WILLIAM FLANIGAN Viewed on DVD. Rarely do Japanese film comedies survive cultural translation. Here is an exception, since the satire is so broad brushed you can't miss at least some of the humor. From ridiculous accents spouted by non-Japanese actors to whale meat dishes to (now superfluous) world leaders and international organizations, there is tongue-in (and out-of) cheek humor directed in all directions including Japanese black humor, stereotypes, and parodies. Cheesy "special effects" add to the fun. Directing, acting (especially Hitomi Takashima), cinematography, and film score are fine. The film seems stretched out though; its satirical impact could have benefited from more judicious pruning. Subtitles are a bit long and often tardy (what actors are saying is translated after (not while) the dialog is delivered). The more you know (or think you know) about modern Japanese culture, the greater should be your amusement! WILLIAM FLANIGAN, PhD.

Pacheau Vaughn ...because when they start to be funny, it turns out to be boring. Or, as in this case, simply disgusting. The plan was to mock the Japanese nationalism and xenophobia, but I actually had trouble noticing the line between a satire and the real thing in this movie. The general idea is highly attractive, I readily admit, but the script writers didn't make it work at all. The director didn't do the good job either. The non-Japanese actors are simply awful, it looks more amateurish than anything else. Any good points? Racking my head to find any, but the best moments gave me just a faint smile, not a laugh. Anybody lured by a good title, stay away from this movie.

Simon Booth Due to rather dubious plate tectonics, every country in the world starts to sink beneath the sea... except Japan. It all happens so quickly that few survive, but the richest and most powerful in each country manage to make it to Japan to escape the watery fate of most of humanity. Politicians and movie stars that were used to being the world's elite find themselves in an entirely different situation in their new homeland, at the mercy of the generosity of their hosts - or failing that, their ability to entertain them.THE SINKING OF JAPAN was originally a novel, released in 1973, and it spawned a satirical response in the form of a short novel called THE WORLD SINKS EXCEPT JAPAN. When it was announced that the original novel was to be made into a big-budget movie (for the second time) in 2006, the only reasonable thing for Minoru Kawasaki to do was to announce that he would make its satirical brother into a movie too... but on what must doubtless have been a fraction of the budget that could comfortably be rounded down to zero.Whilst the rest of the world was barely mentioned in passing when Japan sank, here they are foregrounded, and the reaction of the Japanese to having to share their country with an influx of foreigners whom they now have power over is the major focus of the film. Whilst JAPAN SINKS revels in notions of the Japanese spirit excelling and triumphing in the face of adversity, THE WORLD SINKS has a much more realistic view of humanity (not just in Japan) - selfish, vain, petulant, unreliable, untrustworthy and xenophobic.Whilst WORLD certainly doesn't have the budget for special effects that JAPAN did, it makes up for it by having a smart script and a sense of humour. Characters are mostly ridiculous stereotypes, and the film is cheerfully ridiculous on many occasions. The acting is mostly terrible, but that's not such a bad thing when the film isn't asking us take it seriously and have an emotional response. There are many non-Japanese cast members, and their ability with the language ranges from fluency to barely able to string a sentence together - which fits the situation of their characters.There are no heroics to be found here, and no heart-warming message about triumph in the face of adversity, which means it's much less nauseating than the film it satirises - and generally more satisfying. It can't be claimed to be a great film because the production values are so bargain basement, but I happily give it... 7.5/10

barkerintokyo A hilarious film adaptation by Kawasaki Minoru of a parody of the famous 1970s novel Nihon Chinbotsu. Nihon Chinbotsu is the story of the Japanese people losing their homeland and being dispersed throughout the world. Nihon Igai Zenbu Chinbotsu is the opposite: the whole world sinks except Japan. The world's survivors all scramble on the small little archipelago occupied by the xenophobic Japanese. With Team America-like line of characters, all extreme stereotypes of their nation, you can't stop laughing. No one escapes the directors critique, from the traditional Japanese guy (who takes advantage of the situation and eats whale), to the Chinese/Korean leaders who suck up to Japan's Prime Minister, to the American Secretary of Defense who regrets not having started a coup d'etat in Japan, and etcetera.Of course, the story is just incredible. Of course there are going to be those who are going to criticize this movie saying the science behind the disaster is unrealistic, the economic situation of the foreigners would not happen, and that's fine. People who are going to criticize this movie for reasons like that just don't get that they need to suspend their disbelief when watching comedies like this one who's primary focus is not to tell a believable story but a ridiculously funny one.Then there may be those who claim this is a nationalistic film, but again, those people are the same people who thought Team America was a nationalistic film. They just didn't get the masochistic humor. This movie is critical of not just its own nationality but even the movie itself ("I don't like Japanese movies, they look so cheap").Finally, this movie will shock you with a surprisingly funny, yet touching end (well, as touching as a comedy can get). I wouldn't say it's a must watch, but it's a good complement to Nihon Chinbotsu as well as being a good stand alone film as well.