TheLittleSongbird I do have many favourites from the Disney shorts, and The Worm Turns is almost certainly among them. Here is some of the most inventive animation of any Disney short from the late 30s. It is colourful and fluid, and I loved most of all the facial expressions(cat's faces splitting in two, eyes bulging out until longer than body and heads getting squashed into the neck) and reactions of the characters especially with Pete when he is attacked by Pluto. The setting change from the barnyard is interesting too. The music, as I've said so many times that I'm starting to sound like a broken record, has always been a large part of the success of these shorts, and the music is really excellent in The Worm Turns. The gags are simply great, some are the same gag but done in clever variations right from what happens between the fly and spider, the cat and Pluto and Pluto and Pete(which is classic). The gag is simple, but not overly-so, and always involving. The characters are wonderful and each and every one of them show their comedic chops in some way or another. Mickey is more the bystander than the hero, but due to the fact that he is made into a mad scientist sort of character he is far from bland either. Pluto is the hero here strictly speaking and he is still the cute and energetic dog that we know and love and he also provides the funniest moments. Pete is as ever the antagonist, and the part where he got his well-deserved comeuppance from Pluto is the highlight of The Worm Turns. All in all, fantastic, though for a while I wasn't sure about the meaning of the title. 10/10 Bethany Cox

Starfiremyst "The Worm Turns" is one of the best Disney cartoons I ever loved. It all begins with Mickey Mouse, dressed up as a mad scientist, puts the few finishing touches to the Weak Made Strong Courage Builder, a super strength potion that makes a smaller animal turn the tables on a larger animal. Now for a test, as Mickey says, he squirts the super strength potion on a fly, and the fly beats up on a sneaky spider for trapping him in his web. Mickey then squirts the super strength potion on a Jerry-like mouse, and after that the mouse chases a Tom-like cat and wrestles him (just like in a similar scene from a "Tom and Jerry" cartoon called, "Dr. Jekyll and Mr. Mouse") for chasing him, and throws him out of the house, where Pluto is standing out there. Pluto then chases the cat into the tool shed. The cat gets scared of Pluto's digging, and his 8 lives went for cover in the roof. Mickey squirts the super strength potion on the cat's ninth life, then all of the cat's other lives went back into the cat's body, and the cat chases (and scares) Pluto out into the street after giving him quite a scare, where Pluto calms himself. But before he makes another move, Pluto gets caught by Kron (from the Disney movie "Dinosaur"), who, in Pete's role (!), is seen here as a dog catcher. After disposing of the dinosaur dog catcher, even with the help of Mickey's super strength potion, Pluto gets sprayed by a fire hydrant that Mickey squirts the super strength potion at it when he sniffs at the fire hydrant. This Mickey Mouse cartoon is available on the Walt Disney Treasures 2-Disc DVD, "Mickey Mouse in Living Color", along with the other Mickey Mouse cartoons from 1935 to 1938 including "The Band Concert", "The Brave Little Talior", and such.

Shawn Watson Mickey brews up potion, in his mad scientist lab, to give super-courage and strength (the secret ingredient is Bravo Pronto) to it's consumer. He tests it on a fly, which soon beats up the spider who's web it is caught in. To make sure the potion is a complete success Mickey gives it to a mouse to in turn beats up a cat (they look soooo much like Tom and Jerry btw, odd since they weren't invented yet), the cat beats up the dog (Pluto) who then beats up the Dog Warden.With such an inventive and imaginative plot I would have expected more laughs and more complexity. I'm sorry to say that the cartoon is only mildly amusing and has an abrupt and rather senseless ending.

Spleen Look at the effects animation. Mickey pours just a drop of "bravo pronto" into his test tube, and it fizzes, bubbles, explodes, sputters, changes from one vivid colour to another - with each drop of the potion separately drawn and travelling in a convincing arc. Or look at the scenes in which the background moves and (in effect) EVERYTHING within the frame is animated - all without computers or even, in this case, rotoscoping.Mickey plays a small part in this cartoon: he's just the brewer of a courage potion, which enables a fly to turn the tables on a spider, a mouse on a cat, the cat on Pluto, and Pluto on a dog catcher. His lack of screen time might strike the uninformed as good news. It IS, for this particular story, good news, since it means that Disney was quite content to assign his star character a supporting role without artificially expanding it - but remember that this cartoon dates from the days when Mickey was vital and energetic, rather than insipid.The charm of this cartoons others like it is hard to explain. It's amusing at times, but certainly not laugh-out-loud hilarious; it's cute, but not particularly sentimental or deeply moving; the art direction is detailed and convincing, but shaky here and there; the story has a pleasing shape ... but it's not THAT great, is it? Yet the overall result is undeniably the equal of later cartoons that ARE hilarious, moving, exquisitely designed, brilliantly plotted. What does this have that so many other cartoons (including a number of Disney cartoons from the 1930s, although if you search you'll also find many that are just as inspired as this one) lack? Thoroughness? Sincerity? Something else I'm missing? Probably all three.