madisonwisconsinite Personally, my ONLY criticism to this film is the rampant heterosexism it shows. Plenty of female scantily clad characters, but do we get much of a look at the sexy Andrew McCarthy shirtless? No. I got nine genuine belly laughs while watching this movie, for only the second time. First saw it within a year of it coming out. Just watched it again in 2015, and it was still fresh in the quality of the story, and Bernie's refusal to . . . well, what Bernie "refuses" to do, you'll have to find out from watching it. Andrew, you were one of my first serious actor crushes as a teen, thanks for entertaining me. This film also features shooters that shoot more than six times - by who, and at what, you must watch to find out. I would also have to say that the film probably doesn't need to take two whole hours to tell its story. The scene with the speedboat dodging around the channel markers was a hoot.

Shawn Watson I remember seeing TV spots for this movie in Florida in 1989 and thinking that it made for a great concept. When I eventually rented the VHS tape a few months later it really appealed to my dark sense of humor and I ended up watching it a zillion times. In the 25 years since its release it has become very dated. It's not dated BADLY, but it has aged more than other films of the period.Corporate slackers Richard and Larry (Ted Mosby prototype Jonathan Silverman and 80s person Andrew McCarthy) discover a $4,000,000 fraud hidden away in the cooked books. Their attempt to impress their boss Bernie Lomax (a lovably smug Terry Kiser) with their find leads to an invitation to his Hampton Island home for a summer weekend of babes, booze, and boats. The duo don't realize that they've stumbled on Bernie's embezzlement scam and that he intends to have them quietly killed by the Mob (the organized crime connections are never fully detailed or understood). Mob Boss Vito instead arranges for Bernie to be killed, thus washing his hands of him.Upon arriving at Bernie's lavish home Richard and Larry discover that he ain't quite breathing and most definitely has ceased living. For a variety of reasons they plot to create the illusion that Bernie is still alive, which proves to be easier done than said as his vacuous, drunken neighbors are more interested in drinking his champagne and mooching parties from him than actually being friends.Despite the dark subject matter Weekend at Bernie's plays it safe for the most part, never pushing past its PG-13 boundaries. The physicality of Kiser's performance is impressive as well as funny. You really do believe he is dead and he's brilliant at keeping a straight face (or a smirking one as he dies during a brief moment of pleasure) while being tossed and thrown around. You wouldn't think that playing a dead body would be hard but Kiser's comic timing and skill really pay off.The production design and flat photography are what date this film so much. Although Ted Kotcheff had Wake in Fright and First Blood on his resume by this point he brings very little visual flair to the film and it looks very TV-ish. The poor score by Andy Summers never seems to work with any scene (I have a feeling that his friend Stewart Copeland would have done a better job) and some of the soundtrack choices grate on the ears.What amazes me the most is that about 90% of the dialogue is (bad) ADR. I assume that the sound guy forgot to switch on the mic or something. I can accept it when it comes to dubbing over several F-bombs to keep the movie family-friendly but you'll be surprised at how often the words simply do not match the lips.Skip the sequel. Enjoy this movie for what it is, though it could have been better if it were a few shades darker. And lookout for a hilarious cameo from the director as Richard's dad/butler.

Neil Welch Larry (Andrew McCarthy) and Richard (Jonathan Silverman) discover a scam and report it to their boss Bernie (Terry Kiser), who invites them to his beach house for the weekend as a reward. Bernie actually plans to have them killed (he is the one who is doing the scamming), but when he dies at the start of the weekend, chancer Larry persuades worrier Richard that, with a little bit of effort, the whole weekend remains to be enjoyed - no-one has to know Bernie died just yet, right? Especially if he gets seen out and about...This daft comedy is lifted out of the ordinary by one thing, and that is Terry Kiser's extraordinary performance as Bernie. Not while he's alive, mind you, but after he's dead. Kiser's remarkably physical performance as Bernie's corpse is extremely funny and raises this film to the level of minor classic.

Steve Pulaski Weekend at Bernie's is easily one of the most underrated and truly funny comedies of the eighties. It has a sort of cult level to it, but nothing respectable like some eighties films. It's unsung, much like License to Drive. It managed to spawn a sequel four years later and sort of has its own dark side equipped with certain levels of humor. It's hard to explain.Before I get into the plot and the positives, let's talk about one small thing; some points in this film are hard to believe. Some scenes where the boys desperately struggle to pass Bernie off as alive is definitely fake. It is hard to work with a plot where you have to pretend a character is alert and active very smoothly. McCarthy and Silverman do only a fair job as they try to work with the script they were handed trying to make a dead guy seem living.Sometimes, it is just not believably that guy is alive. When Larry is "playing" Monopoly with the corpse, maybe at a distance Bernie can seem alive and well. But when his wife goes to have sex with him, it is hard to believe Bernie has an active sex life when he is dead. Certain points were not executed as well as they could've been. But it was good and not a total letdown.The plot: Two time insurance clerks named Richard and Larry (McCarthy and Silverman) find a flaw in the companies' receipts suggesting someone could be stealing money from the company. They report the problem to their boss Bernie Lomax (Kiser) in hopes to acquire a certain reward for their findings.Bernie says he wants them to come down to his Hampton Island beach house to spend the weekend to celebrate what they did for the company. Richard and Larry don't know that Bernie plans to have them both killed. Bernie, ironically, is then killed by one of his buddies named Paulie who then shoved heroin in his pocket to make it look like an accidental overdose. Upon Richard and Larry's arrival they find the dead Bernie and contemplate what to do with him.They decide on pretending he is alive so they do not need to spend a weekend answering questions they don't know at the police station. Incredibly self indulgent, but understandable to a degree. Not like they killed him.The comedy is slapstick, but people do not understand that slapstick can be done well. All you need is a serious situation, done right. Nobody wants to watch a comedy where the characters are having a good time. Like Grown Ups. If you watch a comedy where the characters are trying to have be serious, but nothing but comical things come in their path, then that is funny. Black Sheep and Death at a Funeral are prime examples of good slapstick movies.What also helps any slapstick formula are two people that work well together. Most likely, you'd get a serious guy and a silly guy. Andrew McCarthy and Johnathan Silverman are a good duo and sort of remind me of a pre-Chris Farley and David Spade relationship. Not as funny, but a little reminiscent.Weekend at Bernie's is by no means an awful film. There are certainly worse comedies that don't even make me smile and are more like watching a bad home movie. The eighties ruled in the comedy genre. While Weekend at Bernie's is still waiting to have a blowup in popularity, it is sort of full of life in its own right.Starring: Andrew McCarthy, Johnathan Silverman, and Terry Kiser. Directed by: Ted Kotcheff.