frankenbenz If titles are useful indicators of what a film has in store, then The Sensation of Sight must be a very profound 134 minutes. Trouble is, first time director and writer Aaron Wiederspahn's ambitions heavily outweigh his ability to actually make a profound film. As is usually the case, wanting to be profound and actually being profound is an ocean apart and, unfortunately, TSOS is no exception.TSOS's multiple characters all wear their angst on their sleeves and each of them stumbles through life burdened by their past, tortured in the present and bouncing off each other for the sole purpose of pulling out little bits of profundity from one another. This not so subtle device is used in excess as a means to propel the story and illuminate each enigmatic character's back story one tidbit at a time. But little of TSOS's overt melodrama feels sincere, instead it's authorial voice screams from rooftops at how deep and emotionally powerful the writer's words are. The stabs at deeper meaning are telegraphed through a series of overwrought contrivances, making it very difficult to identify with characters who do unnatural things, spew writerly dialogue and awkwardly interact with one another for the sole purpose of forwarding narrative. In many ways, TSOS is reminiscent of Paul Haggis' Crash, another heavily contrived film that will stop at nothing to prove to you how profound it is. While Crash barely manages to pull off the impossible, TSOS falls short.Despite it's weaknesses, TSOS does possess a quiet charm, a quality that comes through in it's slow pacing, attention to minutiae and simple yet poetic photography. It also possesses an effectively minimal soundtrack punctuated with occasional injections of indie rock gems. Nevertheless, Wiederspahn's inexperience as a filmmaker seeps into TSOS and it never manages to escape the suffocating voice of its author. There's a good chance Wiederspahn has the tools and the sensitivity to mature into a uniquely talented and individual filmmaker, but unless you've got 2 plus hours to dispense on potential, you might be better off waiting for his next film.

JorgePupo I was able to see 'The Sensation of Sight' when it opened in New York City two weeks ago and I became immediately enraptured by its honesty. Aaron Wiederspahn's screen glows with a certain purity of heart which is exactly what makes this film so different and unique... The lighting is beautiful and the music is used very effectively... Every shot is carefully composed with great attention to detail. The subtle intimate relationships between characters with conflicting needs and how they open up to one another is what makes this film so special to me aside from being technically flawless. The performances are top notch! I highly recommend it.

Beon A very deft and competent work given the experience and budget of the production team. The script didn't seem all that easy to work with, but a fine group of actors seemed to find it's pitch and pace. Coupled with a sweet little soundtrack, it triggered a few Hal Hartley flashbacks. Not that there's anything wrong with that. The photography really was extraordinary. A very complete palette was found in some fairly mundane locations creating an effect that was at times both rich and bleak simultaneously, somewhat like a Russell Banks short story. Not that there's anything wrong with that either. Frankly there's not much wrong with this film at all and it should stand up well when viewed a few times.

Ratgirl_1013 Its a really deep movie if you miss any thing or you wont understand whats going on. Its an off beat drama about an ex school teacher Finn who goes around selling encyclopedias not the whole set but 1 book at a time, he is searching for the meaning of why after a student kills himself in front of him. it got off to a slow start I wasn't sure if I was gonna like it at first but as it went on I started to like it better by the end of the movie I loved it! Theirs a lot of twist and turns in it, each person is connected to each other in away. At first I couldn't figure out the guy that was following the Drifter around he didn't say a word and no one other than Finn could see him, it turned out he was the ghost of the Drifter dead brother. I don't want to give to much of the movie away so this better be it before I tell everything that went on and give it all awayI got to meet Ian Somerhalder after the showing in Denver