marcusbrainard This was a good movie about growing up in The Bronx in 1963, where the country was going thru unfortunate events of 1963. The actor who did "Terror" was great & played an inmate in "Stir Crazy" and used his aide to let the inmates escape. The Ducky Boys were great and I wonder what they did when President Kennedy got shot? The Ducky Boys are a classic gang that I would keep a long distance from. I wonder if they respect strange black girls in vintage funeral cars, 1951-54 Packard Funeral Cars? I did like the Marine Recruiter because he reminds the spirit of B.B. Daniel a man who's estate was also on a corner & when his area becomes a building center. The Marine guys would say, "I got a way for all of you to stomp all the heads you want & make the world safe for democracy at the same time." And despite Turkey is in the group, they leave him behind & screaming for his departed buddies and crying out the name of "Terror" like he was some god-like being. It looked like no one saved Turkey from The Ducky Boys. In the book when they called in confession they would get 10 lashes with a car antenna & both the priest and the receiver bow to each and shakes hands because being part of The Ducky Boys, you take punishment as you dish it out. Poor Turkey and proved he made a bad choice in his life. Terror & Pee Wee reminds me of my grandfather & his second wife if they were their ages. Erland was a great, Terror. As for Alan Rosenberg he should got supporting Oscar as Turkey & yelling, "TERROR, BALDIES, WHERE ARE YOU? SAVE ME TERROR! I'M GOING TO BE KILLED BY THE DUCKY BOYS!" Alan showed us he's a good actor. Marcus Brainard

The Couchpotatoes Just finished watching The Wanderers again after so many years. It still stays an all time classic to me. When it just came out I couldn't get enough of that movie. I think it aged well and it's still good after all those years. Maybe the acting and the dialogs are not the greatest but to me it just brings me back to my youth. Okay I preferred The Warriors that came out that same year, but that movie is not comparable even if it is also about gangs. In the Wanderers it's nice to see how the gangs were in that time in New York. It's absolutely not comparable with the gangs from now. The gangs in that time were just friends hanging out together but now they are just gangsters selling drugs and weapons. Anyways, after all those years I still enjoyed this movie, especially the soundtrack.

Charles-lewis1 I saw this movie at the cinema back in 1980 when it was in a double bill with the choirboys,I didn't expect too much having been let down by numerous other offerings in the same mould. But pleased to say of all the teenage films aimed at a male audience during the era of the 70's and 80's this was easily the best. Set in the early sixties in a Hollywood vision of the Bronx we are introduced to such fearsome gangs as the wongs the notorious baldies and off course the title making wanderers. For once what we get is what we want,a bit of banter,a bit of fun with the ladies, and most importantly a fair amount of brawling. All this set to a most glorious soundtrack(thank you frankie!) If you want to kill an hour and a half with some mindless violence,nothing too serious, great music and a bit of the other then you could do a lot worse than this movie.

Woodyanders The Bronx, 1963. The 50's style greaser gang the Wanderers find themselves becoming obsolete as the world changes all around them. The beginning of the Vietnam war and the assassination of President Kennedy signify the end of innocence while these lovably macho and rugged Italian-American lugs deal with gang fights, racial conflicts, finishing high school, and the awkward, yet inevitable transition from adolescence to adulthood. Director/co-writer Philip Kaufman delivers a vivid, funny, moving and sometimes even surreal evocation of a magical period in time; he makes especially inspired use of the authentically gritty urban locations and a fantastic golden oldies soundtrack. The uniformly terrific acting from the top-drawer cast rates as a substantial asset, with especially stand-out work from Ken Wahl as proud, charismatic gang leader Richie, John Friedrich as brash, excitable shrimp Joey, Karen Allen as the sassy Nina, Toni Kalem as Richie's sweet, but overbearing girlfriend Despie Galasso, Alan Rosenberg as the bumbling Turkey, Tony Ganios as the intimidating, but good-hearted and protective Perry, Linda Manz as scrappy tomboy Peewee, Erland van Lidth as fearsome, hulking behemoth Terror, Dolph Sweet as smooth, hearty bowling alley owner Chubby Galasso, William Andrews as Joey's abusive, muscular pop Emilio, and Val Avery as decent, but ineffectual history teacher Mr. Sharp. Among the film's many memorable moments are: the Wanderers hassling attractive women on the street with a raunchy pastime called "elbow t**," a genuinely erotic strip poker game, the Wanderers getting lost in a rival gangs' neighborhood (this particular set piece is very eerie and nightmarish), a football game which degenerates into a savage brawl with the scary and strange gang the Ducky Boys, and the mass a cappella rendition of Dion's classic song "The Wanderers" at Richie's bachelor party. Michael Chapman's slick cinematography gives the picture an attractive bright and glossy look. The dialogue is often profane, yet still eloquent (favorite line: "Don't take no wooden p**sy!"). But what really makes this movie so special and poignant is the extremely touching loyalty and camaraderie the main characters have for each other. A tad uneven in spots, but overall a gloriously rough'n'ready gem.