The Rape of Europa

The Rape of Europa

2007 "Imagine The World Without Our Masterpieces"
The Rape of Europa
The Rape of Europa

The Rape of Europa

7.7 | 1h57m | en | History

World War II was not just the most destructive conflict in humanity, it was also the greatest theft in history: lives, families, communities, property, culture and heritage were all stolen. The story of Nazi Germany's plundering of Europe's great works of art during World War II and Allied efforts to minimize the damage.

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7.7 | 1h57m | en | History , Documentary , War | More Info
Released: March. 17,2007 | Released Producted By: Actual Films , Agon Arts and Entertainment Country: United States of America Budget: 0 Revenue: 0 Official Website: https://www.pbs.org/therapeofeuropa/
Synopsis

World War II was not just the most destructive conflict in humanity, it was also the greatest theft in history: lives, families, communities, property, culture and heritage were all stolen. The story of Nazi Germany's plundering of Europe's great works of art during World War II and Allied efforts to minimize the damage.

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Cast

Joan Allen

Director

Richard Berge

Producted By

Actual Films , Agon Arts and Entertainment

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Reviews

runamokprods One of those documentaries that grows in impact as it goes along. For the first hour or so I found this study of the Nazi's plundering and stealing Europe's great works of art, along with the allies attempts to spare art during the war, intellectually interesting, but a bit dry and even repetitive. But as the film moves on to the aftermath of the war, and we get more of the human side of the story; great art treasures are returned to the lands whose cultures they represent and we see the joy that it brings, both sides of the Russian debate about keeping the art they took from Germany as a sort of reparation for the horrible human cost of the war, restorations still going on 60 years later with care and passion, a Christian German who has made it his mission to return beautiful and intricate Torah scroll caps to their rightful Jewish owners, the film blossoms into a very human examination of just how important art is to human beings and to our sense of selves. Ultimately, what starts feeling like a somewhat academic exercise ends up as a very moving and human documentary.
MartinHafer This is a sad but fascinating documentary. While I knew that Nazis stole art throughout Occupied Europe, I didn't realize how systematic it was as well as the HUGE scope of the plundering. It wasn't just Goering (the most famous for his plundering) but Hitler and many of his henchmen that were behind the thefts--and they planned their invasions with plunder in mind! So, for example, when they thought art to be 'decadent' is was often destroyed--and when it was 'good', it was sent for German museums or to the private collections of these thieves! Today, some museums (such as in Vienna) talk at returning paintings to original families! Fortunately, some others (like the Utah museum) did return painting and acted responsibly when they learned that pieces of art in their collections were stolen by the Nazis. Other topics discussed in this interesting film were: The Soviet 'trophy brigades' returned the favor and plundered German museums and private collections--and today they STILL have the art and refuse to return it.That huge caches of art were found in mines as well as the famous Neuschwanstein Castle in Southern Bavaria.The ways that the Allies tried to avoid destroying art when they fought the Germans as well as efforts post-WWII to catalog and restore art to the rightful owners.It was very nice seeing Jewish people get back their silver 'Torah crowns'--and I found it very touching.Thousands of pieces of art are still missing--either destroyed or in private collections.All in all, a fascinating portrait of a seldom talked about but sick side of the Nazis--priceless art stolen from Holocaust victims and museums. Well worth seeing.
ivan-308 This is a good movie and it is biased. It is trying to tie the looting of art to holocaust. That is very wrong. Nazi ideology was wrong, inhumane and evil. Nazis took anything they wanted because they believed they owned Europe. Hitler was not a bad painter; he was against modern art. I have been painting for 39 years and I can assure you he is much better than many artists who are accepted into art schools at the time and today as well as some my students. His art is very much illustrative not lyric in the sense of story telling. In a few of his work that I have seen he has hold perspective and dimension well in place more than I can about a lot of paintings that are in the museums. He loved art and his vision was that he owns Europe and Germans are master race so he is going to take it all and make a very large museum. The reference of Hitler became anti-Semitic because he was rejected at art school is just childish. Hitler became anti-Semitic mainly because he believed Jews are responsible for Germany's defeat in WWI. He formed his Anti-Semitism in later years after his rejection and there is no reference of such in Mein Kampf, (one of the most $%^&ed up books I have ever read in regards to editing and scatter of subject in 4 languages including German). Holocaust was horrible; so was the loss of 23.5 million people of USSR. It also tried to portray USSR soldiers as looters by taking the art back. The efforts of people like Leonid Folinsky, the Soviet artist that discovered the Raphael's Madonna and Rembrandts, Rubens, etc. in salt mines in east Germany area and managed to pull them out of the water is not mentioned other than they were sent to loot for USSR. It ignored the fact that if Nazi's took and destroyed so much of USSR's art then if after the war USSR keeps some of the German art it is just a payment. It almost implies that Hitler's atrocities should be wiped off with the end of Nazi party and Germans should not have to pay any damage into the equation. Obviously every Jewish art dealer descendant (or Holocaust victim) should get all his or her art back. Obviously it helps the fact that as soon as they get it back they can sell it to likely end up in an American museum. . What about the descendants of the art in USSR? While I appreciate the efforts of Americans who did the saving of the artifacts I do not think they were the only ones. Many natives of France, Holland, Austria and other countries helped the underground networks with efforts to save the artifacts and their efforts were downed a little with exception of one. The use of some new footage of the WWII is refreshing. I did not see much reference to the art in Holland or Belgium. I dislike the title of the movie as "Rape of Europe" as a Nazi "thing". Napoleon did nice job of raping the Europe himself; where do you think all the Italian and Spanish art in Louvers comes from? How about rape of Egypt, Persia, Greece, ... England obviously did not rape India or any of its sub kingdoms! What about rape of Iraq as recent as 2003? 58 years after WWII! I think they were on the level about the bombing of Monte casino but the firebombing of Dresden was played down a lot, considering the loss of the art there.War is a horrible part of human history and taking booty has always been a part of it. Nazi ideology was wrong, inhumane and evil but taking art works and valuables was not their invention. The part that talks about how they had lists of artwork upfront and before hand due to their "evil" minds... That is just the naive talk of the talker. Germans are born with a list of to do's. Anybody that has spent a little time learning German and their people would know it. Everything is always calculated and documented! They even documented the holocaust themselves with very extreme precise records.
dprezny I think somebody should make a documentary about the British Museum for starters. Let's count the artifacts there, they have looted. When the Prussians started to push the Germans back they took almost everything from the countries they marched trough. War is brutal and mindless. All war waging countries will loot & destroy. Growing up in eastern Europe I have a bit different opinion about WW2.I liked the archive footages, they were great. The narrator did a good job, but I liked it more with some real documentary firmness. Anyways, you should see the movie with an opened mind and make the judgment yourself after it.