Rainey Dawn Only John Carradine can get me to like this film just a tiny bit. His presence gives me the only reason to watch the movie and even then it's pretty bad. His performance is quite a funny one here.The film is severely campy and that helps to create some of the pleasure out of viewing it. We have a man running around in an ape suit, a throwback to the 30s and 40s eras of the apes in films craze in a way.The further along this film goes, the better it gets. It is in no way a good film, but it's stupidly campy enough to get a few giggle out of it. I find it one of those films you watch in the afternoon or to fall asleep by. Nothing special.4/10

Michael_Elliott Bigfoot (1970) ** 1/2 (out of 4)Various women are being kidnapped and it turns out Bigfoot and his clan are behind it. Apparently their race is dying off so they're needing women to have more creatures with. Jasper B. Hawks (John Carradine) gets the idea of capturing one for the money while a biker gang goes after the creature to get their women back.Bigfoot was always my favorite mythical monster when I was a kid and I was always disappointed because there really aren't too many good movies about him. I continue to watch movies on Bigfoot yet they continue to get worse and worse. This film doesn't have the greatest reputation around but it's certainly a real hoot and a rather fun film as long as you don't take it too serious.I mean, just take a look at the sequence where the three hot ladies are tied up talking about why they have been captured. This here alone shows that the film wasn't supposed to be taken serious and then you throw in a biker gang and you've got pure drive-in madness. There are some really nutty scenes throughout this movie but the greatest thing about it is the fact that they don't keep the monsters off screen. Nope, the monsters are constantly on the screen and there are multiple ones as well as children!The cast is also a lot of fun as we get Joi Lansing as one of the victims, Chris and John Mitchum and even Ken Maynard has a small role. Then there's Carradine who eats up the picture just like it was a big bowl of spaghetti. He's really a lot of fun here as he adds in the camp as this redneck looking to make a quick buck. His final line delivery, ripping off the KING KONG ending, is pure joy.As I said, BIGFOOT isn't a masterpiece and it's not even a really good movie but if you enjoy these low-budget monster movies then there's plenty here to enjoy.

bob-mccord I saw this movie when I was 6 and I've searched a long time for it I an what people would call a connoisseur of cheesy flicks and as a kid i enjoyed it and probably will again I spend a lot of time searching for these types of movies because I think because it drove my mom crazy. I look for the worst films I can find because they are so campy.Thats the fun of movies I find that the campier the better because they take my mind of things that bother me and relieve things on me even if its just for a short time but I loved the movie Bigfoot what I can remember about it and have recently found it on disc and ordered it as to have more fun watching it and having my memories of that age relived and hoping to find more of them like that to add to my collection

Woodyanders This so-dumb-it's-numbing Sasquatch cinema stinker holds the dubious honor of being possibly the first-ever American movie made about the legendary Bigfoot. Alas, it's also one of the worst-ever movies ever made about Bigfoot.A small tribe of Sasquatchs -- one giant bad male, three babbling females, and a homely, noisy "whattheheckisit?"-type hybrid baby critter -- abduct luscious young human babes for unsavory procreative purposes. Everybody involved with this putrid turkey comes out stinking worse than filthy old socks. Bouncy, buxom blonde bombshell Joi Lansing, clad only in a skimpy pink nightie, runs shrieking through the woods with a grunting, lecherous Bigfoot in hot pursuit. Robert Mitchum's no-talent son Chris, trying to look tough with his scruffy beard and bandanna, makes for a pitifully unconvincing biker hero. John Carradine, sporting a hideously overdone Southern drawl and a juicy hamminess that could be made into a dozen cans of Spam, gives an unbearably unrestrained performance as traveling salesman Jasper B. Hawke, who wants to nab himself a Bigfoot so he can make a bundle exploiting the beast to the ninth degree. Robert Mitchum's no-talent brother John grates on the nerves with his insufferably whiny turn as Carradine's sniveling partner. Former cowboy movie star Ken Maynard came out of retirement to do a useless bit as an elderly shopkeeper. Comic actor Doodles Weaver briefly appears as a forest ranger. Such familiar B-picture faces as William Bonner, Jennifer Bishop and Russ Meyer starlet Haji (the latter having a very bad overbleached bouffant 'do day) pop up as members of a sickeningly wimpy chopper gang.The Bigfoot creatures are stupendously sorry-looking: With their tatty, you-can-see-the-seams brown gorilla costumes, buggy eyes and rubbery, puffed-out monkey faces, they resemble rejects from a fifth-rate carnival freakshow. There's little action, nudity, violence or excitement to speak of (at one point Bigfoot wrestles a portly, out-of-it bear, but even this scene is so maladroitly staged that it fails to alleviate the incessant tedium). But there's plenty of dreadful dialogue ("As a former student of archeology I recognize these markings as having a peculiar significance"). Among the other malevolent cinematic blunders to be found within this beyond bad Bigfoot bogusity are stubbornly stationary cinematography, a hopelessly dated "groovy" semi-psychedelic rock score, a draggy pace, a meandering narrative and, last and definitely least, Robert F. Slatzer's horribly ham-fisted so-called "direction." The absolute pits.