bkoganbing Sal Mineo eschewed the urban areas which most of his films had him in for the Old West as he plays a young Sioux brave who captures and tames a wild horse he names Tonka. This is a fine film that still holds up well today and gave Mineo one of the best parts he ever had.Sal and his peer Rafael Campos are warriors in training and Sal after trying to capture a brown stallion he admires loses the rope and a bow and quiver of arrows and gets the riot act read him by Sitting Bull. Still he goes out and actually finds and tames Tonka. But a warrior cousin H.M. Wynant claims the horse by seniority. Mineo would rather see the horse anywhere else but with Wynant and he frees him.Through a chain of circumstances the horse gets captured and sold to the cavalry where he's renamed Comanche and he becomes the property of Captain Myles Keogh played by Philip Carey. And that is the background of the story of Mineo and the horse, the Battle of the Little Big Horn where the only survivor on the cavalry side was the horse Comanche.All the players including Custer and Keogh are real people and the Battle of the Little Big Horn is well staged by Disney Studios. And next to Mineo the most notable performance in the film is that of Britt Lomond as General George Armstrong Custer.If you are used to the image of Custer as portrayed by Errol Flynn in They Died With Their Boots On then what Britt Lomond did with the role will be a revelation. For those of you who think that Custer was glory hunting Indian hating fanatic than you will love to hate Britt Lomond. Lomond is best known as Captain Monasterio in the first episode of the Disney Zorro TV series. He was pretty hateful as Monasterio and just as hateful as Custer.Tonka is a nice coming age story told from the American Indian point of view. Kids will universally identify with both Mineo and Campos. Tonka is also one of Disney Studios best films of the Fifties and one of its best ever.

hpkenzo A really amazing film to come from the Disney studio at a time ( 1958 ) when they were making tough films for family audiences. First viewed in 1965 aged 7 when my father hired the 16mm print for private home use to family and friends. I think he projected it twice and then the film remained in the memory for many years as an early favourite. Those were the days when you saw a film once or twice and there was no way of seeing it again until a reissue or TV. Having just seen the film again 43 years later, I have to say that it really is superb entertainment with a useful message about racial tolerance yet never needing to compromise it's swiftly told, exciting story. A passionate, memorable performance from a very fit, believably cast young Sal Mineo. Beautiful Technicolor photography from the great Loyal Griggs (Shane) and not forgetting the various horses used for the lead role of 'Tonka wakan - The Great One', of course several had to be used and one has to suspend disbelief occasionally as the animals don't always look similar but all in all Disney did a very commendable job. Top Direction from Lewis R.Foster with the battle at the Little Big Horn impressively staged. A very underrated film and long overdue for a DVD restoration, in fact some filmmakers do admire it as the whole story was recently reworked in animated form for a Spielberg production 'Spirit: Stallion of the Cimarron'.

dougbrode Originally, this was to have been called "Comanche," the title of the novel it is based on. Just before the Disney company was about to release their latest western, though, a B oater starring Dana Andrews with that name hit theatres. That one dealt with Comanche Indians. This one, with Comanche, a horse owned by a member of the seventh cavalry that survived the Little Big Horn and led to the tradition of the riderless horse still in existence today. Disney changed the name to Tonka, which is what a young Sioux boy, White Bull (Sal Mineo) calls the horse after catching it - short for Tonka Wakon, or the Great One. The change of titles actually works to the film's benefit, for Disney and company placed more emphasis on the Indian side of the story than the cavalry's, making this the first movie ever made to tell the story of Custer's Last Stand from the Indian point of view, at least up to Little Big Man (1970) - and in truth that was from the point of view of a what man raised by the Indians. Mineo, who would again play an Indian youth in a much bigger film, John Ford's Cheyenne Autumn (1964), is believable, and the film is sympathetic to Native Americans, without being patronizing or condescending, in a way that we expect today, but which no Hollywood filmmaker but Disney did back in the fifties - he was P.C. before P.C. existed, and may just have created the climate of tolerance that we strive for today. Philip Carey plays the sympathetic cavalryman Miles Keogh, and it's worth noting that this was the first Disney western NOT to star Fess Parker, who had been their headliner since Davy Crockett four years earlier. Very accurate staging of the Little Big Horn battle, as this is one of the only films ever made to reveal that Custer (Britt Lomond, the villainous Monastario on Disney's ZORRO TV show) had his hair trimmed short just before the battle, and that he did not carry a sword to the battle - and neither did any of his men. Those who expect Disney films to be sanitized ought to catch this one, as the Last Stand is quite bloody considering the time period in which it was made, forcing child viewers to deal with the unromantic truth of warfare on the plains, circa 1876. A little gem worth rediscovering.

Bug-38 This was one of my absolute favourite movies as a kid. It seems strange to me now that they could make a family movie about a battle where one side was entirely wiped out (except the horse of course). Not that there was any blood and gore in the film. It just seems a strange topic for a kids movie.