bob the moo Writer/director Steve Marshall may have thought himself in trouble when the big name star of his low budget film got arrested doing a shoot during the real protests in New York. Certainly he had to rework his film to accommodate the loss of Dawson but I think he quickly got over it and was thankful for it happening – particularly for all the press the film got at the time. I know I watched this film because it stuck in my head for that reason and I imagine that many others heard about it and saw it as a result of her arrest. And, from Marshall's point of view it is a blessing because there is very little else about the film that makes it memorable or something to be talked about.The film appears to have been conceived in good faith as an attempt to capture the spirit of the activists and deliver their message in a film. However in reality the film has a very thin plot that it spends a lot of time on and leaves most of the commentary down to asides that are sound-bites no different from those you have heard before. If you agree with what they are saying then I guess maybe you can ignore the quality of the film and embrace this content but that will only appeal to a limited audience and even then. Many have criticised the quality of the filming but I can forgive this to a point given the low budget and style of making. Some of the set shots are really clunky and obvious though and little about Marshall as director is of interest. The real problem is in the material though which doesn't have the complexity and realism to draw the viewer into the characters or the discussion. This is a real shame considering how many viewers (including myself) will agree with the broad sentiments of the activists (if not their methods) but yet it just clunks around on the screen in an annoying way.The blame must more or less be totally put at the feet of Marshall because he is responsible for the majority of the film. His low budget matches his low ambitions in regards his cinematography and plotting and the end result is a rather lacklustre film that looks cheap and feels thrown together. The cast are mixed but generally don't have the material to help. Even if Dawson got the cover and the headlines, Crooker takes the main character – you will probably not have heard of him as an actor because he is frankly not very good. He doesn't feel real and has no screen presence – not helped by the nature of filming either. Dawson tries to have chemistry with him but it doesn't really work. She is good once (on the fire escape) but she has no character, no material and has been put in a hairstyle meant to make us think "street" but only made me think "wow, someone has worked out a way to make the stunning Rosario Dawson look ugly". Outside of these two the supporting cast are mixed – the activists generally convince but other set performances are generally weak. It was a nice idea to have the political rapper Immortal Technique involved but again this doesn't work within the context of the film.This Revolution is a nice idea and got fame from Dawson's arrest but yet it doesn't make the most of this potential. The ugly visuals I can sort of understand but the plot is messy, the characters poorly drawn and the message is clunked down in an obvious manner that is a lot less effective than it would have been if it had been delivered with intelligence, insight and debate. Of course it has been made for a target audience who loved it before they saw it, but for the casual viewer this is a pretty average film.

nyrone I just finished watching 'This Revolution' and I must say that it was far, far better than some of the average review scores from mainstream media organizations that it has been receiving...but that's exactly the point! The stupid, corrupt, idiotic mass-media corporate scumbags that pollute the world with their false bile obviously could never begin to fathom the beauty and courage of this small independent film about a group of anti-war, anti-neo-con protesters who are working to just find a bit of peace in this increasingly selfish, money-obsessed world.This is a brilliant film for anyone who cringes when they switch on mainstream rubbish like CNN, NBC and FOX NEWS and recognise the gargantuan lies staring them straight in the face. This is for the people that absorb the words of people like Noam Chomsky, Bill Hicks, John Pilger, Michael Moore, Ralph Nader, Immortal Technique, Hugo Chavez, Tariq Ali, Frank Zappa and George Orwell and despair at the so-called 'democracy' or 'political system' that we as a people have found ourselves in. The film also features a cameo by 'Immortal Technique' who is probably the most brilliant, witty, tightest, revolutionary rapper working in the US at the moment...(we all await the middle passage!)This film represents truth and light in a time of pitch-black political darkness. The protesters portrayed are just like the real people who marched all over the world, sick of the lies, sick of the imperialism, sick of the dead children as collateral damage, sick of arrogant, blood-thirsty politicians dreaming of oil, sick of the way the media always shows one side of the ever-complicated story. It's a film about some of these things...and much more..I wish I see more heavily-political films like this being made...that are not afraid to be polemic and personal with regards to the immoral and racist actions of the goverments of Bush, Blair and Howard... We NEED more voices like this in the world. Congratulations to all the cast & crew It's a work of passion, but its paid off... You guys have made a truly honest film in a world and industry filled with lies...10/10 GET HOLD OF THIS MOVIE!!!

Gregor Wossilus I saw this movie at the Munich film-festival. Due to the nature of film-festivals I did not know very much about what I was going to see since the info on all the movies shown is very limited. From the first moments on the rapid and rough style of Marshall's picture grabbed me by the throat and held my interest until the end. THIS REVOLUTION has a feel of a modern reality show like the ones we see on MTV. Like it or not this is current and pretty "Zeitgeist"! This should appeal especially to younger audiences. It certainly would be a great thing if younger people watched this film. Marshall has a lot to address and delivers something that regular Hollywood fails to accomplish: He really changes your perspective on things. His film gets you thinking, especially after leaving the theater. Since Marshall wrote, shot, edited and produced the whole thing in the very short period of 100 days I am even more astonished how well it came out. Marshall delivers a clear and classic 3 act structure! That works well of course but Marshall - coming from a documentary background - also succeeds in filling in a lot of documentary like bits and pieces which launch a lot of social background at the viewer. Furthermore everybody gets a good idea of how divided America really is at the moment. If you take nothing at all from this film this still won't escape you. To me as a German this is particularly interesting. OK, the love story sometimes slows the movie down, the main character is not always sympathetic. But considering all the achievements Marshall made in this film and how big the impact of the movie was on me, I consider this minor flaws. This is a modern, controversial, exiting, stylish and very original movie that grows and grows and grows on me after seeing it. And that is certainly a good thing to say about a movie. Go see it. Especially when you don't share the same political view...it could be very inspiring! And if it annoys you...even better! Controversy means movement, and movement means change! For me as a German I can say that I am very happy to see a controversial film like this coming out of America these days. We all can look forward to more feature films from Marshall!

yoshiwaa The best way to cultivate a good story is to root it in reality. The format of this film was brilliant and is what breaks it away from the pack. Setting the likely story of a disgruntled journalist betrayed by his news network against the backdrop of one of the most heated events running up to the 'election' was probably the best way to capture the spirit of the revolution at hand. The film has some great moments and is part of the rare flock of films that actually says something. Props to the director Stephen Marshall and no matter what some of the bitter posers on this site say, support this film when it comes out and lets hope we see more films like this soon.