binapiraeus In 1934, at age 51, Douglas Fairbanks had already decided to end his magnificent and very prolific acting career. Not because he couldn't cope with sound (he had a very nice, strong voice), or with the kind of movies that were popular at the time - he'd originally started as a comedian before he went into the romantic swashbucklers that made him so hugely famous; and in the 30s, screwball comedies were at their height, so he could still have remained a top star for years if he'd wanted to.But he wanted to retire WHILE he was still on top - and while he could still perform some of those marvelous acrobatic tricks that he'd always employed in his swashbucklers as well as in his comedies and that he himself loved so much doing; and so, for his last role, he chose the one famous character that he hadn't impersonated yet among all the classic heroes of romantic fiction, and that suited him so very well: Don Juan - but an aging Don Juan. A Don Juan who had become tired of keeping in shape for balcony climbing and love-making to young ladies, something which required daily training and diet - a kind of self-confession that he conveyed through his role...So he shows us here for the last time a display of his famous sword fighting, balcony climbing, and of course romancing - but at the same time, he parodies not only the self-satisfied Don Juan with the myth that surrounds him, but also himself; he wasn't above that.He was in NO way obliged to admit to his doctor, who calls him "King of Hearts": - "Well, nowadays, when I sit down to a... quiet game with a lady, I'm - no longer sure of holding the card..." Neither to play that scene with the middle-aged innkeeper who has a go at him in a PRETTY unflattering way: "You've no money, no looks, not very much brain - and you're no chicken! You'd make a nice husband..." Neither to have all the young girls of Seville laugh at him when he, who was believed dead, finally steps in in the middle of a stage play about his own 'private life' and declares that HE is the real Don Juan...And yet he DID play all these scenes - because he wanted to. He wanted to say 'goodbye' to acting with a good dose of self-mockery; he was MAN enough not only to admit that time hadn't just passed him by, but to ridicule that fact in such an exaggerated way that again makes us say automatically: "But hey, you're just joking - you ARE the King of Hearts, and you always will be!" So, with this hilariously funny, bright, romantic costume piece full of action and laughter, Doug Fairbanks retired from the acting stage - not in a pathetic, dramatic way, but in a humorous, lovable one that's kept him in the hearts of his fans until this day. So that's the special meaning behind this very enjoyable period comedy-parody that certainly never gets dull or sentimental or boring for one single moment...

MartinHafer When this film began, I was very suspicious about the casting of the aging Douglas Fairbanks in this film. After all, he was supposed to be playing Don Juan--the famed lover. Yet here was Fairbanks--clearly middle-aged, with thinning hair and a less than impressive physique. In fact, this turned out to be his last film--dying just five years later. So I KNEW this couldn't possibly work...or so I thought. However, the plot actually worked because in the film, Don Juan was supposed to be past his prime--it's just that he and his adoring public didn't yet know it! The film begins with Don Juan adored by the masses of married women who he has been seducing and flattering. However, his doctor is concerned--his patient isn't as young as he used to be and he needs to slow down. At first Don Juan is skeptical, but when his servant is murdered by a man who THOUGHT this was Don Juan, the aging philanderer makes the most of it--and allows the world to think he is dead. Then, he can retire and take life easy. However, after a while, he finds this life a bit dull--and the ladies are less than impressed by this anonymous man. So he decides to go public--admit he's alive and resume his wicked ways. The problem, however, is that the Don Juan of legend is just too sexy and too appealing--and no one believes this aging man is this rake! The film has a neat message, nice costumes and a few flashes of the old Fairbanks as he scampers up the side of a building to woo a willing lass. While not a great film, it was a nice farewell for the world-famous leading man. I saw this on the recent Criterion release, but as it had absolutely no special features on the disk, you might just want to watch it or download it from the IMDb link--something you can do with many of director Alexander Korda's films.

wes-connors Legendary lover Douglas Fairbanks (as Don Juan) feels the fatigue of advancing years; so, the ageing lady-killer takes advantage of a misunderstanding, and fakes his own death. After a rest, Mr. Fairbanks tries to return to his amorous ways; but, nobody believes he's the real Don Juan. Through it all, Fairbanks fans both new (Merle Oberon as Antonita) and old (Benita Hume as Dona Dolores) flames.A look at the credits of "The Private Life of Henry VIII" (1933) will reveal what filmmaker Alexander Korda had in mind - obviously, with "Don Juan", he hoped to duplicate the success of the earlier "Henry VIII". Unfortunately, this similarly staged "Private Life" found itself coming up short, and is significantly more lowly regarded. Indeed, it is a flat film. Moreover, the supporting cast is introduced in a confusing manner; it's difficult to keep track of who's who.In his last film role, Fairbanks is terrific as an ageing "Don Juan". Interestingly, he succeeds in eliciting the feeling he memorably portrayed "Don Juan" sometime during his 1920s box office reign. Not so, the famed womanizer was played, in fact, by John Barrymore; and, in spirit, by Rudolph Valentino. Still, Fairbanks makes the role personal; undoubtedly, his status as an fading film superstar helped.Fairbanks' best scene occurs about a half hour in, when he is informed of his character's "death" via the sword of Gibson Gowland (as Don Alfredo). Fairbanks pretends to be his character's mourning steward; then, he offers some interesting, likely personal, observations on fame. This is followed by a nice funeral sequence, revealing much about the famed lady-killer's escapades. Barry Mackay's deftly inept portrayal as a wannabe Juan is worth noting; his "inability" to leap effectively contracts Fairbanks' ageing gracefulness. ******* The Private Life of Don Juan (8/28/34) Alexander Korda ~ Douglas Fairbanks, Merle Oberon, Benita Hume

David Atfield In one scene Melville Cooper says to Douglas Fairbanks: "Leave off while they still think of you as you were ten years ago". It is a sad moment that you feel must have rung true for the two actors. The great Fairbanks, a movie legend, hadn't worked for two years. His famous marriage to Mary Pickford was at an end. And he was ageing, at 51 he could no longer fill the film with his trademark stunts - though he still climbs a mean rope ladder.Korda, perhaps cruelly, makes Don Juan a rather pathetic character - living off his legend rather than any real charm or beauty. Once he allows the public to believe he is dead, the real Don Juan can't even seduce a kitchen maid, and the only offer he receives is from an old lady - in a scene beautifully played by Fairbanks. When he stands on a stage and declares that he is Don Juan he is met with gales of laughter. You can't help thinking that Fairbanks might have met the same reaction had he stood before a crowd and declared himself to be Douglas Fairbanks.The film itself is actually pretty good - splendidly staged if a little clumsy in pace. And Merle Oberon is ravishingly beautiful. Fairbanks, like Don Juan, seems tired - ready for retirement. The spark re-ignites briefly in some scenes, but the overall feeling is one of defeat. Within five years Fairbanks would be dead having never worked again. As the film concludes, with Don Juan finally succumbing to marriage, and therefore retirement, we get the impression that he won't live much longer either. A god has been brought to earth. A flame extinguished.