reynoldsdavid-96676 Hilariously funny, amazing talented cast. Death of Stalin is one of the best examples of how to make a dark comedy work. Steve Buscemi is amazing as Nikita Kruszhev and deserves an award for his work.

Asif Khan (asifahsankhan) Armando Iannucci has written and directed two films in his career, and they're both among the best political comedies ever made. First there was "In the Loop," an extension of his British TV series "The Thick of It" (he also created HBO's "Veep") that used fictional U.K. and U.S. functionaries to satirize our two nations' political dysfunction and eagerness for war. Now he returns (with co-writers David Schneider and Ian Martin) with "The Death of Stalin," a breathtakingly dark comedy of errors that holds up the brutal Soviet dictator's final days and their aftermath as a mirror to current British and American quagmires.The fictionalized plot, which hardly exaggerates the truth, comes from a French graphic novel; Iannucci and company have added comedy to it, replaying horrific events as farce, turning everyone into greedy bumblers vying to be Stalin's successor, finding grim laughs in the minutiae of his reign of terror. ("Don't worry!" says the Radio Moscow director cheerily to the audience he's hastily assembling at Stalin's command. "Nobody's going to get killed!") When a not-yet-dead Stalin is lying unconscious on his office floor, everyone who enters the room inadvertently kneels in the same puddle of urine next to his body.The masterstroke, however, is in the casting, and in the decision to have everyone speak in their native accents. So here's Steve Buscemi as Nikita Khrushchev, a loud buffoon and sycophant who keeps track of which of his jokes get the best laughs; Jeffrey Tambor as Georgy Malenkov, Stalin's gullible deputy (he weeps hilariously at the sight of Dear Leader incapacitated) whose idiocy makes him useful; Simon Russell Beale as Lavrenti Beria, a Cheney-like opportunist; Michael Palin as Vyacheslav Molotov, a befuddled bureaucrat who was on Stalin's to-kill list; Jason Isaacs as Georgy Zhukov, swaggering military commander; Rupert Friend as Stalin's raving conspiracy-theorist son. Stalin himself is played by Adrian McLoughlin in a rough working-class British accent, coming across like a street thug who rose to the top of a crime syndicate.The few women who are present in all this - Stalin's daughter (Andrea Riseborough), an anti-Stalin concert pianist (Olga Kurylenko), Khrushchev's wife (Sylvestra Le Touzel), even down to Stalin's secretary (June Watson) - happen to be the only reasonable, mature people in the story. This may have been a conscious choice by the filmmakers to comment on male paranoia and competition, or it may just be historically accurate.True to form, Iannucci packs the dialogue with petty sniping and profane insults, cheerfully mining laughs from ghastly true events. It's the sort of movie where you kill a political enemy, set him on fire, and then yell obscenities at the burning corpse. (Incidentally, it's been ages since we saw Monty Python's Michael Palin on the big screen, and Iannucci's snarky-intellectual banter is a perfect fit for him.) But where Iannucci's past work has had a fly-on-the-wall documentary feel, "The Death of Stalin" is more elegantly cinematic, accompanied by classical music (Chopin, Mozart, and of course Tchaikovsky) on the soundtrack. He performs a delicate tight-rope act, conjuring thoughts of Brexit and Trump without laying it on too thick, and mocking political connivers of all stripes with eloquent savagery.

westsideschl Well some of it is not historically accurate, but if you want a quick, dirty & rough idea of the period when he ruled then it was tolerable. Somewhat dark, sort of comedic lines and scenes to make the subject palatable for most viewers. Stalin was basically equivalent to an amorphous melding of the best (notorious) attributes of Putin, Kim Jong-un, Erdogan, & Trump.

Pjtaylor-96-138044 There are some genuine laughs to be had when this historical satire leans into its farcical, sometimes slightly absurdist, nature or allows the incompetent clambers and random observations of its characters to pierce through its striking period-accuracy but 'The Death Of Stalin (2017)' is also a pretty dark picture that paints a detailed vision of back-stabbing, blood-shed and brutality under the guise of a political party aiming to clean-up after one of history's most ruthless dictators. It's a scenario that seems scarily close to home - despite the many years since its occurrence - and proves that horror and comedy aren't all that far apart. It is precisely because the piece renders its very real events so very realistically - only taking significant liberties in the way it condenses the narrative - that it works so well. Even without the humour, this would've been a brilliant historical drama. With it, however, it's elevated to a new level, one that allows it to be easily accessed by all and makes its most dire of moments slightly more digestible while also lampooning the decisions and mindsets behind them, which are both often incredibly hypocritical and counter-intuitive. It's surprising that nobody has made a flick about this period of history before, as it is so thematically rich and ripe with drama. The fact that it has been given the subtle, satirical and intelligent treatment it has makes it all the more engaging and, surprisingly, entertaining, despite the weight that comes with knowing pretty much all of it actually happened. 7/10