FlashCallahan The Law Enforcement Technology Advancement Centre has developed SID version 6.7: a virtual reality entity which is created from the personalities of more than 150 serial killers. LETAC wants to train police officers by putting them in VR with SID, but they must prove the concept by using prisoners as test subjects. One such prisoner is ex-cop Parker Barnes. When SID manages to inject his personality into a nano-machine android, it appears that Barnes might be the only one who can stop him............The film is total rubbish from beginning to end, and Washington allegedly only starred in it because his son wanted him to do it, but to see two wonderful actors star in such exploitative nonsense, you cannot help but love every second of it.Crowe has a mouthful of scenery in every frame he's in, and he appears to be channelling every comic book villain portrayed before 1995. There are elements of The Joker, Simon Phoenix, and even Karl from Die Hard in his persona, and although he's hamming it up to major bacon levels, he's a joy to watch.Washington is playing it deadly serious though, and few quips wouldn't have gone a miss, but it's Washington, and I'd watch him paint a room.The special effects are awful, some of the set pieces are really strange, and the concept of the film, and the way the narrative plays out is just so bonkers, it's actually quite ingenious.Don't get me wrong, Bret Leonard is an awful director, more concerned about the concept of VR rather than actual reality, and this is a really stupid film, but my word, is it entertaining to see Crowe do something so ridiculous.It's the second best film that Washington and Crowe have starred in together.......

NateWatchesCoolMovies Denzel Washington Week: Day 1Nothing says the 90's like Virtuosity, a big hunk of circuit board sleaze and cheese that is so of it's time that it's hard to watch it these days without believing it to be some kind of spoof. Re-reading that sentence it sounds like I was making some kind of underhanded compliment, which I suppose is a better outcome for a film to arrive at than some. It could have gotten stale or dated in a bad way. Well it's definitely not stale (it is dated though), in fact it's one of the liveliest flicks from back then, thanks mostly to a ballistic characterization from Russell Crowe. Crowe is Sid.6, a virtual reality program molded from the personalities of several different serial killers and designed to basically wreak havoc. This is exactly what happens when he escapes, or rather is let out by one of the maniacs at the research centre (Stephen Spinella). Sid is now flesh, blood and roughly 200 pounds of extremely skilled, remorseless killing material, running wild in the unsuspecting streets. The head of the Institute (William Forsythe) has the brilliant idea to recruit ex-cop whack job Parker Barnes (Denzel Washington) to hunt Sid down and destroy him. Barnes has a bleak history with artificial intelligence, one that has left him with a cybernetic replacement arm and a huge chip on his shoulder. This is one mean, mean spirited film, as we are subjected to a manic Crowe as tortures, murders and maims innocent civilians with a grinning cavalier cadence the Joker would applaud. He's off his nut here, something which clumsy bruiser Crowe rarely gets to do, so it's a rare and extreme outing for him. Washington is perpetually angry, ill adjusted and violent here, and the lengths he goes to destroy Sid are almost as bad as his quarry's homicidal antics. The cast is stacked with genre favourites, so watch for Costas Mandylor, Kevin J. O'Connor, Louise Fletcher, Kelly Lynch, Traci Lords and a weaselly William Fichtner. The special effects... well what can I say, this was the 90's and they look like a computer game that's been drenched in battery acid, then souped up with caffeine. There's brief homages to video games in fact, and the opener where Crowe is still inside the program is fairly creative. I don't know if the creators of the film were trying to say something about the dangers of virtual reality, but whatever it was, it's sort of lost in a hurricane of unpleasant shenanigans that are admittedly entertaining. One thing that's evident is that anyone who makes a computer program with the persona of one, let alone a handful of murderers is just begging for an incident. I suppose that's the point here though, the catalyst for the whole deal. Crowe and Washington are great though, both down and dirtier than their characters in the next royal rumble they'd share, Ridley Scott's American Gangster. Fun stuff, if you have a strong gag reflex and don't take yourself too seriously.

