rowmorg The stunningly beautiful and cool blonde, Connie Neilson, contrasts vividly with the dark and passionate Iraqis she meets in this journey through occupation hell in Iraq. This fine drama delivers many wrenching moments on a modest budget, and depicts a serious mess in Iraq that compares negatively with the former regime of Saddam Hussein, who was so vilified to their own peoples by the lawless invaders, while many of the Iraqis on balance welcomed having a strong man in power. All the ambiguities are portrayed here, except the most salient and disgusting: the American occupiers' orgy of torture in the very prisons that Saddam used for the same purpose. Only towards the climax is there an interrogation scene that hints of the possibility of brutality, but the action pulls away and fails to confront the most urgent issue confronting American jurisprudence today. However, despite this important flaw, THE SITUATION is to be highly recommended as a courageous dramatisation of a state slipping towards failure while under the occupation of the US empire.

I_am_HVR This movie is good. And I mean really well done. If you are looking for a movie without too much political agenda, then this is the one. It takes you right on the ground, on the streets and in the houses of Iraq. It showcases the torment and mistrust that has grown in the hearts of people there. It has the look and feel of an indie, at the same time it is very well made. The acting is very good, at all the levels. The movie needs a careful viewing. It is NOT an action movie. It is a well spun out drama with very good character building and a superbly evolving storyline. This is my pick from all the movies on Iraq, along with No End In Site.

joshisposh9 This is an impressive film, now, today, and in the past, but what about the future????? Here we see a master asking us to question many sides of the situation, not just one, love this. Here is a film that provokes instead of pacifying, not a film for entertainment. Watch this film on different levels, watch for Iraq specifically, but watch for how most things get represented in the media. Philip Haas has captured the complexity of life, of all news, of all visual expression, by showing a situation within a situation, by making a representation about a representation, by asking us the hardest thing of all, to think outside of what we are shown.

gradyharp THE SITUATION is an eye-opener for the general public who have been kept guessing as to what is happening in the Iraqi War by the edited reporting in the media. It has all the markings and possibilities of a significant statement movie, but unfortunately the seemingly sound script (Wendell Steavenson) and the solid acting are all but lost by the engineers who allowed the dialog to be inaudible: not only is the ambient sound in a war-torn country not controlled by the Dolby process, but the insipid music score covers what free space there might have been for us to hear what the characters are saying. For lip readers the story might make sense, but for other viewers it is a tough uphill fight.Anna (Connie Nielsen) is a journalist sent to cover the war to send home to the public a realistic view of what is happening in Iraq. She is aided by friendly Iraqis such as Rafeeq (Nasser Memarzia) and informed of American crimes against Iraqis and becomes involved in a dangerous journalistic mission, one that gives many insights into all of the aspects of the Iraqi conflict. She finds love with two men, a CIA operative Dan Murphy (Damian Lewis) who represents the idealistic vision of helping supply the country with medical assistance, and an Iraqi photographer Zaid (Mido Hamada) whose gentle spirit and warm support win Anna's respect, and the love triangle comes into strident focus when the forces involved in espionage clash in a climatic conflict while Anna is held hostage.Thankfully, the Arabic conversations are accompanied by subtitles and the audience is thus more able to understand the Iraqi side of the story than the inaudible English spoken dialog apparently explaining the American aspects. The cast seems strong (especially Nielsen, Lewis and Hamada) and the supporting cast is excellent. While THE SITUATION is not meant to be the 'tell-all' of the complex Iraqi story, it at least gives credence to both sides of opinion. And that is what could have made the movie well worth seeing. Philip Haas digs in and gives us a tough dose of what the war is about - if only we could hear the dialog! Grady Harp