gavin6942 Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.Allegedly, there is no more Korean print of this film and what circulates today is an American television print. This means we are stuck with the American dialogue rather than the original, and the editing may be quite different. Thus, we are watching (and critiquing) a film not as it was ever intended to be seen.While much of what remains is amusing, it does tend to get boring. With Godzilla it never gets old, but with Yongary we can only see him smashing things for so long before it seems like the same old thing over and over. What other tricks do we have? None?

ebiros2 No offense to the South Koreans, but I'm surprised to see how similar the town and people looks compared to the kaijyu moves from the similar era Japan. I've heard that this move is not well known in its home country, and the version I saw was an English dubbed version made by MGM.An astronaut is asked to investigate a bomb experiment. When the bomb goes off, it starts a chain of earthquakes. The earth quake strangely is heading towards middle of Korea. A martial law s declared, and soon after the monster Yonggari appears from the ground.The look and feel of this movie is very similar to the Gamera series movies from the mid '60s. The man protagonist's driving a Chevy Corvair just like the original Ultraman series defense force guys were driving. Then comes the obligatory scientist's lab scene, and another obligatory meeting of the minds of the government officials. The Yonggari's special effects scenes were shot by Daiei's crew that were flown over from Japan, so I can understand the similarities, but even the scenes involving humans were very much like (almost identical) it's Japanese cousins. I'd like to compare this movies to other Korean movies from the same era to see if the similarities, were a coincidence.The movie is on par with the likes of Gamera vs. Barugon. Even the roar of Yonggari is borrowed from Barugon, but suitmation part isn't as good as the Japanese counterpart.There might be no market for this type of movie in Korea, but it would have been interesting if they developed this idea further as it was done n Japan. An okay film that's as entertaining as the kaijyu movies made by Daiei of '60s Japan.

tracyfigueira To understand this movie, you have to know something about Korean history. The Koreans are still smarting after thirty-five years of Japanese occupation (1910-1945), which ended with Japan's defeat in World War II. The Japanese treated the Koreans much the same way the Russians treated the Poles or the British treated the Irish. Even today Japanese movies and comic books are illegal in Korea. Thus, perhaps not surprisingly, most Korean movies are calculated imitations of popular Japanese genres--give the home folks their own version of Japanese movies so they won't long for forbidden fruit. "Yongary" may seem to us a poor "Godzilla" rip-off, but to Korean audiences that haven't seen a Japanese monster movie it's undoubtedly much more exciting. Judged strictly on its own merits, "Yongary" is about par for the Japanese kaiju movies of its era--neither better nor worse.

cinematedman Yongary: Monster from the Deep (Taekoesu Yonggary) features the following: a rubber monster, four jet fighters, at least two helicopters, a rocket, a mission control room, at least one burned tank and one crushed one, a jeep off a cliff, a battery of missile launchers - the good kind, the ones that tilt up!, sparks, flames, explosions and blood in the water.It also contains a precocious kid, a whiny bride and a even whinier bridesmaid, a mother-in- law, a young genius, a bevy of useless scientists, hordes of screaming people, drunken businessmen, stoned youth, surfer music and a dancing monster with a horn that lights up!What's there not to like?