edwagreen
Am still wondering why this 1942 film got the name that it did. It was idiotic to say the least and diminishes the brutal way the Indians were treated in the 1880s and before.With Lucille Ball in it, you would know that the film would turn to comedy which was probably the best part of this inane film.Part of the picture is the attempts by James Craig, who tried to help 3 Indians accused of stealing what was really theirs and winds up with a prison sentence, along with Cedric Hardwicke to break up the impending marriage between the Ball character and Dean Jagger. Some of the antics used to do this were funny especially throwing those itchy aunts down on Jagger at the wedding scene.It doesn't take Ball long to realize that she is making a mistake and that her true love has become the Craig character.This is one hour and nineteen minutes of sheer nonsense.
moonspinner55
Curious head-scratcher of a western directed by George Marshall features James Craig as a drifter in 1868 Tucson who disrupts the wedding of feisty barmaid Lucille Ball, later stopping a war between the white man and an Apache Indian tribe! Lucy-completists will want to take a look, but this may be one example of why her movie-career never caught fire. The picture is just a second-string quickie, despite writers Clarence Budington Kelland and Horace McCoy tossing in some comedic overtones (which help). Unfortunately, it just doesn't add up to much. I'd trade all those tumbleweeds for a cameo by William Frawley. ** from ****
sddavis63
Not being a particular fan of westerns, I watched this primarily because I wanted to see Lucille Ball in something other than an "I Love Lucy" or "Lucy Show" type of role. Here she plays Christine Larson, owner of a saloon in the Arizona Territory in 1868 who's about to be married to the unscrupulous local Indian agent (Dean Jagger.) Ball's performance was OK - nothing really more than that; she didn't blow me away. It succeeded for me in that the role was very different from what I'm accustomed to seeing her in - there was very little of the outrageous physical comedy she later became famous for, although the movie tried to maintain a gently amusing feel throughout. (A typical funny line - "there's two ways to deal with women - and no one knows either one of them!") I didn't find the story all that compelling, although I appreciated that the Indians were shown as the victims of the Indian agent. There's typical shootout action and a lot of horses - your typical western in other words. As to Christine - we pretty much can guess from the beginning how her planned marriage is going to end up; it's just a question of how she's going to get there. If you like westerns, this would be a pretty typical one with a bit of humour thrown in. If you're not big on the genre, this will be lacking. I'm not big on the genre. 3/10
Ray Faiola
Once again George Marshall, who directed DESTRY RIDES AGAIN, brings wit and sass to the old west. James Craig, who was a hit in the previous year's ALL THAT MONEY CAN BUY for RKO, does a fine job as the amiable hero. Lucille Ball displays a large amount of her comic abilities, both physical and character with some wonderful double takes. Even Dean Jagger, usually a very dour character indeed, has fun in VALLEY OF THE SUN. The story is slight, friend of the Indians tries to prevent the wedding of a girl he's met with the man who turns out to be the crooked Indian agent. More important than the actual plot are the progressive set pieces that evoke laughs and thrills. Billy Gilbert is a riot as the stuttering, sneezing (only one) judge; Cedric Hardwicke is an enigmatic immigrant; Antonio Moreno wears a false beak as the Indian chief; and western star Tom Tyler appears as Geronimo in a terrific scene where he challenges Craig. Seeing this movie puts the lie to all that hogwash that's been printed about Tyler having to play crippled Kharis in THE MUMMY'S HAND two years earlier because he himself was crippled with arthritis. Excellent musical score by Paul Sawtell is the icing on the cake.I highly recommend this spirited horse opera.
AD
