Mightyzebra Like so many Bugs Bunny episodes, the biped grey rabbit arrives in the middle of nowhere, where he does not want to be - and this time he has arrived in Transylvania! Here he meets Count BloodCount and the strange man lets him stay the night. Tremendous plot-turns and gags follow...I may prefer the early Bugs Bunny (the rabbit in "Porky's Hare Hunt" and "Prest-O Change- O"), but I also like him in his later episodes. In this period of the 20th century Bugs was nice, but Daffy was absolutely horrible. I feel quite "safe" to watch Bugs Bunny episodes from any time in his episodes, especially one without the annoying Daffy of the 60's. I personally thought the gags were not quite as good as they could have been, but there is still lots of good work in this episode. Also, this was Chuck Jones's last episode...I recommend this to anyone who is a particular fan of Bugs Bunny, people who would like to see just Bugs Bunny and some new side characters in an episode and do not mind pretty bad animation in a cartoon. Enjoy! :-)

ccthemovieman-1 You (and Bugs Bunny) never know where Bugs is going to wind up when he goes for one of his occasional underground trips. He usually winds up saying, "I must have made a wrong turn at Albuquerque." Here, Bugs winds up on top of a stone mountain in "Pittsburghe, Transylvania" (actually spelling in the cartoon.) The first "person" Bugs meets is a two-headed female vulture (named "Emily" and "Agatha") who has two hats on! "Doesn't he look delicious," says one of the heads to the other. Bugs decides to scram and to "head up to that hotel over there," a big haunted house where "Count Bloodcount" resides.From that point on, there are some great sight gags such as noose for a doorbell ringer, a picture on the wall of "mother" as an upside-down bat and all the Gothic-bizarre "interesting decor" (as Bugs puts it) in the castle. This cartoon is a great feast for the eyes! Check out the titles of all the books on the shelf about Bugs' bed. The artwork and colors in this restored cartoon are fabulous; some of the best I've ever seen. So, with the tons of fun sights and dialog by Bugs and beautiful artwork, it all adds up to one of Mr. Bunny's best cartoons for sheer enjoyment.

Lee Eisenberg With both Bugs Bunny's and Chuck Jones's Warner Bros. careers winding down, Chuck directed Bugs in the hilariously wacky short "Transylvania 6-5000" (which I recall got used in the compilation film "Daffy Duck's Quackbusters"). When Bugs arrives in Transylvania - apparently no too far away from Pittsburgh - and spots a rather Gothic castle, he decides to ask to use Count Bloodcount's telephone. While the audience can easily figure out what this guy has planned, Bugs doesn't even get the least bit scared (I bet that any other of the Looney Tunes would have died of fright upon seeing the count; see the Sylvester/Porky pairings).But when the count puts Bugs to bed ("Rest is good for the blood.") is when the cartoon really takes off. As Bugs feels too fatty-gewed (fatigued) to sleep, he starts reading the book "Magic Words and Phrases". Much of the rest of the cartoon has Bugs in danger of getting attacked by the count, only to utter "abra-cadabra" or "hocus pocus" and change the count into a bat or vice versa! Everything that Bugs does in the second half of the cartoon just made me feel like I was going to die laughing.It all just goes to show that there will never again be a genre like the Looney Tunes/Merrie Melodies cartoons. Up in that great nightclub in the sky, Glenn Miller must feel honored that they played off the title of one of his songs for this cartoon (actually I don't know whether or not he wrote "Pennsylvania 6-5000", but I've heard his version). There was also a silly movie "Transylvania 6-5000" starring Jeff Goldblum and Ed Begley Jr.One more thing. I notice that this cartoon was released a week after the Kennedy assassination. I would have suspected that they would have been in no mood to release a crazy cartoon after that event, but maybe that's just me.

fayremead Over his career as a cartoon director at Warner's, Chuck Jones crafted quite a few eerie cartoons, including a Sylvester-Porky trilogy which began with "Scaredy Cat." Jones never got around to putting the terrified cat and naive pig in a vampire's lair, but let Bugs take that turn instead. Bugs, like Porky in the earlier films, seems to be unaware of the danger he's in. He remains cheerful, and much of the film's humor comes from the way he maintains his aplomb against a shadowy background of coffin-shaped doorways, skull-and-bone carvings, and rotting drapes.The vampire he faces is not a generic Lugosi/Dracula type. Count Bloodcount is a distinctive character in his own right thanks to voice artist Ben Frommer and a crew of talented animators with Ken Harris foremost among them. Co-director Maurice Noble encouraged layout man Bob Givens and background artist Phil DeGuard to devise scenes which would have had Sylvester wide-eyed and shuddering. Musician William Lava used his ominous style to lend suitable aural touches to this frightfully good cartoon.-Tony