The Missionary

The Missionary

1982 ""
The Missionary
The Missionary

The Missionary

6.2 | 1h30m | R | en | Comedy

In 1905, after 10 years of missionary work in Africa, the Rev. Charles Fortesque is recalled to England, where his bishop gives him his new assignment - to minister to London's prostitutes.

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6.2 | 1h30m | R | en | Comedy | More Info
Released: November. 02,1982 | Released Producted By: HandMade Films , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

In 1905, after 10 years of missionary work in Africa, the Rev. Charles Fortesque is recalled to England, where his bishop gives him his new assignment - to minister to London's prostitutes.

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Cast

Michael Palin , Maggie Smith , Trevor Howard

Director

Norman Garwood

Producted By

HandMade Films ,

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Reviews

itamarscomix Michael Palin was always 'the Quiet One' of the Monty Python gang, but he was one of the most talented actors in the group (second only to Cleese and maybe Chapman) and a key writer of some of their most memorable skits. In this, his one and only true vanity project - the only film in which Palin was the sole writer as well as the star - he didn't quite make the grade. Palin is a wonderful actor, but not quite as good at being at the center of attention as Cleese, Chapman or even Idle in his own over-the-top way; his character in The Missionary feels bland and uncharismatic, a muffled echo of his Sir Galahad from Monty Python and the Holy Grail (though it may be the inspiration for his much funnier chaplain character in The Meaning of Life).The Missionary isn't a bad film; it simply reeks of mediocrity and indecision, which leads to a sad feeling that it could have been much better. The writing is solid all the way through, but it's never quite clear if it was intended as a goofball comedy or a tongue-in-cheek social satire. As it is there's a little of both, but neither one goes all the way. The same goes for the characters played by Palin himself and by Maggie Smith, who are are denied strong, comical characteristics, but don't have any real subtlety or depth of character either. It's the more outrageous, cartoonish characters that are memorable - played by fine actors like Michael Hordern, Trevor Howard, Denholm Elliott, Phoebe Nicholls and a young but unmistakable Timothy Spall. Any scene with these characters works well, and that's when Palin's talent as a comedy writer and the famous Pythonesque timing pay off. Unfortunately these are sidenotes in the mess that is the overall film, which is dominated by the wasted talents of Palin and Smith.
funkyfry Fun dry comedy by Python writer Michael Palin, who also stars as a missionary sent to the slums of England to minister to prostitutes. He's stuck in a silly traditional courtship with the fetching but anal retentive Deborah (Phoebe Nicholls) and a bizarre romance of a totally different nature with the wealthy Lady Isabel Ames (Maggie Smith).Of course the best parts of the movie are the ones that let Smith and Palin play off each other, and they're both such wonderful talents that it's enough to carry some parts of the film that seem a bit obvious. There are some good supporting performances too, especially Denholm Elliot as a bishop with rather earthly tastes who nevertheless disproves of Palin's methods in spreading the "good word" to the various fallen women.I rarely found myself laughing out loud, but I did greatly enjoy the movie. It was pleasant to watch, doesn't really offer that much in the way of gags but also isn't very demanding in general to watch. I found myself really hoping that there are more movies like this with Maggie Smith, and I've always been a fan of Palin so it was quite an enjoyable film for me.
legspinner This is a delightful film. Watch it with two or three of you in the room, because laughter is infectious. As ever with films that Harrison invests in, it's not afraid to mix styles, but also, there is no point that it labours. Too often films are afraid of changing their tone, as if they had to nail their colours to the 'tonal' mast early on and then obey that: a screwball comedy has to be screwball, a period piece has to be charming, engaging, but not dramatic, etc etc etc.The script, written by Palin himself, is an absolute gem, and for once his silliness is kept well within bounds. As someone else said, this isn't the 'expansio ad absurdum' technique of fine, fine Python, nor the pull-faces-and-use-silly-words-can't-think-of-an-idea of Palin on his off days. Enough, but not enough, has been written about the cast, all of whom provide top-notch performances. Whom to praise most? I note as well, that the "Memorable Quotes" section still misses what may be the funniest exchange in the whole film, the sequence which begins, "You know perfectly well why we got rid of Margetson." The only people who are going to be disappointed by this film are those people who have dogmatic views about what a Palin film should be, or who think a comedy should spare them the trouble of thinking and leave them in a heap of rubble on the floor. Take the film on its own merits and, though you might think of ideas which the film didn't touch, places where it didn't go, you will still find enough in there to remember those ninety minutes fondly. Would I see it again? When's it on next?
theowinthrop This is not the funny film it could have been. Given that Palin and Maggie Smith (and Denholm Elliot) were in the very funny "A Private Function" a short time after this film, this is slightly disappointing.I agree that Michael Hordern's brief appearance as the ultimately lost butler is the movie's finest moment - and I wonder if the germ for this idea was the Monty Python's sketch "The Golden Age of Ballooning", where Graham Chapman, as the butler for the Montgoffier brothers can't recognize what piece of furniture he is supposed to go to, and keeps requesting instructions. Hordern's hopeless invasion of room after room of the immense Ames mansion is quite funny. It was a good moment, but one of too few. Another is the business of Lord Ames (Trevor Howard, sort of spoofing his performance as Lord Cardigan in "The Charge of the Light Brigade") thinking of his favorite words - note how he loves to spell "flog" with two gees.The film is actually an anachronism of an historical scandal. It is set in the 1906 or so, but actually in 1931 there was such a scandal involving an English clergyman, Reverend Harold Davidson "the Rector of Stiffkey" (pronounced "Stewkey"). He had been leading a mission in the East End of London, and it turned out that for some curious religious motive he had actually had relations with the prostitutes. The Rector was defrocked as a result. Davidson was something of an exhibitionist, and he eventually met an odd fate - he tried to be a lion tamer and was mauled to death. That part of the story is not in this film (probably just as well). But the film still lacks real juice. Fortunately "A Private Function" turned out to have juice. And Palin also had "A Fish Named Wanda" in his future as well.