JLRMovieReviews Esther Williams is a hot teacher. So it's natural for her boys to have a crush on her. But to act on it! John Saxon, in his screen debut, is the boy in question. Goerge Nader is the law, who's brought in, when she is coaxed by a series of letters to meet the boy in the boys' locker room at night! In the scuffle, she is shaken up and her clothes a bit torn, and the officer, who is quite taken by her, is out to get the boy, despite the fact she wants to forget the whole thing and put it behind her. He's just a boy! But if you don't punish the behavior, they don't learn, says George Nader. Then there's the question of whether Saxon is the suspect they are looking for in the case of a young girl murdered. Despite the facts that the movie starts out really melodramatic with corny dialogue and that George Nader has practically no screen personality, I got really engrossed in the film. I thought I had heard that this film was really bad. It does have some parts that were overdone or done to extreme, like Edward Andrews' performance as Saxon's father. But, costarring good supporting actors like Jack Albertson and Les Tremayne, the film certainly delivers a punch. '7' is still a little generous, but for pure entertainment and camp value, it sure fits the bill.

David Lobosco I remember seeing the movie THE UNGUARDED MOMENT during my early days of collecting movies when the VCR was just hitting the height of its popularity, so unfortunately I do not have a copy of the film. There has never been a commercial release of this movie on VHS or DVD for that matter. It is surprising because it marks a very different role for Esther Williams. She actually stayed dry in the movie, and the plot which actually was pretty dark and realistic for 1956 audiences.Lois Conway (played by swimmer Esther Williams) is an attractive high school music teacher who has a 1950s bullet bra figure that attracts the attention of lustful sexual psycho student, Leonard Bennett (John Saxon). At home Leonard's father (Edward Andrews) is a creepy repressive misogynistic who lectures his son about the dangers of all women, like his dirty, dead mother.Lois begins to receive secret notes slipped into her purse and school papers. Quickly the notes become more obscene, and after receiving one asking her to meet at night in the locker room, she goes, hoping to discourage her admirer. Bad move! In the darkness a flashlight glares in her face and she is sexually molested by her unidentified predator. With the help of police lieutenant Harry Graham (George Nader), Lois does her best to fend off future attacks, while trying to keep from suffering a nervous breakdown herself! Look for 1950s teenage haircuts and clothes. Cool-looking teen hangout, "The Sugar Shop" is where all the cool cats and kittens go to dance to the rock and roll jukebox! Lots of boogie woogie tunes and jiving at the high school dance. It's rare to see a 50's teenage JD film in color! Esther Williams, George Nader, John Saxon, Edward Andrews, Les Tremayne, Jack Albertson, Dani Crayne, John Wilder, Edward Platt, Eleanor Audley, Robert Williams, Diane Jergens.Esther Williams gets her first post MGM starring role and gets off to a good start. This film is a well acted entertaining suspense with a mature theme that would be repeated a million times more in the future - innocent girl stalked creepy woman hater. Esther looks great and if she wanted to, probably could have gone on to do more and better films but according to her autobiography,pretty much gave up working for marriage. Either way she is so likable and engaging that its fun to see her in a totally different role outside of the 'swimming musical'.Universal was fabulous for making films with former MGM stars after that studio began dropping its biggest names as it began to slide down hill. Stars like Lana Turner, June Allyson and others got to make quality first rate films at Universal that MGM would not allow them to make. I wish Esther had made more but since she didn't, it makes this one all the more special. The movie really changed my opinion of the acting ability of Esther Williams.If you get the rare chance to see THE UNGUARDED MOMENT, I recommend it...

edwagreen That's the saving grace of this film-they saw it coming where principals wouldn't believe their teachers, but would take the part of the students. Of course, there is irony in this film because of the way it turns out who the true culprit is.People are being assaulted in a town; a murder results and a teachers begins receiving notes from a student looking for a good time.Naturally, love blossoms between Esther Williams, who really shows some depth in acting. Perhaps, it was finally time for Miss Esther to get out of the water and tackle other areas. She does succeed here.Edward Andrews, who always was the sneaky, crafty, nasty person in films steals the show as a guy sexually hung-up. No wonder his wife left him. John Saxon makes an interesting appearance as his conflicted son.Not a bad film at all.

dbdumonteil The "unguarded moment" seems to come from the forties ,when the Freudian movie was so trendy: "secret beyond the door" "cat people" " "spiral staircase" "the dark mirror" ,the list is endless.Unfortunately it's marred by a providential love story between the teacher and the cop.Had it focused on the father/son relationship,the movie could have renewed the genre.The character of the father is by far the most interesting of the screenplay: he must have failed professionally as well as sexually in his own life and he wants his whizz kid (a young John Saxon) to be all that he could not be .If he disappoints him,he will break him!Esther Williams is an attractive teacher ,but to be interesting ,such a character needed to show some ambiguousness.After the first thirty minutes ,there's no real surprise.Watch it for Edward Andrews' offbeat performance.