mark.waltz
An odd look back at "simpler" days where things really weren't really so simple, at least for the mysterious young boy (Brandon De Wilde) who shows up in Missouri, getting much attention as he passes through a small town. He catches a ride with the dark souled Lee Marvin and meets a kind, caring stranger in the noble Gary Merrill who, being reminded of himself as a youngster, begins to look after him. Strange agreements with Marvin see Dr Wilde taking residence in an abandoned house on Marvin's property and taking care of a wild horse that Marvin gave to Merrill to settle a debt. Marvin cruelty teaches De Wilde the hard facts of life, constantly reneging on verbal deals he made with him, repeating over and over, "It's not worth anything unless you have it in writing".Often disturbing, thus is a surprisingly adult for a supposed family coming from Walt Disney's Buena Vista studio. Some folksy elements make this almost a Currier and Ives painting, with dark twists and turns. Paul Ford adds both humor and pathos to the role of the lovable old tavern owner who was forced to stop selling beer and start selling chili that nobody likes. Others among the ensemble are Kathleen Freeman and Frank Cady. But with Marvin's constant darkness, it's difficult to see the light at the end of the horse race. An odd example for Disney to try more serious themes, presented in a way that leaves the taste of sour grapes in the viewer's mouth.
bkoganbing
The title role in The Missouri Traveler is played by young Brandon DeWilde, his last role essentially as a child star. Soon he'd be doing such adult stuff as Blue Denim, Hud, and In Harm's Way.It's a nostalgic look at life at the turn of the last century in a small Missouri town where orphan kid Brandon DeWilde stops and decides to stay a while.This is a nice easy to take film, moving along at a leisurely pace, but actually it has some serious issues. This is an orphan kid making his own way in the world, a world I might add without child labor laws. Young DeWilde is working for his keep, both as a sharecropper and as a horse trainer, well at least an assistant trainer.Paul Ford gets a preparatory performance in this film for his later role as the mayor of River City in The Music Man. DeWilde has a couple of adult role models, the cynical Lee Marvin the guy who worked his way up to the top and the loquacious Gary Merrill who is the town newspaper editor. Both give DeWilde some good lessons about life.In fact both Merrill and Marvin get into a knock down drag out fight that was copied, but lovingly from John Ford's The Quiet Man.The Missouri Traveler was released through Buena Vista Productions in the beginning years of that company before it exclusively was the distributor for Walt Disney. It's a nice film, especially for family viewing with a lot of good lessons in it.
billydpowell
This movie shows us how "the boy from Shane",has matured, still a soft talking very polite youth. He is a runaway in this movie and is groomed by Lee Marvin, a hard taskmaster who has made a name for himself as the poor boy who made good in this story. He takes unfair advantage of Brandon, but in the process, really teaches the youth some valuable lessons about life and how to take care of himself. These are lessons we can all learn from, and Gary Merrill provides care, comfort, and guidance for Brandon as he overcomes the hard "teaching" of Marvin. The film is anchored by the fine acting of Paul Ford, as usual, a leader of the business community, but with a soft heart for the troubled. This is a great family film, free of Hollywoods blood, guts, sex, and profanity.
rsoonsa
Nearly every scene of this featherweight film set in the early 20th century is directed at an andante tempo, its story concerning a youth named Byron (a lacklustre Brandon DeWilde), a runaway from an orphanage who finds a home in a quiet Missouri town named Delphi, thanks to the editor of the local paper, played warmly by Gary Merrill. Byron is not, however, a favourite of wealthy but harsh land owner Tobias Brown (Lee Marvin), who teaches the lad lessons of life the hard way; their conflict forms the kernel of a torpid work which does benefit from a strong performance by always reliable Paul Ford as proprietor of a small cafe but which is sunk by the flaccid direction and hackneyed dialogue.
AD
