Kashmirgrey I just finished "Dark Chamber" aka "Under Surveillance" and I'm stunned. Stunned, not by the film, but by some of the rave reviews I perused which influenced my watching it. The story was so ravaged by plot-holes and the majority of the acting so flat, categorizing it as a comedy seems appropriate. Seriously, I found myself shaking my head and laughing in bewilderment as I endured this movie.Justin leaves the confines of living at home with a pain killer-addicted mom to go live with his cop father despite Mom's warnings that Dad is no good. When a young woman is found murdered, Justin becomes suspicious of the tenants who reside in the adjacent apartments. With the help of a couple pals, he installs covert cameras to keep tabs on these folks. As the truth begins to unravel, Justin uncovers an unexpected secret.One positive point is that Felissa Rose is HOT! I would have generously slapped an extra star or two on here had she peeled down a bit, but no such luck. It would have been the film's potential saving grace. Eric Conley played Justin very adeptly, I thought, and I wouldn't be surprised whatsoever to see more of him in the future. The general premise of the film, although plagued by clichés, might possibly have worked had it not been for the ridiculously hollow "performances" of key cast members, most notably Alexandra Eitel (Kayla) and David H. Rigg (Justin's father). The horror! (pardon the pun).I have nothing against low-budget films. Indeed, I believe independent film is our only hope for decent film making in the days to come. I'll cut low-budget films quite a bit of slack when it comes to special effects, lighting, even musical score and the overall picture quality. I don't give allowances, however, for stick figure acting and a swiss cheese lover's script. There are a vast number of competently-made low budget films out there. Sadly, this isn't one of them. I can't help but suspect that at least a few of the reviewers who have praised "Dark Chamber" here are in some way affiliated with its production.

JakeJarvi I've seen a lot of low budget thrillers and this one is the best. Fantastic writing and outstanding performances keep the movie constantly moving. The moments of tension are built really nicely but the thing that really took me by surprise was the comedy. Very intelligent humor that draws from what the audience expects, surprises them, and isn't cheap. It's always nice to find a movie that gives the viewers some credit and doesn't play to the lowest common denominator.Often times when a writer or director casts themselves in a movie it does a great disservice to the picture. But that is not the case with Dave Campfield's performance in this movie. His character provides many of the great comedic moments. If he hadn't pulled it off the movie could have fallen pretty flat. I really enjoyed this movie. Dave Campfield is a filmmaker to watch.

radguy25 Under Surveillance is a carefully crafted murder mystery tale by indie filmmaker David Campfield. He keeps things moody, atmospheric,and tense throughout the entire film. Part of the fun is guessing what will happen next.It pays homage to the films of Hitchcock, with a little Sliver thrown in for extra spice. The movie keeps you glued to your seat until the very end. It makes you think and reflect on human nature in general. What is it about snooping on other people that is so interesting? Everyone plays their lives out differently, and it's human nature to want to observe and learn from that. With a solid cast and very nice cinematography, I recommend Under Surveillance for a night of murder,mystery and intrigue. Keep up the good work Mr. Campfield, I look forward to seeing your future projects.

CDG-5 In Under Surveillance, Dave Campfield, in his first feature film, typifies the triple threat of writer, director, and actor (might we add, co-producer!). On a budget of $30,000, he transforms digital video into a slick, cinematic tour-de-force that rivals, if not surpasses, a 35mm concoction. He utilizes the camera's possibilities as a character in the cast, moving deftly and subliminally into and out of the mindset of mystery and psychological intrigue. He employs a writer's precision in pacing his screenplay with appropriate calibers of suspense and revelation, layering it with rich characterizations and subtext, brought to life by a compelling and well-assembled cast. Director of Photography Andrew Seltz maximizes the technical potential of digital video with lush and ominous color landscapes punctuated by Pixelvision-like black and white points of view of the surveillance cameras, offering us a peephole into the private lives of this repertory of players. Composer Evan Evans lends a haunting and enthralling score, reminiscent of early Bernard Herrmann, and contributes significantly to the overall tone of the piece. Under Surveillance is bound to elicit attention in the independent film arena; and as long as there are fine films to be seen and fine director/writers (such as Dave Campfield) to make them, it should secure a memorable place in that canon and beyond.