utgard14
The eighth and final Saint film from RKO. Well, technically it was released here by Republic but it was produced by RKO two years earlier and sat on the shelf while the studio worked out its legal issues with Saint creator Leslie Charteris. It's also the worst movie of the series, although still perfectly watchable. The plot has the Saint up against a villain called the Tiger. That's pretty much all you need to know to realize this isn't going to be much more than a generic programmer. Returning as the Saint is charmless Hugh Sinclair. His comic relief sidekick this time is valet Horace, played by Wylie Watson. He's an improvement over the last sidekick but not by much. Pretty Jean Gillie is the would-be love interest Pat Holmes. Apparently this character was a bigger deal in the Saint books but is just now making an appearance in this series. Gillie does a fine job and arguably has the most personality of anyone in the cast. But her banter and romance with the dull Sinclair is never very believable or interesting. Everything is very 1940s British, staid and mannered and leisurely paced. The story isn't particularly strong but they shove enough humor and action in to keep it your interest.
michaeljhuman
Jean Gillie (sp?) makes this movie. She's too cute for words with her gung ho attitude. She's not really believable IMO. She's just too calm in the face of danger given her background, but it's fiction after all, why not have a really strong female character to match up with the Saint.A lot of the supporting cast is pretty dullGeorge Sanders is better as the Saint IMO. Hugh does OK - he's charming and competent enoughThe plot is weak like most Saint movies. I don't care really as long as the dialog entertains, and it does.I admit to having a real love for the early Saint movies for their totally relaxing experience - the violence is comic when there is violence, and you always just assume the Saint will manage to come out alive. Even though the violence is comic, the body count is high in this movie. Heck, I can't even remember how many people get killed (or one assumes their wounds are fatal.)I would say, if you liked the Sanders Saint movie, this one might appeal to you. If you like comic-mysteries from this era and don't mind weak plots you will like this. I think most people just have to like Jean Gillie here, what's to not like?
blanche-2
When a man is killed on his doorstep, Simon Templar (Hugh Sinclair) tries to find out the reason in "The Saint Meets the Tiger," a 1943 film also starring Gordon McLeod, Jean Gillie and Wylie Watson. In this episode, The Saint has a butler (Wylie Watson) who regrets not taking a job in Chicago so he could work with mobsters; a death on the doorstep is what he's been waiting for. The man utters a few words before he dies, which lead Simon and his butler to a small town. There they meet a young woman, Pat (Gille), who becomes part of the "team" trying to uncover the identity of "The Tiger" and reveal a scam involving gold and an old mine.The scenes on board ship were good, with the butler and Pat working together knocking people out and not realizing Simon was on board, too, and Simon not knowing they were on board. The two would run across a body and accuse the other of knocking him out. Inspector Teal shows up posing as a professor.This is pleasant enough, though Sanders brought a certain panache to the role of The Saint that is missed here. And why, when the series was imported to Britain, wasn't the Saint's whistle brought along with him?
Panamint
"The Saint Meets The Tiger" features competent British acting circa 1940's but is just not up to the high expectations you might have after seeing the George Sanders "Saint" series.There is nothing really wrong with Hugh Sinclair's acting but it seems he would be more suited for one of those tough British wartime roles as a heroic commander or something like that. He is more in the strong military or policeman mold rather than the suave Saint type as personified by the smooth, charismatic Sanders. Jean Gillie is cute and youthfully energetic as the female lead and does a fine job of perking up this movie.The overall story is outstanding as the Saint is on the trail of a crime ring and coyly infiltrates the inner workings of a small coastal town to look for stolen gold. I don't regard this movie as slow, but you could consider it methodical and geared for mystery/crime fans, and competently directed and plotted to showcase the well-conceived story.If you are expecting an example of beautiful 1940's black-and-white cinematography you won't find it here. The movie seems more "grey-and-white", at least the print of it I saw on TV. A shame.Die-hard Saint fans should be satisfied as the movie seems to make a great effort to remain true to its book-series roots.
AD
