chaos-rampant The story is enjoyable fluff, zipping past in a droll flurry of conniving, gaffe, hysterical chase, mistaken identity, public dishonesty, false appearances, and social hypocrisy around money. A snotty starving artist who owes everyone wins the lottery but his fateful jacket upstairs is missing and makes its round of Paris.Now for the musical touch. The jacket ends in the hands of an opera singer who thinks it authentic ('bohemian') enough for his stage costume—it's closing night for a bohemian opera. The singer is rich but gets no satisfaction out of his art, constantly bickers with his co-star, lecherously chases skirt backstage. Our man along with the girl that is secretly in love with him follow the jacket on stage, as curtains go up and the show begins.What follows is a magical moment where the fake bohemian couple provide the song that conciliates the two lovers hiding on the same stage behind a piece of scenery, a marvelous setup. In the dreamlike reality of the musical, the jacket is miraculously retrieved, miraculously snatched away in the next beat, and—lo— miraculously presented again in the finale. All because he realized the richness of love.And how about this as framework? A vast tracking shot opens the film, over a sleeping city to a rooftop where two neighbours peer from a window to wild celebration below. The two of them wonder why the ruckus, which is promptly followed by the dancers relating the story that is our film. I am in awe of how they achieved the shot, it looks like they had to build a few acres of cityscape inside the studio.

Michael_Elliott Le million (1931) *** 1/2 (out of 4) Extremely charming and inventive French comedy takes a simple idea and really expands it to something special. A starving artist name Michel (Rene Lefevre) is being hounded by collectors when he realizes that he's won the lottery. He rushes to get his coat where the ticket is but learns his girlfriend (Annabella) has given it away, which leads to a wild chase in hopes of getting it back. I wasn't sure what to expect when entering this film because I had heard that it contained some pretty strange things but within minutes I was caught up in the story and the way it was being played out. I don't think the movie is laugh out loud funny but it doesn't really need to be. In fact, I think the story could have gone for more slapstick and gotten bigger laughs but, in a strange way, it's smarter than that and goes for something completely different. Having the actors sing their dialogue makes this film come off very fresh today and I can't imagine and fresh and unique it must have been in 1931 when many sound films didn't sound all that great. The delivery of the music is top-notch and many of the "songs" are better than what Americans were hearing in their musicals then. Another major plus are the performances, which are all very charming but Lefevre really carries the thing as he floats around like a feather and really hits all the right moves. The one thing that didn't work too well for me was the rather long sequence at the opera. I thought some of it went on a tad bit too long, although the football scene here was greatly directed.

MartinHafer Had this movie been made just a few years later, I would have knocked down the score a point or two because the sound quality was rather poor. At times, the movie appeared to be a silent film during the in-between-scenes (normal ambient sounds are missing). But, given it was 1931 and a French movie, this is quite forgivable. Especially since this also occurs in later French films--by which time the sound difficulties should have been worked out completely (such as in L'Atalante from 1934).Okay, apart from some minor sound problems, this is a cute little film about a missing winning lottery ticket and a long list of people trying to get it. And, during the search there are lots of jaunty little songs that you can't help but like. A nice charming film all-in-all.

Snow Leopard Besides being very amusing, this French musical feature is quite creative as well. René Clair's light touch is perfect for the material, and it gives the movie a style all its own. In particular, it stands out as one of the best of the earlier sound movies that adopted a musical format.The story is the kind of simple but amusing premise that, in the right hands, can be built up into a hilarious situation. And that is what Clair does here - beginning with some entertaining misadventures that introduce the characters, he then sets up the main story about the lottery ticket, and from there on it builds up nicely both in humor and in complexity. The climactic sequence in the opera house is a well-crafted, extended slapstick sequence that also includes some interesting parallels.The cast works well, with Annabella particularly standing out with her engaging performance as Béatrice.The style is an interesting contrast from what eventually became the norm in movie musicals. The musical sequences, which vary considerably in length, are for the most part worked naturally into the flow of events, rather than being set off as separate numbers. Clair and the cast make this format work well. The overall result is a very enjoyable movie that you will also remember for its imaginative approach.