James Hitchcock "The Mystery of Edwin Drood" was Dickens's last novel, famous for being left unfinished at his death, so producing a film adaptation is always going to be a speculative undertaking, as nobody is quite sure how Dickens intended it to end, although there are a number of theories. The title character is a young man from the cathedral city of Cloisterham, a thinly-disguised version of Rochester. (The film was shot on location in that city). The plot revolves around the strange triangular relationship which develops between Edwin, his fiancée Rosa Bud, and his uncle John Jasper. Edwin has been engaged to Rosa since they were both children, as a result of provisions in their father's wills, but neither seems to have much passion for the other. Jasper, the opium-addicted choirmaster of Cloisterham Cathedral, is secretly in love with Rosa, although she does not return his love. A further development comes with the arrival in Cloisterham of the twins Neville and Helena Landless from Ceylon. In this adaptation they are of mixed race, although their racial origins are not indicated in the original book. Neville finds himself attracted to Rosa, and he and Edwin fall out with one another. Another important character is the clergyman Septimus Crisparkle. The "mystery" to which Dickens alludes in his title is the sudden disappearance of Edwin. It is presumed that he has been murdered, although no body is ever found. The novel in its unfinished state offers no definitive solution to the mystery, so the writers of this version have had to come up with their own. (I won't say what it is). The film was made for BBC television, and falls within the long British tradition of visually attractive costume drama, a tradition which is even longer on television than it is in the cinema. (Feature films of this type were rare before the late sixties and relatively uncommon before the eighties). It is a good example of ensemble acting so I won't single out any individual performances. Like a number of recent adaptations of the classics it is used to put over a modern perspective on history; the Landless siblings are used to raise some points about colonialism and racism in Victorian society. (Edwin's initial dislike of Neville is partly based on race prejudice). It is, of course, anyone's guess whether the new ending is the one Dickens intended; literary buffs may suspect that it is not. The film-makers have, however, at least come up with something that makes sense on its own terms and comes across as a seamless whole; it would be difficult for anyone not acquainted with the novel to guess which parts of the story are Dickens's own and which the invention of the scriptwriter. The film is required viewing for any Dickens enthusiast and an entertaining period drama for anyone else. 7/10

slavapolina I have to say that if you like the novel, you need to see a Russian version year (1981) of four part TV series of " The Mystery of Edwin Drood". The movie is great and explores in depth Dickens' characters. The cast of actor cannot be better! The music composed by the Russian Composer, Eduard Artemiev is absolutely enchanting. To watch the sample episode and listen to Mr. Artemiev music , please go here http://www.youtube.com/watch?v=WG5N7J9kJbwI am sorry the movie is on Russian language. However, you will be very surprised how well it is made.If you would like to see a full version of four parts of the movie, please click here, for the part one http://www.youtube.com/watch?v=xLW_3ESsZIgAs for this BBC production, I find it somewhat hard to watch. The entire story seems to be very compressed for the time allotted. The cast of actors are mediocre, except for Matthew Rhys. Perhaps, I am coming from a standpoint of someone who has a comparison of the two different productions.

Bertie Wooster Yes, "Mystery" does vary in tone from other works by Dickens but not nearly to this extent. The whole movie plays like a sweaty dream induced by a night of heavy eating and drinking. It utterly lacks the feeling of concrete reality that Dickens somehow evokes even as he spins ludicrous tales.Not a single character feels like a real person with a real life beyond what appears on screen and a full range of emotions. There's never a hint that the choirmaster runs a choir, or that the lawyer has ever handled a case or that the schoolgirl has any studies.The very talented Matthew Rhys is wasted on a role with only two notes, hatred and self pity. But it's still the deepest role in the show. None of the other characters has more than one characteristic and many of them have none at all. Oddly, despite this lack of personality (or perhaps because of it) all of the characters are unlikable. There's no one to root for in the story.To make up for the lack of character, there is mood, lots of mood, hitting you in the face again and again with dream sequences and funny camera angles and music that is supposed to make us fearful in moments that are not scary to anyone older than 5.The production isn't even technically competent in a way you'd expect of the BBC. Rhys, who is great with accents and can surely do an English one, frequently reverts to his native Welsh. In one scene, they say the Lord's prayer as "Our Father, Who art..." rather than "Which art," which would have been used in Victorian England. It's a miracle a car did not drive through the background in one of the scenes.The worst adaptation of Dickens I have ever seen.

Sarah Boden (user-271-269426) The Mystery of Edwin Drood starts with an arranged marriage between Rosie and Edwin watched enviously by Edwin's uncle John Jasper the restrained choirmaster who wishes to posse Rosie and in the dark of the night frequents opium dens. I loved the contrast between the upstanding choirmaster and the sinister side of Jasper who was played beautifully by Matthew Rhys who I hope to see again soon. He was the true star of the television programme but I also enjoyed the performance from Freddie Fox and Tamzin merchant who played the part of Rosie extremely well! Though Hiram Grewgious's assistant and Durdles were at times a screen stealer's. I found it extremely enjoyable and I believe the transition between the true Charles Dickens and the screenwriters was seamless. The ending where Jasper wasn't the killer of Edwin junior I think was true form for a drama where it would have been too simple for me anyway for it to have been anything less! The drug induced dreams and opium den scenes were well mixed with scenes of normality of a choirmaster which was interesting. Overall I thought it was pulled off very well and I thoroughly enjoyed it especially the scene were Jasper believes Edwin to be a ghost thanks to his drug-addled mind was wonderfully played as well as the scene where Jasper tells Rosie how he will pursue her to the death was creepy and well-acted. I would recommend this and I'd like to thank the BBC for yet another awe-inspiring period drama and for finishing a Dickens so wonderfully!