Yor, the Hunter from the Future

Yor, the Hunter from the Future

1983 "He was a powerful warrior from the future, trapped in a prehistoric land, battling for the survival of his people."
Yor, the Hunter from the Future
Yor, the Hunter from the Future

Yor, the Hunter from the Future

4.3 | 1h38m | en | Fantasy

In prehistoric times, the muscular Yor saves his cave-babe from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland.

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4.3 | 1h38m | en | Fantasy , Science Fiction | More Info
Released: August. 19,1983 | Released Producted By: Columbia Pictures , Les Films du Diamant Country: Turkey Budget: 0 Revenue: 0 Official Website:
Synopsis

In prehistoric times, the muscular Yor saves his cave-babe from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland.

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Cast

Reb Brown , Corinne Cléry , Luciano Pigozzi

Director

Walter Patriarca

Producted By

Columbia Pictures , Les Films du Diamant

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Reviews

Joel Newman An Italian produced sci-fi/prehistoric adventure; a strangely original blend of ideas. I like the locations (shot in Turkey I believe); you actually feel like you're in some prehistoric land. This film's got heart and soul; the actors are so sincere; they obviously thought they were doing something important. This unintentionally funny and yet boring film has scantily clad women; club wielding neanderthals, androids, laser battles; a spaceship and dinosaur/monster thingy's (not badly done considering the budget and no CGI). And Roa played by the beautiful Ayshe Gul (as mysterious as the film itself); what happened to her? The ending leaves room for a sequel! Ha ha. Did anyone seriously think there was going to be a sequel? The synthesizer music's great too, as is the theme song: Yor's world! He's the man!
stupidwizardproductions Yor, Hunter From The Future is perhaps the greatest fantasy epic ever made by the human race. The film has no faults. Perfect acting, dinosaur puppets, dead bats, and a theme song that makes you pumped up and wanna punch something. It's that good of a theme. Yor is perhaps the most well written character in a fantasy novel since Frodo Baggins. He is in this epic quest to find who he really is, but then in one adventure he goes too far and meets his love and her father. Yor must do the unthinkable when they are kidnapped by the hairier men with light purple skin and risks his life to save them. Shortly after the greatest twist in film history occurs. I will end it here but with this note; Yor is the man
Comeuppance Reviews Yor (Brown) is a warrior from a prehistoric (?) time who seems to be the first person to invent ab crunches. At first he is content to go about his day fighting dinosaurs, fighting ape-like creatures with purple skin, and spending quality time with Ka-Laa (Clery) and the elder Pag (Pigozzi). But when a futuristic device appears that looks like a modern-day GPS, Yor begins to question his entire existence. Before you can say "oiled-up dude in a loincloth", Yor and his friends are transported to some sort of Star Wars-like future world, complete with an Emperor (Steiner), who is called "Overlord", and Stormtrooper-esque baddies with masks reminiscent of Darth Vader. Surely Yor is confused, but he must protect his allies and fight the baddies, all while trying to discover the secret to his origins. Can he do it? Yor is a video store classic that anyone with a sense of nostalgia for that place and time (the 80's, and video stores) will surely appreciate. In that classically Italian way, the movie is sort of a melange of the popular things of the time, such as the Star Wars series and He-Man. Throw in a little The Gods Must Be Crazy (1980) and maybe a little Caveman (1981), put in a blender with some alcohol, and there you have it. While I don't know this for sure, I would guess that this isn't director Margheriti's favorite from his own work (it was also based on some graphic novels of the time) - but it's probably the Margheriti most American viewers have seen, since it was distributed widely to stores by Columbia Home Video. Perhaps it opened the door to fans seeking his other output.The costumes are certainly a sight to behold - in the first half of the movie, the raggedy cavemen duds make you think at any moment one of the characters is going to say "It's...!" and an episode of Monty Python will begin. Once we get to the futuristic section later, there's even more greatness and creativity. Why is it in the future, breastplates are so popular? That nagging question aside, we get some nice laser action (because lasers were gigantic in the 80's, never mind Laser Tag and Photon, just ask Judas Priest) - and the laser guns look more like car accessories, but who are we to say what laser guns will look like in the future? Anyone who reads this site knows that we are big Reb Brown fans, and the fact that here he teams up with the great Antonio Margheriti behind the camera is truly a dream team. Brown plays the aforementioned oiled-up dude in a loincloth (OUDIAL for those on the go) with typical aplomb. Though this was so early in his career, he had yet to fully perfect his trademark scream. But he has amazing hair (especially for a prehistoric guy) and looks oddly like James Van Der Beek. Was this VHS tape ever put in the horror section of any video store? Speaking of which...this movie does introduce the public to "triceratops gore" which no doubt we've all been clamoring for.There is some amazing music on the soundtrack. It's not said who did the actual songs in the end credits. We know the music was by the great DeAngelis brothers, along with John Scott, but did they do the Queen-like tunes as well? It's never said what those songs are. But no doubt they were recorded to hop on the bandwagon of yet another popular movie of the day, Flash Gordon (1980).Anyone who doesn't like this movie is just too logical. Turn off the logical part of your brain and just go with the flow. If you do, Yor gonna love it.For more action insanity, drop by: www.comeuppancereviews.com
bdeckcabin84 Most of the reviewers here seem to have overlooked a portion of the movie audience who love this film and keep it alive for one reason only, and that is to see muscle-boy Reb Brown leap, jump, swing and climb his way into our hearts wearing nothing more than a thong under his flimsy, breeze-catching loincloth.It's his gorgeous buns that are the real stars here, lifting the action twice as high with their splendid rebounds---and no special effects or stunt-doubles were used in those sequences, the bounce you see is authentically Reb! He must have realized he was "showing" during the filming, but the fact that he doesn't seem to care only stirs our appreation.It's sad Reb's real-life future did not include a Yor-2, or a Son of Yor, not even The Buns of Yor, and Reb (Mr. Brown) never again received an opportunity to demonstrate those well rounded talents so fully, consequently losing his reputation as the only actor in Hollywood who could up-stage himself by turning his back to the audience.I hope this revelation sheds some light on why this clunker keeps selling and Columbia Pictures is spending time and money to transfer it to DVD. Can you spell p-r-o-f-i-t-s ?UPDATE: Yes, there exists one other film showcasing Mr. Browns greatest talents; "Sssssss" (1973) Starring, Strother Martin. Reb plays big dumb jock, Steve Randall, who vies for the attention of the films leading lady. A small part for sure and he gets bumped off before the middle of the film, but you know what they say; "There are no small parts"! And, Reb proves it, by cracky, making the most of his 15 min. walking into a shower as God made him.