kennethraine
This film is of the eccentric genre much like Harold Pinters The Caretaker. I felt, given the dialogue it should have been hilarious instead of quite continuously full of giggles, which it undoubtedly was. There is always a danger in transferring the written word from book form to stage play or film, in that meaning, nuance and timing are detrimentally changed. I think this is a case in point, though personally its at the "feel" level, i.e. I am aware something is just missing without knowing what it is in specific terms. I wonder if the author was collaborative and approving of Steve Kloves screenplay.It was as if sometimes the eccentric build up needed a conclusion or a punch line, even a throw away line. Even in excellent subtle work, the conclusion has to be "packaged" in nuance. I still loved its comical eccentricity, yet I sensed a work of genius unrealised.
ereinion
This 2000 Curtis Hanson film was the second best he made after L.A. Confidential and together with Bedroom Window. It is a story of two people of completely different background, a middle aged writing professor and his student and protégé. The professor, played by Michael Douglas in one of his strongest roles, is going thru a crisis and drinks a lot, after his younger wife has left him. He is also having problems finishing his second book. The young and bright but troubled protégé is played by Tobey Maguire. Then there is also Douglas' eccentric and flamboyant editor and friend played by the excellent Robert Downey Jr. A guy who is a swinger and according to Douglas "is gay, or thinks he is". Katie Holmes also appears as another of Douglas' students who is smitten with him but he rejects her advances.There are also a few really amusing side characters, such as the man Douglas and Downey Jr. dub VERNON HARDAPPLE, who gives the movie a comical edge. The whole movie is somewhat of a dark comedy really, with scenes like the one where Maguire kills a dog who attacked Douglas and Douglas has to keep his body in the trunk of his car for a week or at the end where the manuscript for his latest book flies away. When he's asked by Downey Jr if he has a copy, he replies "I have an alternative ending of the second chapter". This is what is so enjoyable with this movie: not only is it a character study drama but also a humorous oddball comedy with some exciting plot twists. In the end the roles are almost switched as Douglas the mentor starts to learn from Maguire the protégé and discovers that he has talent. This also helps him revitalize his own talent and get his life back on track. Frances McDormand also appears as Douglas' love interest who is also the chancellor of the university where he works and is pregnant with his child. Really enjoyable and trippy film, a semi-classic. Hanson once again hit bullseye with this.
SnoopyStyle
Prof. Grady Tripp (Michael Douglas) used to be a wonder boy with his first novel. Now his wife has left him, his married mistress Dean Sara Gaskell (Frances McDormand) is pregnant, and his literary agent Terry Crabtree (Robert Downey Jr.) has come with a tranny to press for his next book. He befriends his most gifted depressed student James Leer (Tobey Maguire) who is obsessed with suicides. Hannah Green (Katie Holmes) is another enigmatic student of his. When James shoots Sara's dog, what's a proper professor suppose to do? This cast of oddball characters have a series of wacky adventures. At its core are the individual characters' flaws and neuroses. Michael Douglas is wonderfully droll. He doesn't overplay the craziness, but allow it to overflow him. Tobey Maguire is wonderfully malleable. RDJ is wonderfully funny. Katie Holmes is oddly unreadable. This is probably one of Douglas' most outstanding acting role.
kenjha
An English professor's wife leaves him while he carries on an affair with a married colleague and tries to overcome writer's block. The characters are interesting and the academic setting is nicely evoked. Unfortunately, the film runs out of steam about two-thirds of the way through. Douglas heads a good cast, and he gives a terrific performance as the professor who is having a very bad weekend. Maguire plays a genius student who is is not all there. It's not a bad performance, but Maquire seems to play the same character in every movie he makes. McDormand and Downey are fine as Douglas's lover and literary agent, respectively.
AD
