sol- An ageing sheriff attempts to run a crooked gambling syndicate out of town but has to contend with public mistrust given his reputation as 'trigger happy' in this Old West drama starring Robert Ryan. While he looks old enough to be the father of love interest Virginia Mayo, Ryan delivers a very human performance here as he laments the fact that his trigger happy reputation is based only on his word against others and as he states confidently that his "ambition is to be oldest living marshal west of Kansas City". The film features some dialogue that simply simmers with wit too; early on, Ryan is told that "pride can kill a man faster than a bullet", to which he quickly responds "so can overconfidence". The conclusion of the movie feels a bit too neat and tidy for credibility, but this is a pretty solid movie overall with Mayo's underwritten, thankless role probably the biggest detractor; it is either that, or the repetitive whistling music at key dramatic parts. When the film focuses on Ryan though and the trust he tries to build with Jeffrey Hunter, it is top tier stuff with the highlight of the film being an incredibly intense scene in which they practise shooting. Apparently, this was one of Akira Kurosawa's favourite movies. It seems an unusual choice, but with such excellent character drama, it is certainly more notable than the average western out there.

ma-cortes The movie contains gun-play , Western noisy action , thrills , exciting spectacle and hard-biting interpretations . Offbeat Western about an almost-blind marshal with recurring bouts of blindness and taking on a nasty bandit . The rowdy ,free-spending cowboys attracted saloon keepers , gamblers , brothels and all types of frontier riff-raff , the town became notorious for its lawlessness , but there was Marshal Cass Silver (Robert Ryan) . After arrival the railway in town , Marshal Cass has to face off villains , killers and other mean people . Meanwhile , a cowboy called Thad Anderson (Jeffrey Hunter) comes to town with a cattle drive and meets Sheriff Silver , who murdered Anderson's dad when he was young . But his revengeful feelings of animosity soon change when Cass is telling the truth about his daddy . Later on , there appears his old nemesis , a corrupt gambler named John Barrett (Robert Middleton) and Cass has to deal with his hoodlums (Rodolfo Acosta , Ken Clark) . But here is a problem however , Cass is blind and he gets to hitting the dust .The film packs violence , shootouts , high body-count , it's fast moving and quite entertaining . It's a medium budget film with good actors , technicians , production values and pleasing results . A good Western of the kind that was already close in the then changing climate of Hollywood , what follows result to be Westerns in which stand out the twilight style , typical of the sixties . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes ; it continues to thicken to the inevitable final showdown . As the movie displays shot'em up , frantic action , thrills and moving pieces . It's a stirring Western with breathtaking confrontation between two leading roles , Robert Ryan/Jeffrey Hunter , and their enemies , Robert Middleton , Ken Clark , Rodolfo Acosta . Robert Ryan interprets efficiently an aging marshal responsible for law and order in a frontier cattle town , Jeffrey Hunter is cool as his young colleague and Robert Middleton is nice as a ruthless saloonkeeper . Virginia Mayo more used to work in Warner Brothers Musical seems miscast as the girlfriend . Support cast is pretty good such as Ken Clark , Rodolfo Acosta as hired guns . Special mention for the latter , Rodolfo Acosta , in his ordinary role as a cruelly baddie , he is terrific, and bears a hysterical and mocking aspect , subsequently he would play similar characters . Furthermore , Arthur O'Connell , Edward Platt , Whit Bissell , Richard Deacon , Jackie Coogan and a wasted Walter Brennan as an old deputy . Enjoyable score , including a catching whistled theme tune that may stay with you for some while . Colorful as well as evocative cinematography by Lucien Ballard , Peckinpah's usual .Screenplay by Petrarca and prestigious Edmund H North with interesting premise about a 'blind gunfighter' , subsequently taken by Japanese series starred by ¨Zaitochi¨, a blind swordsman from the 60s and being recently remade by Takeshi Kitano . This attractive theme about a blind gunslinger is also treated in other Westerns such as ¨The Blindman¨ by Ferdinando Baldi with Tony Anthony and Ringo Starr , ¨An eye for eye¨ by Michael Moore with Robert Lansing , ¨Minessota Clay¨ with Cameron Mitchell , directed by Sergio Corbucci and ¨Blind Justice¨ (1994) by Richard Spence with Armand Assante , Robert Davi and Elizabeth Shue .¨The proud ones¨ was expertly staged by Robert D. Webb who carried out an exciting climax of the picture . Robert Webb makes a nice camera work with clever choreography on the showdown , fighting , moving shootouts and suspenseful set pieces . Robert D Webb was the last person to win the short lived Oscar category "Best Assistant Director" . Often worked as assistant to the director Henry King . Directed Elvis Presley in his first feature film , Love Me Tender (1956) . Robert was an assistant director and director, known for Beneath the 12-mile reef , (1953), Seven Cities of Gold (1955) , Love Me Tender (1956) , this The proud ones (1956) , Pirates of Tortuga (1961) and The Cape Town affair (1967) . ¨The proud ones¨ is an outlandish , surprising and uneven story but will appeal to Western aficionados . Rating : 6.5/10 , riotous Western in which there's too much action and violence and excitement enough

FightingWesterner Marshall Robert Ryan is branded a coward for having left his last post as Marshall of Keystone on account of being run out of town by crooked gaming house owner Robert Middleton. He finds his manhood tested again when Middleton follows him, setting up shop in Ryan's new town.The Proud Ones is reminiscent of and contains a few interesting parallels to Howard Hawks' Rio Bravo and El Dorado. This could easily be viewed as the forerunner to those films, only without John Wayne and his pals patented comedic horsing around.Jeffrey Hunter gives a great, unpredictable performance as the young cowboy turned jailer/deputy with an ax to grind with Ryan over the death of his father, leading to much speculation as to which side he'll eventually end up on.With a script that knows exactly which buttons to push, it all leads to an exciting and surprisingly violent climax.My only problem is that Walter Brennan isn't given much to do. His presence is a bit wasted.

billpollock49 The quintessential thinking western. The man wronged (Ryan), the dependable woman in his life (Mayo), the young man searching for the truth(?) (Hunter). A good western with the normal hallmarks of this genre. Good storyline, actors who can actually act (Jeff Hunter's best acting display since "The Searchers") and importantly in any move or TV programme , great, haunting soundtrack. The whistling of this gives this western depth and feeling. The other actors, including the head villain, all play their parts with a modicum of effort, enhancing this film.The various shootouts are well handled, with Ryan's worsening disability becoming more obvious, as an example the shootout in the barn. Hunter's young man changes as the movie progresses in now not wanting to kill a semi blind man and also realising that perhaps the sherrif is right but his search for the truth of his father will out.The final confrontation in the saloon followed by the the haunting soundtrack makes for a memorable western.