Jackson Booth-Millard Listed near the beginning of the book 1001 Movies You Must See Before You Die, I was fooled by the image of woman with dark eyes and teeth showing into thinking this was an early silent horror film, made before Nosferatu, but I still liked it even though it wasn't. Basically it is a six hour thirty-nine minute serial, a long film split into ten parts, The Severed Head, The Killer Ring, The Red Cypher, The Ghost, The Escaping Dead Man, The Hypnotic Gaze, Satanas, The Thunder Lord, The Poisoner and Bloody Wedding. It all revolves around an intrepid reporter and his loyal friend doing a little investigation, but mainly a society of criminals called The Vampires. The gang of criminals are led by Le Grand Vampire (Jean Aymé), and one of the most well known members is fake stage actress and Femme Fetale, Irma Vep (Musidora), her name is an anagram of the word "vampire". Memorable moments in the serial include a few bodies carried on back, Irma Vep dressed as a bat, a box with a head in it (maybe Se7en was inspired), chases on rooftops, Irma Vep in the back skintight catsuit doing her dirty work, the swapping of the back costumes and the sleeping bodies, amongst other things. Also starring Édouard Mathé as Philippe Guérande, Marcel Lévesque as Oscar Mazamette, Fernand Herrmann as Juan-José Moréno, Stacia Napierkowska as Marfa Koutiloff and Renée Carl as L'Andalouse. As one of the earliest ever French silent films, this is an impressive picture that relies solely on the actors and their facial expressions, some writing, and quite a bit of action, including a little stunt work, and it does all add up to an interesting must see. Very good!

lastliberal Seeing a police drama that is a favorite of surrealists like Luis Bunuel ought to tell you that this isn't an episode of Law and order.It take place in a Paris that is empty because of WWI. The dreamlike scenes add to the story of a reporter Phillipe Guerande (Edouard Mathe) who is looking to a criminal organization known as The Vampires (sorry, bloodsucking fans, it's not about Dracula or his minions.).The crime syndicate could be considered a forerunner of the Mafia as it had it's tentacles in every level of society from the Chief Justice of the Supreme Court to nobility.A classic silent film.Louis Feuillade, who directed over 600 films is the film great grandfather of Alfred Hitchcock and David Lynch. Musidora, who played Irma Vep is probably the first screen vamp.

Auburn668 Louis Feuillade may have been an early French pioneer of silent shorts but "Les Vampires" is still bogged down in plot contrivances. Technically speaking it is difficult to view this today as it was upon its release, as 10 separate films, because we're not returning to the theater weekly to see the next great piece of the puzzle. And at 7 plus hours long, to view it in one sitting can be an act of futility and frustration.Feuillade's great strength was short films but with most of these 10 episodes reaching 45 minutes apiece, he extended his stay a large part of the time, serial or not. Designed as a crime saga with comic relief and unrealistic plot devices, "Les Vampires" has been compared to early James Bond and has been mentioned as being influential on Hitchcock. I don't see it. At best it can be compared to the weekly serials shown in theaters in the 50's, early pulp fiction, and the Pink Panther series. That's not an insult but I'm not giving out credit unjustly either. None of these take away from the fun of the work.The Vampires are a sinister (take that lightly) crime gang that is plaguing the streets of Paris circa 1915. Edouarde Mathe's Philippe Guarande and Marcel Levesque's Mazamette are the journalist and sidekick who pursue the group. The Vampires most featured member is second-in-command Irma Vep played by Musidora and she actually is rather sexy. The Vampires leader, the Grand Vampire, actually changes three different times during the story and it is the little nuances like this that spoil the film.Whereas having fun can be quite entertaining, plot can kill the messenger even at this early stage of cinematic history. The poison pens, portable cannons, and paralyzing pin pricks can all be strategically crafty when used appropriately, particularly in a serial series, but they lose their humorous magic when we can't even believe in the people using them. The Vampires, this menace that stalks the rich of Paris and robs them blind, are arguably the clumsiest and most unplanned organization I've ever seen wear black in a movie. Juan Jose Moreno, played by Fernand Herrmann, leads a rival crime syndicate that battles wits with the Vampires and the Guarande/Mazamette team. From the time Moreno enters the film, he successfully thwarts every single Vampire scheme hatched as they cannot do anything right. Indeed were Irma Vep not so sexy she would not be worth having around. She fails at practically every assignment she is given yet not only continually gets away but also is still a highly desired commodity by both the Grand Vampire and Moreno himself.Of course we know why these continual lapses in anything reminiscent of an actual plot and purpose occur...Feuillade has to push this baby to ten episodes to entertain the masses of 1915 for whom it was intended. But Feuillade does show some weakness here even above his writing by playing scenes out extraordinarily too long. In fact by virtue of trimming seconds off of every scene that went on too long "Les Vampires" could have made an excellent feature length picture around 210 minutes and we could have cleared up the ridiculous plot lapses to boot.From an acting standpoint it is neither forgettable nor excellent with the possible exception of Levesque's Mazamette character who steals the show with his hilarious mannerisms and comic imagery. While appearing to be a foolish sidekick early on, by the film's end he actually does more and knows more to catch the bumbling Vampires than anyone else on screen. And he's not even the star. If any influencing went on here it was Mazamette's character on Peter Seller's Inspector Clouseau.The nutshell: great fun if it weren't so unnecessarily long. Like early pulp fiction its nonstop use of dastardly doings, devious schemes, and nasty devices may keep you coming back for the next episode time and time again (same bat time, same bat channel) but the plot will probably slow you down in the end. Possibly worth watching to get a look at early French cinema but when compared to Griffith like all 1912-1920 films must be, Feuillade doesn't even come close...6/10.

Musidora I can't say enough about this film--I've pursued and studied it for the last twenty years! I'm so happy it's finally been made available on video. The first time I saw it was at the Videoteque de Paris...everyday for a week I watched episode after episode but, to my horror, when I requested the last episode I was told it was unavailable! It seems that, just the day before, the grandson of Louis Feuillade--I believe he is Jacques Champraux--had the video pulled from public viewings while it was in litigation. I thought I was going to fall over! The singular reason I was in Paris was to see LES VAMPIRES and suddenly, I was swallowing a very bittersweet pill. Anyway, eventually I saw the last episode, "The Bloody Wedding," but not until some years later when the serial was shown in its entirety at the Art Institute of Chicago. FIN