nimbleland All right, I want to add a few things. First of all there are 2 films, not 2 film versions. The 1924 silent version adheres to the book, which I bought and read many years ago. I see that some battles scenes were lifted from this version. For a silent film it is very good. The 1940 version is very good as well. It's political sea drama between England and Spain. There is a galley and escape scene. There are sea battles with sound (which would not be hard updating the silent film.I believe that Raphael Sabatini's version deserves to be remade. If you read Captain Blood, it reads like a film. The book The Seahawk is a great read. Check it out for yourself.

wes-connors In the brave, bold swashbuckling days when Queen Elizabeth reigned, and waves crashed mightily onto England's Cornish coast, seafaring knight Milton Sills (as Oliver "Noll" Tressilian) courts neighboring pretty Enid Bennett (as Rosamund Godolphin). Ms. Bennett's brother Wallace MacDonald (as Peter Godolphin) doesn't want her to wed Mr. Sills, calling him a "blood-thirsty buccaneer!" Their guardian, Marc McDermott (as John Killigrew), agrees, and swords are raised. Sills is merciful, but likewise handsome young half-brother Lloyd Hughes (as Lionel "Lal" Tressilian) kills Mr. MacDonald in a duel.Covering for his beloved brother, Sills allows himself to be blamed for Mr. Hughes act. Hughes is anything but grateful, making a deal with dastardly Wallace Beery (as Jasper Leigh) that lands Sills on a slave ship. While using his muscular frame on a ship's galley slave row, Stills gets cozy with partner Albert Prisco (as Yusuf-Ben-Moktar). The brawny men successfully break the chains that bind them, but Mr. Prisco dies in sniper fire. Making his escape, Stills rejects Christianity and converts to the Moslem faith of his deceased friend. Sills changes his name to "Sakr-el-Bahr" ("The Sea Hawk"), and enacts his revenge..."The Sea Hawk" had audiences coming back for multiple viewings, and was a big hit for First National; it also moved director Frank Lloyd further into the small circle of epic filmmakers. The film boasts big - and big-looking, thanks to Lloyd's incredible use of the picture frame - production values; and, it is beautifully paced. Watch how well Lloyd fills the screen during the "interrupted wedding" between Hughes and Bennett. Much of the seafaring footage was plundered to insert in later Warner Bros. films - and, it's likely not all of the stolen scenes were returned to the original; witness, for example, Sills' escape from slavery.Critically acclaimed, as well as popular, "The Sea Hawk" was cited as the year's "Best Picture" by "Motion Picture" magazine. "Photoplay" declared "The Dramatic Life of Abraham Lincoln" the winner, while "Film Daily" had "The Thief of Bagdad" edging out "The Sea Hawk" by one vote. Moreover, the later two immediately began placing high on "all-time" greatest film lists. The heroic Sills may be uncommonly staid; but, in hindsight, this is preferable to the usual overplaying. Hughes performed exceptionally; he rose to #6 in a "Motion Picture" star poll, with Sills behind at #13. Bennett has relatively little to do, but Mr. Berry certainly makes a good impression; soon, he would become the biggest star from the cast, which has a dozen notable actors.******** The Sea Hawk (6/2/24) Frank Lloyd ~ Milton Sills, Lloyd Hughes, Wallace Beery, Enid Bennett

Michael_Elliott Sea Hawk, The (1924) *** (out of 4) Oliver Tressilian (Milton Sills) goes from a rich man to slave and then works his way back up in this faithful adaptation of Rafael Sabatini's famous novel. Most people know the 1940 Errol Flynn version, which is considered a major classic but that version left me rather flat when i watched it a couple years ago. This silent version isn't a classic but to me it's somewhat more entertaining. The funny thing is that I praised the Flynn version for various battle scenes but it turns out that many of them were lifted from this film because Warner felt they couldn't top the scenes here. The battle scenes here are certainly the highlight and the slave mutiny is full of excitement. Sills, a major star in the silent era who is now forgotten, delivers a very strong performance but the screenplay doesn't offer him too much outside the lover/fighter part. Wallace Beery is also good in his role as another Captain but Enid Bennett is rather lame as the love interest. Towards the end of the film there's some nice tinted scenes but the real surprise was the hand colored flames, which appear in three scenes.

bkoganbing This particular adaption of Rafael Sabatini's swashbuckling novel remains faithful to the original story. For those of us who are fans of the Errol Flynn version of The Sea Hawk and I consider it his best film, it has no resemblance to this silent film whatsoever.In a way that's good because both versions can truly stand on their own merits. Milton Sills is the lead in this version, playing Sir Oliver Tressilian, prosperous landowner in Cornwall. He's looking to wed Enid Bennett who is the daughter of an adjacent estate, but Sills has two problems, her brother Wallace McDonald who doesn't think Sills's family is good enough and Sills's half brother Lloyd Hughes who wants Bennett for himself.After this The Sea Hawk becomes a mixed version of The Master of Ballantrae and Ben-Hur. Sills is framed for McDonald's murder and captured by pirates who sell him to the Spaniards as a galley slave and then he gets rescued by the Moors.When Sills gets rescued by the Moors it's his good fortune that the Pasha of Algiers takes a liking to him and he becomes their top pirate with the fearsome name of Sakr El-Bahr, The Sea Hawk. The rest of the film follows a similar path of Sabatini's other work Captain Blood.Warner Brothers when they remade The Sea Hawk though they didn't use the story certainly did retain several of the battle scenes which the viewer will immediately recognize. This version is every bit as grand and grandiose as the better known sound film. Sills and Bennett do indeed remind one of Errol Flynn and Brenda Marshall. And Sills in treading on territory that Douglas Fairbanks staked out delivers a fine performance, though without the flair for dramatics that Fairbanks had.I'm definitely glad this silent classic is not lost.