The Paranormal Diaries: Clophill

The Paranormal Diaries: Clophill

2013 ""
The Paranormal Diaries: Clophill
The Paranormal Diaries: Clophill

The Paranormal Diaries: Clophill

3.5 | 1h28m | PG-13 | en | Horror

In March 1963, a black mass was held at a ruined church in Clophill, Bedfordshire by a coven of dark witches. Tombs were looted, animals sacrificed and human bones arranged during a macabre ceremony. Further defilements continued at Clophill in the following years, with cattle in nearby fields found mutilated, evidence of necromancy discovered and perpetual sightings of paranormal activity witnessed at the isolated ruin. 50 years on from the original incident, the Clophill legend remains etched on the psyches of the local populace. In 2010, a documentary team was assembled to investigate the legend of the Clophill witches and to try and uncover the truth behind the paranormal events. What followed during that long weekend at Clophill was a terrifying journey into the unknown.

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3.5 | 1h28m | PG-13 | en | Horror | More Info
Released: October. 14,2013 | Released Producted By: Bleeding Edge , Off World Films Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

In March 1963, a black mass was held at a ruined church in Clophill, Bedfordshire by a coven of dark witches. Tombs were looted, animals sacrificed and human bones arranged during a macabre ceremony. Further defilements continued at Clophill in the following years, with cattle in nearby fields found mutilated, evidence of necromancy discovered and perpetual sightings of paranormal activity witnessed at the isolated ruin. 50 years on from the original incident, the Clophill legend remains etched on the psyches of the local populace. In 2010, a documentary team was assembled to investigate the legend of the Clophill witches and to try and uncover the truth behind the paranormal events. What followed during that long weekend at Clophill was a terrifying journey into the unknown.

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Cast

Mark Andrews

Director

Michael G. Bartlett

Producted By

Bleeding Edge , Off World Films

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Reviews

Daman-Malone This movie is not a bad watch. It's got a good foundation of a story based on "Real Events" and the subject matter is always intriguing to watch. This being said I watched this film without reading any reviews or even reading the synopsis. After watching I started to read up on the reviews on here and there have been some very good opinions however daitch chase who left a review more to defend the movie clearly has an ulterior motive. I make it a habit to watch movies for entertainment and if it happens to peak my interested to find out more I will, but this is my own personal guide line, in any so called "REAL" movie if they people in the said "REAL" movie happen to be on IMDb with a list of credits I take their experiences to be more of an act than anything else. After all they are making a MOVIE even if the so called trivia states 90% of the film was real and not rehearsed. Actors are trained to react to their environment and place yourself as the character you are representing. So in a paranormal movie I expected much of the shaking of the camera, out the blue shock noises and just on the noise lets face facts when you walk do you have a score or musical effects follow you? no so at some point editing and sound and possibly visual effects were added. So this is a good movie but don't be like daitch chase if you like it great if not oh well. But don't pop at people who slate it.
ersinkdotcom I'm not a fan of "found footage" movies at all. First, they give me motion sickness to the point of projectile vomiting. Secondly, it seems like a gimmick filmmakers use as a way to make a cheap movie they can market to millions and profit off. Every once in a while, one comes along and makes me second-guess my attitude towards the horror sub-genre. However, it's always at home on a much smaller screen than the one found at your local multiplex. When I received "The Paranormal Diaries: Clophill" in the mail, I immediately dismissed it as another "Paranormal Activities" wannabe. After being "harassed" by the movie's publicist (she's great at her job) for my review, I finally gave in while expecting nothing good to come of the experience. I was very wrong in my presumption."The Paranormal Diaries: Clophill" sets just the right mood to pull people into its hysteria. What could be more frightening than an old desecrated church in the middle of nowhere rumored to be used as a location for satanic worship? Add to that a disturbing history of death and tragedy and you have a perfect foundation for ghostly sightings and supernatural disturbances. Did I mention the church is surrounded by a graveyard?The entire movie is made up of faux interviews with researchers and eyewitnesses mixed with video footage of the investigation. Old photos documenting the history of the church and its clergy add more of a realistic flavor to it. Every actor in the film is intent on proving to the audience what they are seeing is genuine."The Paranormal Diaries: Clophill" is unrated, but would earn an R if assessed by the MPAA. Frightening images, profanity, and nudity would garner the decision. Honesty, the full frontal nudity was unnecessary and could've been avoided. The scene pops up towards the end of the film and lasts about one minute.Another subject I would like to address is the religious factors alluded to in "The Paranormal Diaries: Clophill." Some of the concepts explored in the movie point in the right direction if you're a Christian. One guy prays for protection and another man warns against the dangers of using Ouija boards to contact the dead. He also states the difference between ghosts and demons, which many people confuse when it comes to the supernatural. The investigators in "The Paranormal Diaries: Clophill" still use a Ouija board and other similar tools to contact the dead. They just "hope" that any doorways they open while doing so will be closed afterwards. How often does that happen? It doesn't happen very often as you'll witness here. Does "The Paranormal Diaries: Clophill" pull every cliché punch possible when it comes to the "found footage" technique of filmmaking? You bet it does… and it does it darn well. Every camera angle and every sound amplified leaves the viewer in a constant state of panicked anticipation, just waiting for something to jump out at you. It's the perfect example of the cinematography technique being utilized correctly.
marable-653-279035 This movie plays out like a reality TV show/documentary. There isn't a lot of action to be had with this film. But if you like Ghost Hunters or Ghost Adventures, then you will probably like this as well. There is nothing new in this film, but it works well for what it is. It is somewhat slow as with most of these types of films... Interviews with "witnesses" first, followed by a night or so of "data collection/baseline events", followed by the "real" investigation. I was able to watch it without fast-forwarding through as I do with most movies like this. Acting wasn't horrible and the characters were believable as "everyday" people investigating these types of events.
Peter Tuthill WOW! All I can say, this movie is downright crap! I kind of suspected it to be one of those "let the cast rate the movie at IMDb to get a high rating and trick people into thinking it might be good" kind of movies, but I gave it a shot anyways because of the lack of good horror movies coming out right now. Well, I watched the first 39 minutes, before deciding to turn it off and watch a couple of episodes of "Ghost Adventures" instead.This movie is apparently an attempt at making a movie copy of the popular paranormal investigation shows from TV. The difference, and what makes this bland and totally useless is the poor story, cast, editing, color grading, and the lack of a "real" investigation. Towards the end you get to see some cultists performing a ceremony with a tied naked woman. That's the most action this movie has. It's not scary, not amusing, and in no way interesting.I'd suggest watching Emmerdale instead... It has more action than this piece of junk.