middle of nowhere might seem like a boring idea for a feature-length movie, but somehow the authors have managed to get it right, so it turns out to be quite a gripping.What was essentially a exhausting and monotonous journey where the main activities were shovelling out the water and trying to keep the whole thing from drowning, is enriched by portraying the gradual mental eroding of Crowhurst.Colin Firth is known as versatile actor and you can bet your sweet bottom that he does a wonderful job at conveying the depression, loneliness, exhaustion and general distress of his character, so he is able to command our attention whenever he's on screen.And all that is his usual reserved and delicate way, living the character, not acting it.It's easily an awards worthy performance although at this time it's way too early to predict his chances of getting an Oscar nomination.The same goes, by the way, to Rachel Weisz who has created a a surprisingly soulful and charming supporting role from what surely must have been a mostly decorative one on paper.She does not have much screen time actually, but it gets compensated by a powerful speech in the end. A true Oscar moment, as they would say.Parallel to Crowhurst's journey, we see bits from the life of people who wait for his return, including the family - but also his promoter trying to earn him some money for the expensive trip that threatens to bankrupt the whole family.This turns out to be the movie's weakness which, while not quite ruining the dramatic impact of the whole thing, does not actually expand or strengthen the main story in a meaningful way.It's okay in short doses - if only for variety's sake - but its emotional "nutritive value" falls flat compared to what's happening on the sea.The director James Marsh's previous project, "The Theory of Everything", suffers from the same deficiency. It's pretty and watchable but he should have trimmed the final act.That's all I wanted to say about this one. "The Mercy" is pretty good but its shallower side holds it back a notch. I am happy to have seen it but it will not linger on memory for long. Although I did like the deeper message that with grandiose plans comes a danger of falling into prison of one's own ego.We have seen many instances of at least two similar-themed movies released in the same period of time. It also happens here, with "The Mercy" preceded by premiere of "Crowhurst" by almost five months, although the latter got a proper cinema release in the U.K. a few weeks later.