noralee I went to see "Winter Sleepers (Winterschläfer)" only because it's the same director as "Run Lola Run," though it turned out to be pre-"Lola." It plays with the same theme of coincidences, though not with "what if's" of Lola or "Sliding Doors" or others in the genre. Rather, the audience knows what connects random people together to understand the misunderstandings and connections.It's slow at spots (too much stuff that's almost French movie satires of a couple not looking at each other and smoking away) but the directing otherwise is very non-Hollywood intriguing, swooping and looking in at such odd angles, creating tension from a neat VERY unpredictable plot involving basically five or so people in a beautiful Bavaria. I had no idea the German Alps could be so breathtakingly beautiful -- absolutely terrific stunts that will look puny if you see it on cable or video.The pop soundtrack is again in English, but the director co-wrote the ambient music that is also used very-non-Hollywood in how it comments and builds up on the tension. It's a bit long but a nice relief from too many Hollywood movies.(originally written 4/23/2000)

Philip Van der Veken I had seen "Lola Rennt" before and I remember that I liked a lot (I even bought it on DVD). So when I got the chance to see another movie from Tom Tykwer I didn't think twice and watched it. Although it is very hard to compare both movies, I must say that I liked this movie even a bit more.In this movie we meet five people who, at first sight, don't seem to have much in common, but faith and love brings them all together. You'll see Rebecca. She's a translator who lives with her boyfriend, a ski instructor and a real womanizer, in a villa owned by her friend Laura, a nurse. Marco's car is stolen by Rene, a local cinema projectionist, who suffers from amnesia. He still knows everything that happened in the past but can't remember recent facts. While he's driving Marco's car, he causes an awful accident with a local farmer called Theo. Theo's daughter ends up in a coma and is rushed to the hospital where Laura works, where she dies later on. In the mean time Laura has fallen in love with Rene, who doesn't know what has happened. And Theo, who can't accept his daughter's death, tries everything to find the man who caused the accident and killed his daughter, so he can punish him...What makes this movie so good is the combination of some very fine acting, a great choice of music, very beautiful images and a touching story. If you like movies like "21 Grams" than you definitely have to see this one as well. This is the kind of movie that will never be a great success in the multiplexes, but that will be loved by all who like to see a movie with some depth. You know what I mean, it doesn't have to be art-cinema, but not the 36th sequel of a movie based on a comic book either.This is honest and sincere cinema from a country that isn't exactly very well known for it. Although I know several German movies that are more than just worth a watch ("Der Untergang" and "Lola Rennt" are two others), German movies aren't as well known or famous as the ones from Spain and Sweden and to a lesser extent France. Nevertheless Tom Tykwer proves with this one what a good director he is and that's why I can recommend it to everybody who likes to see some good, European cinema. I give it an 8.5/10.

manoj252 The film Winter Sleepers took the audience on a twisty-curvy journey through the experiences of five people, whose lives intersected in an ironic and sometimes tragic way. The plot was somewhat Mementoesque fashion, although the use of multiple flash-backs and flash-forwards weren't employed. I was impressed to see that that this film came out in 1997, several years before Memento; I wonder if the idea for Memento was somewhat inspired by this film. The film did a good job of creating a setting that was enticing and believable. The scenery of small-town Bavaria in winter was very pastoral, and the mountain shots (presumably the Alps) were breathtaking. The lighting was soft and warm, creating the sensation of being snug despite the wintry beauty outside. The coziness and clutteredness of the character Rebecca's house also helped to create this illusion. **Plot Spoilers Ahead** I felt that the plot and/or character development could have been a bit tighter. For instance, Theo's character seems to spin in circles for a good portion of the movie, and when he finally finds his direction and decides to take action, the action he decides to take is shocking and tragic. In a twist of fate, he ends up driving Marco off a cliff for committing a crime he didn't commit. I wasn't too sad to see Marco go, given his nasty habit of cheating on his girlfriend; however, I found Theo's actions to be implausible given the previous context of his character, and his character's identity essentially was undermined. In addition to this minor flaw, there was a general failure to resolve the conflicts set forth in the film in any meaningful way. When the film ended, I was left unsatisfied and a little disappointed. I know that European movies don't always end in the same perfect-world way that most American movies do; however, I still felt that more resolution could have been achieved in this film.Overall, however, I did enjoy the film very much, and felt that the strong points outweighed the week points. I would give this film an 8 out of 10 for its ability to draw my attention with an interesting plot and likeable characters.

g-m-schaefer-my I agree with my dear friend worldwideweird, with whom I watched "Winterschläfer" and Tykwer's other movies many, many times."Winterschläfer" is one of the best German-movies, if not the best one, and after you've watched it you'll see the world and all the people around you in a different light. There are three reasons for the immense effect of "Winterschläfer":1) the movie picks out as central themes questions that nearly everybody has asked himself: what is my fate? And how is this fate connected with the life of other people? Is there somebody or something watching every step of mine? Where can I find the one that'll change my life? What if this person is sitting in the train just passing by, thinking about the meaning of life and hoping to find someone too?2)These questions are mixed in an extremely thrilling and complex story, set in a small village near Berchtesgaden in the wintry German Alps, a location which is otherwise in film history known only for bad 70s-"Lederhosen"-soft-sex-movies an so called "Heimatfilme" (can be seen nearly every day in German TV, not all are so bad).3)The characters are complex and credible, and they all have their little faults (my favorite is Marco, the guy who's always jealous and seems to be a little bit dim, played by the unique Heino Ferch). If you watch it, pay attention to the color-dramaturgy (is this the right word???): every main character has its own colour as a symbol for his specific character traits.After all, everything in this movie is outstanding: music, sound, camera actions...; this is a real perfect movie, and the only thing I can not understand is that it had become so little attention in Germany. There is even no DVD out here, the Americans got one, really funny!