Rama Rao
Ramon Novarro, in his last film as MGM actor, worked with British actress Evelyn Laye who interrupted her long stage career in London to star in this 1934 movie. The story is about the schmaltzy romance between an archduke (Novarro) and a ballerina (Laye) that falls flat. The movie produced two hit songs "when I grow too old to dream," and the title number. The Film uses the talents of Sigmund Romberg for music and Oscar Hammerstein II (libretto) but never captured the musical zest of producer Harry Rapf's Broadway Melody (1929). Rosalind Russell, Charles Butterworth, Edward Everett Horton, Donald Cook and Una Merkel show their comedic talents in this otherwise boring movie.
marcslope
Wistful, bittersweet operetta seemingly belonging to a time considerably earlier than 1935; it has elements of "Maytime," "The Student Prince," and, yes, "Bitter Sweet" in its plotting and sentimentality. (And leading lady Evelyn Laye, who is extraordinary, had in fact starred in "Bitter Sweet" on Broadway.) But Romberg and Hammerstein, whether au courant at the time or not, chose to write sincerely and with feeling, and MGM trotted out some good screenwriters and excellent production values to realize their vision. The result is an operetta familiar in its doomed-love-among-different-classes plotting, but integrated in a then-modern way, with characters subtly switching into song on the flimsiest of excuses. It's really charming, and Novarro, in his MGM farewell, is dashing and gentlemanly. Charles Butterworth, who had played this sort of part for Hammerstein on the stage in "Sweet Adeline," is a delightful underplaying buffoon, and his vis-a-vis, Una Merkel, gets more screen time than she was generally allowed. Rosalind Russell, as the well-bred woman Novarro must marry (like I said, it's very like "The Student Prince") isn't interesting at this point in her career, but Edward Everett Horton had by now perfected his fussy-major-domo characterization and does it to a T. Well directed by the nearly unknown Dudley Murphy, and lovely to look at.
JohnKyle
I decided to watch this movie on TCM only because I enjoy Una Merkel and had never seen Ramon Novarro in a "talkie". Other than that,I was expecting a soon-to-be-forgotten piece of fluff. Instead, I discovered a beautifully done film which combined music, romance, and comedy with a bittersweet dramatic ending.As noted by others, Novarro was excellent, Merkel was delightful, and the supporting cast of Charles Butterworth, Edward Everett Horton, Herman Bing, and Henry Stephenson all gave strong performances. But, the accolades belong to Evelyn Laye as the woman who steals Novarro's heart. Like a few of the other reviewers, I, too, had never heard of Ms Laye although I have since learned that she was a big stage star in England before and after this movie. And, it's easy to see why. She was beautiful, charming,had a fine singing voice, and was a talented actress.Similar in theme to Old Heidelberg, The Student Prince, and even Erich von Stroheim's The Wedding March, The Night Is Young has a charm of its own. It does not deserve to be forgotten.
sideways8
Ramon Navarro was a real talent. I'd never heard of Ms. Laye and was stunned at her beauty which was fantastic. She was the most beautiful woman on the screen at that time in my opinion. Mr. Navarro must have been very gay to resist her.It was very unusual in the Hollywood days of - boy meets girl (often proposing marriage immediately), which leads to their eventually living happily ever after, that such a happy/funny romantic movie ends in such sadness for the protagonists. I was moved.
AD
