Why We Fight: The Battle of China

Why We Fight: The Battle of China

1944 ""
Why We Fight: The Battle of China
Why We Fight: The Battle of China

Why We Fight: The Battle of China

7 | 1h5m | en | Documentary

The sixth film of Frank Capra's Why We Fight propaganda film series illustrates Japan's occupation of China, including Madame Chiang Kai-Shek's stirring address before congress, the rape of Nanking, the great 2,000 mile migration, and Claire Chennault's Flying Tigers.

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7 | 1h5m | en | Documentary , War | More Info
Released: November. 01,1944 | Released Producted By: War Activities Committee of the Motion Pictures Industry , U.S. War Department Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

The sixth film of Frank Capra's Why We Fight propaganda film series illustrates Japan's occupation of China, including Madame Chiang Kai-Shek's stirring address before congress, the rape of Nanking, the great 2,000 mile migration, and Claire Chennault's Flying Tigers.

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Cast

Anthony Veiller , Walter Huston

Director

Frank Capra

Producted By

War Activities Committee of the Motion Pictures Industry , U.S. War Department

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Reviews

dimplet This is not a propaganda film; it is an un-propaganda film, as in the "un-cola." If you want to see what propaganda looks like, just turn on Fox "News." "Why We Fight" is pretty straightforward about it's purpose: It is an explanation of how America and its allies got into World War II, and why we need to win it. But the Battle of China is more than that; it is a history of China, a portrait of its people, a description of its geography, as well as a detailed account of the actions of Japan, China and the Allies in the war, up to that point.It is mostly a statement of facts,aside from the occasional remark about the war as being one of civilization vs. barbarism, or something like that, which is a fairly objective assessment of Imperial Japan and Nazi Germany, and the behavior of their soldiers. As with his populist movies, Capra builds up feeling through his presentation of people and events, rather than hitting you over the head with moralizing.Most of all, the movie is factual and accurate, as far as it can be, given that the war was in progress, and we did not have access to information historians now have. We would now say that the film is too kind to Chiang Kai-Shek, who Gen. Stilwell and President Truman had little respect for; but what do you expect in the midst of the war? On the other hand, it is quite sympathetic to the guerrilla fighters, who I assume were affiliated with Mao.I daresay that most viewers would learn quite a bit about history by watching this, whether they are Americans or Chinese. I don't think the Chinese are aware of the support they received from America, who was their ally even before Pearl Harbor. Our support for China in the 1930s may have played a role in prodding Japan to attack us at Pearl Harbor.The film is also interesting because of the historical footage showing China, its people, cities and farmers, before the war. You look at it and get a sense of its diversity of people, and that it was making a deliberate, well thought out effort toward modernization early in the 20th century. If the war and Maoist Communism hadn't intervened, China would have modernized, perhaps earlier. And in the portrait of China of earlier times, you get a sense of the character still alive in China today, of a reasonable, hard-working, progressive people.To fully appreciate the style of this film, one must be familiar with Frank Capra's feature films, such as Meet John Doe, Mr. Smith Goes to Washington and It's a Wonderful Life. Capra has always had a great love of the little people, the average Joe, and you see that respect in his portrayal of the Chinese people. He also has great admiration for American values, and you get the sense of the compatibility of Chinese values, not, perhaps coincidentally, because of the purpose of this film. But you see that respect for China also in a film he made 12 years before, The Bitter Tea of General Yen, so I believe it is sincere.Why We Fight was made to be shown to the American and allied military, as well as in movie theaters back home, and in Britain.It was the idea of the great but modest General George Marshall. If I were a soldier watching this during World War II, I would come away knowing a lot more about China. I would also understand the strategy and battles to that point, and be in a better position to grasp any future orders.The remarkable thing about World War II is how much it resists efforts to encapsulate it in one hour packages or series. There is always more to the story. In China's case, there was the role its people played in helping the downed fliers of Jimmy Doolittle's raid over Tokyo in 1942, who had to land or crash their planes in China because it was impossible to return to their aircraft carriers.This film is still relevant today because of the limited and somewhat distorted view China and the U.S. have of each other and the history of their relationship.
