The Rage: Carrie 2

The Rage: Carrie 2

1999 "Looks Can Kill."
The Rage: Carrie 2
The Rage: Carrie 2

The Rage: Carrie 2

4.8 | 1h44m | R | en | Horror

Following the suicide of her only friend, outcast teen Rachel Lang's life begins a downward spiral that will not only affect her but take everyone around her down in horrifying fashion.

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4.8 | 1h44m | R | en | Horror , Thriller , Science Fiction | More Info
Released: March. 12,1999 | Released Producted By: United Artists , Red Bank Films Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Following the suicide of her only friend, outcast teen Rachel Lang's life begins a downward spiral that will not only affect her but take everyone around her down in horrifying fashion.

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Cast

Emily Bergl , Jason London , Amy Irving

Director

Geoffrey S. Grimsman

Producted By

United Artists , Red Bank Films

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Reviews

Filipe Neto Making a sequel to a famous movie shouldn't be only an excuse to make a movie but that's what we have here. "Carrie" was a remarkable film when it debuted but was being forgotten over time. This was a sequel attempt but any resemblance to "Carrie" is mere coincidence, as it repeats the same story with another girl, Rachael Lang, blending everything with the usual ingredients of the obnoxious teen movies. And just like "Carrie" or any slasher teen movie, everything ends in carnage, with gore to the liking of teenagers without brains and who use their genitals to think. Boring and predictable are two adjectives we can use for it Frankenstein plot, as strange as the breeding of a mare with a zebra. The ending is rather exaggerated and forced. The main character, Rachael, never really gets connected with the public, so her life or death is something that doesn't bother us. The film makes a lot of effort to look scary but it's like a magician show: huge show off that brings nothing new. The actors aren't necessarily good but their work is OK. Conclusion: Its a teenage film that is on the borderline between mediocre and bearable, using the fame of an old film in an inglorious way.
GL84 After her friend commits suicide, a teen finds herself slowly getting involved with the football players who supposedly caused it only to realize their true nature and causes her to unveil her slowly-developing telekinetic powers on the guilty party at a celebration.This here was quite the enjoyable sequel which really has a lot going for it. What really gives this one some solid points here is the fact that there's some really rather fun and exciting ways in how the film is connected to the first one that ties them together rather nicely. It takes pretty much the exact same storyline and adds some contemporary sub-plots that actually move the story along and allow the film to set up a problem or two that will result in her humiliation. The reasons that she has to seek vengeance are very realistic reason, as wanting to get back at people who have broadcast her first sexual activity and then tying that into the game with her friend which is plenty of reasons to seek it. The sex alone would be enough, but then the other activities push her over the edge and sets the whole thing in motion with their tormenting and bullying her throughout that second half of the film. With that, the party where it all goes south is action- packed and striking with plenty of fun here with the fire, the grand design of the house coming into play with plenty of encounters on different levels and rooms of the house and the household objects used as killing instruments is very exciting to see. It has the spectacle needed to really sell the humiliation as necessary while remaining faithful to what the original showcased, provided more gore and really brought those powers to the forefront in a grand fashion which is needed here to let the film end on a grand note. These here really give this quite a lot to like and hold this up over the film's negatives. The film's biggest issue is the rather off pacing, as though it's not bland or dull nearly all of the action occurs at the end which allows for some really trying moments in the first half as we get character development and all the set-up and have to deal with a lot of cliché developments. These have appeared in so many films that there's little about the characters being developed which generates some rather familiar stereotypes as they are so easily spotted that you can do it yourself without any trouble. This one also tends to become quite loose when it comes to setting this one in the same universe as the with some rather flimsy connections to make that work and it really is a stretch on some of the issues. These here are the problems that hold this one back.Rated R: Graphic Violence, Graphic Language, Nudity, some sex scenes and a scene of animal violence.
SnoopyStyle Rachel Lang (Emily Bergl)'s mother was sent away when she was a child. Her foster parents only care about the money. Her best friend Lisa Parker (Mena Suvari) lost her virginity to Eric (Zachery Ty Bryan) but it's only a game for the football players. He rejects her and she commits suicide. Rachel tells school counselor Sue Snell (Amy Irving) and Sheriff Kelton. Sue pushes Kelton to charge Eric for statutory rape. Jesse Ryan (Jason London) is a popular kind-hearted jock who falls for Rachel. Eric and the football players try to intimidate Rachel and her burgeoning telekinetic power is unleashed. Sue investigates and discovers that Ralph White is Rachel's biological father.Director Katt Shea can only do TV movie level work. Emily Bergl is a bit too old to play a teenager and so is Jason London. Sissy Spacek was so much better and she looked so innocent. Everything like the constant flashback to the original reminds me how much better that was. Amy Irving's return helps a little but in other ways, she doesn't help at all. Her investigation diverges attention away from the schoolmates. It's also questionable how easily she is pulled into the party. The special effects are generally poor until the last section when the film throws everything into it. This is a weak sequel to a horror classic.
TheBlueHairedLawyer It's bad enough that Carrie had its awful remakes in 2002 and 2013, but if you look at all four Carrie movies, you'll discover one of the worst movies ever. Just like the Firestarter sequel (Rekindled), this one travels way too far from the original plot, the characters are preppy high school students and the soundtrack is horrible, as is the acting.The Rage follows telekinetic outcast and killer Carrie White's half-sister, Racheal, as she discovers her own horrible powers. As a child her mom was committed to a mental hospital so now Racheal lives with her trailer-trash foster parents and her only friend has committed suicide, leaving her alone. Racheal's beloved basset hound, Walter, is squashed by a car, and afterwards Racheal begins to learn that the urban legend of Carrie White, who wrecked the town in the Seventies, was indeed a true story, and soon everyone at school is coming face-to-face with Racheal's telekinetic rage.There are so many cliché horror elements in this movie that it's not even funny. I cared nothing about what happened to any of the characters, the guys were all sleazy sex maniacs and the girls were all snotty Barbie clones or emo teens, nothing unique about anyone. For some reason Racheal has a heart-shaped tattoo, no idea why, and when she uses her powers, vines grow out of it. Why? Like I said, no idea whatsoever, just a pointless waste of the movie's budget.The only bright side to this pathetic load of garbage is that Amy Irving, who played the original Sue Snell in the 1976 Carrie, comes back to play the role of Sue Snell again as an adult. This movie reminded me more of The Haunting of Molly Hartley than it did of Carrie.My advice? Don't watch The Rage unless you're incredibly bored.