martenhemstrom-94695
This movie is incredibly beautiful, wise and full of love and lyricism!
Armand
his performance is essence of this adorable film. his character is so careful created that its fragility, humor, innocence, light of details are magnificent. he don't play a role but he is "il postino" . and this fact transforms entire scene. the story of Neruda exile is only arena for emotions of a small man on an Italian isle. the beautiful Beatrice is brick for his delicate happiness. Neruda himself is not exactly a mentor but a gardener. and the music, the extraordinary music, it is the soul of entire poetry. because a poetry is this movie who has as roots poems. very delicate, nice, nostalgic, melancholic, subtle, intelligent, precise, it is wonderful homage to a way to discover life as fundamental miracle. to feel the nuances of love, friendship, to be humble, modest and daring in same time, to feel gratitude as form of respiration. beautiful and impressive. touching. and unique. story of a postman. legacy of Massimo Troisi.
gradyharp
Having just visited the opera version of this film IL POSTINO by Daniel Catan courtesy of PBS Great Performances it is rewarding to return to the original source to honor the nidus for the inspiration for the opera. Directed by Michael Radford the film relates the heartwarming story of Mario (Massimo Troisi), a gentle and simple postman who falls for the beautiful café waitress Beatrice (Maria Grazia Cucinotta) from his village, but is too shy to speak to her. He meets the famous Chilean poet Pablo Neruda (Phillipe Noiret), and, as their friendship develops, the postman's own inner poet awakens. Soon he is able to win the love of Beatrice and even stand up for and express his own beliefs.This is a simple story graced by sensitive performances: of not the actor Massimo Trosi died from heart failure on the last day of production of the film. It is possibly this knowledge of the loss of one of Italy's best comedic actors along with the clarity and transparency of the film's gentle message about love and art that has made it a cult film. At any rate this is a film that belongs in every movie lover's library. Grady Harp
Atreyu_II
I only heard of this movie on the TV game show 'Who Wants to be a Millionaire?'. The question was which one of 4 mentioned actors starred in the films 'Nuovo Cinema Paradiso' and 'Il Postino'. I hadn't heard of 'Il Postino' before, but I knew that Philippe Noiret stars in 'Nuovo Cinema Paradiso', so I already knew the answer. The presenter recommended the person who wrongly answered the question to watch these 2 movies because something changes inside us once we get to see these 2 films.Then I did research on this motion-picture. It sounded promising, even more so by being foreign. I also got to know the sad story of Massimo Troisi, who played the title's postman (Pablo Neruda's postman). The man suffered from heart disease since a long time ago. He knew about his fragile heart condition and knew he needed treatment, but despite this he wanted to do the movie anyway. He even postponed heart surgery so that he could complete the film. That was a brave move. And he did manage to finish the movie just in time. Only 12 hours after completing the film he died of heart attack. You can say that he gave his life to make this film.Massimo Troisi is great as Mario Ruoppolo, the postman. But it's also sad to see him in this film because we are looking at a man who was dying while making it and that he died almost immediately after completing it.Phillipe Noiret is great as the chilean poet Pablo Neruda. While Pablo Neruda existed for real, his friendship with the postman didn't. But I don't know if a postman named Mario Ruoppolo existed in real life or not and if he was Pablo Neruda's postman or not.The film's got beautiful cinematography and soundtrack, which gives it more emotion and beauty. The plot is, in concept, good. But the movie itself lacks something (perhaps more emotion is one of those things it lacks) and is even a little too-slow paced. It's not a bad movie. It's interesting, moving, pretty to view... a good attempt, just not quite top material. It just isn't as great as it reputation suggests (with, of course, all due respect in memory of our friend Massimo Troisi).
AD
