Claudio Carvalho In Austria, after the marriage of her beloved sister, Katrin (Greta Garbo) is proposed to marry Dr. Walter Fane (Herbert Marshall), who is a former student of her father and is researching cholera. They travel to Hong Kong and Katrin is totally neglected by her husband. Soon she has a love affair with the diplomat Jack Townsend (George Brent). When Walter discovers her love affair, he proposes the divorce provided Jack leaves his wife and marry Katrin. But this procedure would destroy his diplomatic career and Katrin leaves Jack. Walter decides to travel to the countryside to a village with cholera epidemic and forces Katrin to travel with him to punish her. What will happen to his wife?"The Painted Veil" is a romance with a corny conclusion about a marriage without love of a dedicated researcher and a bored housewife. The imperialism of the Westerns is impressive and a doctor is capable to order to burn down the houses of the villagers to the ground without explaining them the reason why. Only Greta Garbo makes it worthwhile watching this film once. My vote is six.Title (Brazil): "O Véu Pintado" ("The Painted Veil")

DebtotheC I absolutely loved the 2006 version w/Naomi Watts, Edward Norton, & Liv Schreiber. I so loved the 2006 version that maybe I was a bit prejudicial in my judgement at first. However, since reading the the book, I have come to redetermine the outcome of both. I have always said "I can make a better movie in my head, than any film producer, Director, Etc ever could" because I would always choose to go with the story that compelled the public (by the author) in the first place. In most cases I have read the book first. Thus, I would want the film to end with what W. Somerset Maugham chose as an ending in the 1st place. The 2006 version made me weep---the 1st didn't even come close---it was a pale imitation--even though it wasn't imitation.

wes-connors This film begins with a failed set-up: specifically, Ms. Garbo's younger sister marries, and it is implied that Garbo is becoming an "old maid". Suddenly, Mr. Marshall's doctor character reveals he has been in love with Garbo since they were 12-year-old schoolchildren. At last, Garbo has a suitor! At last, Dr. Marshall finds a woman! Then, the entire supporting cast is wiped away as the quickly wedded couple moves to China.In China, Garbo wears funny hats and attracts the attention of Mr. Brent. Now, the film is a "love triangle". Next, cholera erupts, giving the doctor's life much purpose (a "War on Cholera"). About an hour into the film, Garbo begins to give flashes of a fascinating acting performance - peaking in the scene where she makes coffee for estranged husband Marshall. Her skills are wasted, however, in this poorly executed film. ***** The Painted Veil (11/23/34) Richard Boleslawski ~ Greta Garbo, Herbert Marshall, George Brent

Danusha_Goska Save Send Delete This movie is imperfect, but I love it anyway.Its imperfections:The soundstage China of 1933's "Bitter Tea of General Yen" leaves the soundstage China of 1934's "Painted Veil" in the dust. "Yen's" China draws you in and intoxicates you. "Painted Veil's" China is fun, but it's a bit silly and superficial. A San Francisco Chinatown Chinese New Year's parade would be more profound. George Brent is at his worst here. I've never seen him do anything quite like what he does here -- a fly-by-night and exploitative romancer who toys with women's hearts. Brent wasn't great looking, but he was very good at playing the grounded, reliable foil to electric characters like Bette Davis' Judith Traherne in "Dark Victory." Here, as Townsend, while speaking serious words, Brent adopts a silly smile, and -- literally -- renounces everything he says in the very next sentence. Maybe a much better looking, or more conventionally handsome, actor could have made this character charming in a snake-like, dangerous way (Erroll Flynn?) but Brent didn't really have the equipment to make Townsend as charming to the audience as he might have been to a neglected wife in China.Garbo plays a near spinster who watches her younger sister marry, and, on the rebound, marries a man she doesn't love out of desperation. How on earth could anyone make sense of *Garbo* as a desperate spinster? The movie doesn't even try to make sense of that. It just asks us to believe it. The viewer has to try to make up reasons for her spinster status. (Her parents kept her locked in a closet the first thirty or so years of her life? She had a horrible facial deformaty that suddenly fell off?)BUT!I still love this movie.I love it for the moment when Herbert Marshall says, with the kind of real passion you expect of a contemporary production of a Eugene O'Neill play, that he despises himself for loving Garbo, after she has cuckolded him.It's great to see Marshall, who so often played helpless men ill used by women ("The Letter," "Duel in the Sun," "The Little Foxes"), here finally able to effectively express his bitterness at being so ill used, and take some action in response, even if that action is intended to be fatal.I love it for the complications that arise in the final portion. Hearts are changed. Suffering and human sacrifice changes them. Love is born of the kind of big events that sometimes do change people, and life stories, in real life. This ending, though not in compliance with Maughm's novel, didn't strike me as a "Hollywood" "happy" ending at all. It struck me as a profound ending. It reminded me of a more recent film, Bertolucci's "Besieged," that also talks about the role of altruism in love and eroticism.For those features, I deeply value this movie, in spite of its superficial imperfections.