MartinHafer Mark Duplass stars as Sam--a loser who, in his mid-30s, has no home and no job....but he is in a band! When he moves in with his aunt and her family, he mostly sits around doing nothing--that is, until he gets drafted into taking his 14 year-old cousin and his friend on a camping trip. Now considering all three have exactly the same maturity level, you know things can't go well with good 'ol Sam in charge! And, not surprisingly, that's exactly what happens. Can Sam somehow, for once, short some maturity and get them back safely? Or, will they be eaten by bears and squirrels and hippies in the Pacific Northwest? This is an unusual film in many ways. It is NOT formulaic but at the same time I am sure a lot of folks WON'T like it very much because it does not have a happy ending. I respect it, however, because it avoided formula and because the filmmakers did a good job of actually capturing the essence of 14 year-olds. Instead of the Hollywood way where you get a 20-something to play a 14 year-old, these really WERE kids that age. And, they talked like kids that age--not like Hollywood versions of kids! I only recently retired from teaching and know how 14 year-olds talk--and they DO talk like the boys in "True Adolescents". Worth seeing even if the film seems very incomplete by its conclusion.

patrycja-miljevic First of all, this movie is an example how not to make a film. It absolutely lacks any story at all. You get a story like those you were writing in high school, not knowing how to end it and having no message to give. You keep watching and thinking what it's all about and what the point of this film is. Every time there's a glimpse of a meaning, it disappears right away.So you meet a middle-aged rock man Sam who pathetically forces himself to play cool and maybe he's supposed to be funny, but damn, he's not. His GF kicks him out of the house so he stays with his aunt. The aunt wants him to get a job but he's too cool for that, then he seems to feel guilty and he takes her son and his best friend to a camping trip to the middle of nowhere. Here's probably the only good point of this film - nice views.Generally when there's a trip involved in a film you suppose it should change something for the characters of the film, well, this one doesn't. There is no logic in the construction of the film, there are random scenes that have no continuation later on. You hope the guy will teach the kids something about the music, nope, they just stop at a motel and this bit ends. You hope the kids will learn something about their sexuality, nope, the bit ends with "Sorry I called you a fag". There is no message, nothing to hang on, the film ends up like there was no idea or money to finish it.I'm writing this because I'm angry I wasted my time on this. When I was a teenager and I was writing stories that had no point, I just burnt them or threw away after reading them. I wish the person who had made this film had done the same to the script. Really, try to watch some real good indie films first because in my opinion the makers of this one are like the main guy in this movie - forcing themselves to be cool while they are just pathetic. At least take some lessons from Xavier Dolan or Jonathan Caouette for example, if you want to limit yourself to North American film makers.

larry-411 On Saturday, March 14, I attended the World Premiere of "True Adolescents" at the 2009 SXSW Film Festival.As a journalist concentrating on independent films, my Holy Grail is what I like to call the "sweet little American indie." This is writer/director Craig Johnson's first feature and he's hit the mark.Sam (Mark Duplass) is a 30-something rocker who never quite grew out of his teenage years. He's unkempt, unfocused, and unsure of who he is or wants to be. In other words, he has a lot in common with his 14-year-old cousin Oliver (Bret Loehr) and friend Jake (Carr Thompson). When changing circumstances in Oliver's home life force the unlikely trio to head off on an unplanned camping trip together, they are forced to grow in ways they never imagined. "True Adolescents" is filled with twists and turns and "whoa" moments -- the kinds which are made more powerful by knowing as little about the film going in as possible.There is so much to love about this film. It has the look and feel of a true indie, using ambient sound and natural light when possible. Much of the film takes place outdoors and at night -- a challenging situation for photography -- and cinematographer Kat Westergaard makes the most of what nature offers her. Hand-held camera is used quite a bit, especially during scenes where the boys/men are traipsing through the wilderness of the gorgeous Washington State coastline. One can almost feel the chill as the sun goes down. Water always looks good on camera, and there is no denying a "Mean Creek" feel to the film.Duplass is quickly becoming one of our brightest young stars in the indie universe. As his aunt Sharon (Oliver's mom), Melissa Leo is as radiant and lovingly protective of her children as she was in her award-winning performance in "Frozen River." But, most of all, this is a coming-of-age film and (besides Sam himself) the experience of becoming an adult centers primarily on the two young actors Bret Loehr and Carr Thompson. Relative newcomers to the business, the boys were actually the ages of the characters they were portraying (14-15). How refreshing not to see a 20-something caked with stage makeup to look 16. The boys took risks, both emotional and physical, which would challenge actors twice their age.As a character-driven film, "True Adolescents"shines because of their natural talents, but the real impact of the film lies in Johnson's powerful script and its ability to resonate with viewers. This brilliantly crafted story is filled with images that will stay with you long after leaving the theater.

JustCuriosity True Adolescents had its world premiere at the SXSW Film Festival in Austin, TX. It is a solid effort at exploring the efforts of a man in his mid-30s who hasn't quite grown up to bond with his teenage nephew and his buddy during a weekend camping outing. The characters are well-developed and the acting is solid. Mark Duplass's Sam is a failed musician who needs to figure out what he is doing with his life. His immaturity is finally challenged as he is forced to become the responsible adult. The story is entertaining if not spectacular. The acting is fairly good and the characters and their relationships to each other are well-developed. The ending sequence seems a little hokey. Although, the film probably won't get widely distributed, it is nevertheless a worthwhile effort.