Frederick Smith Set in the very near future, Virtuosity explores the evil fantasy of every science fiction addict by bringing an evil virtual villain out of the computer and onto the streets. Seventeen years ago, this was a wild fantasy. Today, with the way we are going with computers, not so much. But you have to enjoy the acting in this one as well as the plot, which is somewhat original. The cast is eclectic, with the powerful Russell Crowe as the virtual bad guy, a two dimensional creature bent on death and destruction, and Crowe brings a frightening believability to the role. Denzel wasn't quite the heart throb at the time, but his portrayal of Parker Barnes is excellent, and we get to feel the characters emotions and angst as he is taunted again and again by this evil construct. Louise Fletcher is the uncaring, evil woman in charge of the virtual simulations, and she is perfectly opposed by Kelly Lynch (aka Mrs. John Travolta) throughout the film. A cameo by Traci Lords and an early performance by a 10 year old Kaley Cuoco (Penny on Big Bang Theory) round out an excellent cast and make for an entertaining film. Rated R for violence, language, and disturbing content, including sex, this is one for an afternoon or evening when you are tired of the run of the mill fare. Collectible? Not necessarily, but worth a rental.

Turfseer Both Denzel Washington and Russell Crowe are 'A-list' actors who have been in some top-notch pictures during their careers. But even big stars are not immune from taking the attitude that they always must be working in order to make a buck. That's basically what happened here with their decision to be a part of this hopeless enterprise known as 'Virtuosity'.Set in a futuristic Los Angeles, Denzel Washington plays former police Lt. Parker Barnes, imprisoned for life after murdering a terrorist who kidnapped his wife and child. It seems during his failed attempt to rescue his family, not only does he kill Grimes and his associates but a pair of newsmen covering the story. Barnes is called upon (along with another inmate), to test out the Law Enforcement Technology Advancement Center's (LETAC) new virtual reality program, designed to improve officer's tracking skills by hunting down SID 6.7 (played by a one-note Russell Crowe), a virtual reality entity whose personality is a composite of the 200 worst criminals in history. During the test, SID figures out how to raise the sensitivity calibrations in the virtual reality program, which ends up killing one of the inmates who's been participating in the program test.As a result, the Commissioner in charge of the program wants to shut it down but the program's originator tricks his brainy co-worker into turning SID into a real-world regenerating android (similar to the android in Terminator II). SID then escapes and is determined to murder as many people as possible in the real world. Barnes, who proved his mettle during his virtual reality encounter with SID, is now given a chance to earn his freedom by tracking the sadistic criminal down and eliminating him. He's joined by Dr. Madison Carter, a psychiatrist, who acts as a consultant to LETAC.The bulk of the movie involves Barnes chasing SID in various venues in Los Angeles. In contrast to Terminator II, where Arnold Schwarznegger used a high powered shotgun to create large bullet holes in the android he's trying to subdue, Barnes shoots SID with an ordinary handgun, resulting in less dramatic smaller holes that regenerate every time SID is shot. I guess Virtuosity's budget wasn't as big as Terminator II.It appears that SID can really kill Barnes anytime he feels like it and at one point he frees him from a locked armored car as Barnes is being transported back to prison. We're told that SID does this because he simply enjoys the sport of Barnes chasing him. But if Barnes is SID's main impediment to creating more mayhem in the city, why doesn't SID dispatch Barnes right away? Obviously, you wouldn't have much of a movie left if Barnes is eliminated too soon.Finally, Dr. Carter leaves her daughter 'home alone' which allows SID to conveniently kidnap her and threaten to kill the child on national TV. Barnes tracks SID down at the TV station and continues to fire bullets at him that only temporarily impede his movements. Eventually, Barnes has a face-to-face fistfight with SID on top of a high-rise. Despite the fact that SID has superhuman strength and could probably kill Barnes with one blow, their confrontation lasts a couple of minutes, eventually leading to SID's demise as he falls through a glass ceiling and is impaled on shards of glass. As he is about to regenerate, Barnes takes the crystal software program from the back of SID's head which effectively shuts him down. Using the crystal, Barnes tricks SID into revealing the location of Dr. Madison's kidnapped daughter inside the virtual reality world, and then saves the little girl. End of movie.What could have been a fascinating journey through a virtual reality dream-like world, turns into an ordinary cop-criminal encounter featuring a series of dull chase scenes, once SID becomes a real-life android. The similarities between Virtuosity and Terminator II are obvious but the latter movie has much more class. Yes, Virtuosity does have a 'plot' but it's much more laughable than suspenseful. Denzel and Russell Crowe do collect their paychecks but really should be embarrassed to have been part of this vapid, cheesy production.