drystyx This is direct text book documentary propaganda. You could base a documentary class around this.It is Capra's World War II documentary about China's turmoil with Japan.Obviously, we were at war with Japan, and allied with China.Even today, it could fool some people, but most people have seen just how horrific those "marches" were.Back to back with Russia, China is shown in the film to strategically move everything Westward, away from Japan. Back to back with Russia, they could use industry, relatively safe with their ally, against Japan, because Russia had to do the same with Germany.The mass migration, the mass deployments, the mass use of labor, all are shown in true propaganda form as being strategic and heroic. Incredibly, these same images are used today to show immense brutality and inhumanity, as we value human life much more today.In the forties, patriotism and Nationalism were prize feelings, for better or worse.
Michael_Elliott Battle of China, The (1944) *** (out of 4) WW2 documentary from Frank Capra tells the history of China and their wars as well as how they got involved in WW2 and what they had to do to defend themselves. As with Capra's other WW2 docs, this one here contains some great battle footage, which is pretty remarkable to see. I also find it incredibly interesting at how Capra set these films up so that the viewer gets to know every little detail of how the war was fought. Sensitive viewers might want to stay clear because this is a pretty damn violent film that shows several people being executed by the Nazis and there's also some graphic footage of some babies that were executed.
skorzeny This is a classic bit of American Propaganda from WWII. This was part of a whole series of "Informational Films" produced by the War Department to arouse the American People to greater efforts in their war against tyranny. This installment chronicles the history of the war between Japan and China that later became part of the world-wide conflict known as the Second World War.Every little Chinese victory is exaggerated. So is every Japanese atrocity, especially the bombing of Chinese cities. China's leadership is portrayed as noble and enlightened. Japan's leadership is seen as a bunch of fanatical warlords bent on world conquest. Japan's invasion of China is described as "Phase Two" of a four-part plan to conquer the world, ending with "Phase Four", an attack "Eastward to crush the United States".In reality, China won precisely zero real victories in that war. China's leader Chiang Kai-Shek was a dictatorial warlord who cared more about ensuring his own luxury and power base than about defeating the Japanese, who he was content to leave to the Americans to deal with. Japan's bombing of Chinese cities was little different from what the US was then doing to Germany, and would soon do to Japan. Japan wasn't out to conquer the world, just grab a colonial empire like they had seen the British, French, Russians, Spanish, Portuguese, Dutch, and Americans do for the last two centuries. Japan's ultimate aim was simply to get strong enough to avoid becoming a colony of some Western Empire themselves, and China was the only un-colonized area left. Japan never even dreamed of conquering or even invading the US, they simply wanted to weaken the US enough that we wouldn't be able to interfere, then negotiate a peace and return the outlying US possessions (like the Philippines) that they had already seized in exchange for a free hand in China and Indonesia.On the other hand, Japan's atrocities in China (like the Rape of Nanking, which gets about 30 seconds of screen time in this film) WERE awful, and Japan's military leadership WAS a bunch of militaristic warlords.By today's enlightened standards, this film is rather racist at times, consists of outright lies in others, and twists the truth to fit a predetermined conclusion the rest of the time. But one must put this film in its proper perspective. This was made at the height of WWII, when even Americans who knew something about Japan knew darn little about Japan. A famous anthropologist the US Military hired as an expert on Japan confidently informed the US government that Japanese pilots were unable to fly well due to universally bad eyesight. The Japanese knew us a lot better than we knew them, and only a few of them had any clue that we would be as outraged by Pearl Harbor as we turned out to be.We were engaged in a great war to defeat Nazi Germany and Imperial Japan, two fundamentally racist regimes. The fact that we had to resort to racist propaganda ourselves in order to defeat them is sad and regrettable, but understandable.